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A  BIBLIOGRAPHICAL 

CONTRIBUTION  TO 

THE  STUDY  OF 

JOHN  RUSKIN 


-^ 


COMPILED   BY 

M.  ETHEL  JAMESON 


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CAMBRIDGE 

l^nteb  at  t^c  (gtJ&etrst^e  ^eee 

1901 


COPYRIGHT,  I9OI,  BY  MARY  ETHEL  JAMESON 


DEDICATED  TO 
MRS.  ZELLA  ALLEN  DLXSON 

With  sincere  affection  and  much  gratitude 
for  advice  and  encouragement 

M.  E.  J. 


Digitized  by  tlie  Internet  Arcliive 

in  2007  witli  funding  from 

IVIicrosoft  Corporation 


littp://www.arcli  ive.org/details/bibliograpliicalcOOjameiala 


PKEFACE 

In  offering  my  "  Contribution  to  the  Study  of 
John  Ruskin"  to  the  public,  I  do  so  upon  the 
advice  of  my  dear  friend  to  whom  these  pages  are 
respectfully  dedicated. 

It  was  originally  compiled  as  a  thesis  for  the 
University  of  Chicago,  in  the  course  in  Library 
Science,  and  is  now  published,  with  additions,  in 
the  hope  that  it  may  prove  of  use  to  the  many  stu- 
dents and  readers  of  John  Kuskin.  The  part 
devoted  to  "  Significant  facts  "  is  merely  a  collec- 
tion of  fragmentary  notes  arranged  by  subject.  I 
do  not  claim  completeness  for  the  bibliographical 
portions,  but  they  are  the  result  of  very  earnest 
research. 

I  wish  to  express  my  gratitude  to  Mr.  Charles 
Eliot  Norton  for  reading  my  manuscript  and  mak- 
ing several  valuable  corrections,  and  also  for  the 
kind  permission  extended  by  Mr.  W.  G.  CoUing- 
wood,  Mr.  John  A.  Hobson,  and  Mr.  Elbert  Hub- 
bard, to  use  frequent  quotations  from  their  works. 

Detroit,  Michigan, 
Twenty-eighth  June,  1901. 


BIBLIOGRAPHY  USED  IN  COMPILATION 

Allibone,  Aastiu  S.  Critical  Dictionary  of  English  Litera- 
ture. 

American  Catalogue. 

American  Library  Association  Index. 

Annual  Literary  Index. 

Bibliographie  de  la  France. 

Bibliographie  der  Deutschen  Zeitschriften  Litterator. 

British  Museum  Catalogue. 

Catalogue  Methodic  publicazioni,  Kome. 

CoUingwood,  W.  G.     Life  of  John  Ruskin. 

Cumulative  Index. 

English  Catalogue  of  Books. 

Heinsius'  Bucher-Lexikon. 

Heinrich's  Katalog. 

Hobson,  J.  A.     John  Ruskin :  Social  Reformer. 

Hubbard,  Elbert.  Little  Journeys  to  the  Home  of  Good 
Men  and  Great. 

Jahresberichte  fiir  Neuere  Deutsche  Littcraturgeschichte. 

Kayser,  C.  G.     Bucher-Lexikon. 

Lorenz,  d'Otto.     Catalogue  de  la  Libraire  Frangaise. 

Mather,  J.  M.     Life  and  Teaching. 

Oliphant,  M.  O.  W.     Makers  of  Florence. 

Poole's  Index. 

Publishers'  Weekly. 

Reclaim's  Universal  Bibliothek. 

Repertoire  Bibliog^phique  de  Revue  Frangaise. 


viii    BIBLIOGRAPHY  USED  IN  COMPILATION 

Review  of  Reviews  Index. 

Ridpath's  Library. 

Ruskin,  John.     Ethics  of  the  Dust.     Fors  Clavigera.     Hor- 

tus   Inclusus.      Letters  addressed  to  a  College  Friend. 

Modern  Painters.    Poems.    Prseterita.    Pre-Raphaelitism. 

Sesame  and  Lilies.     Seven  Lamps  of  Architecture. 
Shepherd,  R.  H.     Bibliography  of  Ruskin,  1834r-81. 
Trade  List  Annual. 

Tuthill,  L.  C.     True  and  the  Beautiful  in  Nature. 
Welsh,  A.  H.    English  Masterpiece  Course. 
Who 's  Who  in  England. 
Wochentliches  Verzeichnis  der  Erschienenen  u.  der  Vorbe- 

reiteten  Neuigkeiten  des  Deutschen  Buchhandels,  Leipzig. 
Numerous  Magazine  Articles  and  Newspapers. 


JOHN  RUSKIN 

BORN,  FEBRUARY  8,  1819.    DIED,  JANUARY 
20,  1900 

Rede  Lecturer,  Cambridge,  1867. 

Honorary  LL.  D.,  Cambridge,  1879. 

Slade  Lecturer  of  Fine  Art,  Oxford,  1870-79, 1882-84. 

Honorary  D.  C.  L.,  Oxford,  1893. 

Honorary  Member  of  the  Royal  Society  of  Painters  in 
Water  Color,  1873. 

Fellow  of  the  Geological  Society,  1840. 

Member  of  the  Societies  of  Zoology,  Architecture,  Horticul- 
ture, History,  Anthropology,  Metaphysics. 

Honorary  Associate  of  the  Academy  of  Venice. 

Honorary  Member  of  the  Royal  Academy  of  Antwerp. 

Honorary  Member  of  the  Royal  Academy  of  Brussels. 

Member  of  the  Athenseum  and  Alpine  Clubs  of  Loudon. 

CONTEMPORARIES 


Queen  Victoria, 
Charles  Kingsley, 
James  Russell  Lowell, 
Walt  Whitman, 


Bom  in  1819. 


CONTENTS 

PAGB 

Significant  Facts  in  thb  Life  op  John  Buskin        .  1 

Estimates  of  Ruskin 38 

Books  by  Production  Chbonologically      ...  48 

British  Editions  of  Buskin's  Books  ....  55 

Foreign  Editions 85 

Bibliography  of  Books  composed  of  and  containinq 
Selections  from  Buskin's  Writings,  also  of  Books 
fob  which  he   wrote   prefaces,  notbs,  letters, 

ETC 99 

Bibliography  op  Books  concerning   John  Buskin, 

HIS  Life,  Works,  and  Writings      ....  108 
Bibliography  of  Magazine  Articles    .        .       .       .119 

Index 145 


BIBLIOGRAPHICAL  CONTRIBUTION 

TO  THE 

STUDY  OF  JOHN  RUSKIN 


SIGNIFICANT  FACTS  IN  THE  LIFE  OF 
JOHN  RUSKIN 

John  Ruskin's  maternal  grandfather,  a  sailor, 
died  leaving  two  daughters  ;  one  married  a  baker, 
the  other  went  to  live  with  an  uncle,  and  became 
engaged  to  her  cousin,  John  James  Kuskin ;  but 
he  went  to  London  to  make  his  fortune  before  he 
married.  Ere  success  had  been  attained  his  father 
died,  leaving  him  an  accumulation  of  debts  to  pay. 
This  took  nine  years,  after  which  he  returned  to 
Scotland  for  his  bride.  He  entered  the  wine  busi- 
ness, with  Domecq  &  Telford  as  partners,  their 
warehouse  being  in  Billiter  Street,  London. 

The  Ruskins  lived  very  simply ;  being  country 
bred  they  never  mixed  much  with  great  people. 
John  James  Ruskin  was  the  literary  and  artistic 
influence  in  the  home,  and  great  confidence  existed 
between  him  and  his  son.    He  died  in  1862.    Mrs. 


2       BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Buskin  was  austere,  and  strong  mentally,  morally 
and  physically.  Hers  was  the  influence  which  was 
more  powerfully  visible  in  her  son's  character.  It 
was  her  intention  to  train  him  for  the  ministry ; 
his  father  hoped  that  he  might  one  day  be  poet- 
laureate.  His  mother  died  at  the  age  of  ninety, 
in  1871.  Ruskin  "  had  loved  her  truly,  obeyed  her 
strictly,  and  tended  her  faithfully  "  (CoUingwood). 

John  Ruskin's  childhood  was  spent  in  compar- 
ative luxury.  He  was  born  in  London  at  No.  54 
Hunter  Street,  in  1819.  In  1822,  when  he  was 
three  years  old,  the  family  moved  to  Heme  HiU, 
Dulwich.  His  toys  were  a  bunch  of  keys,  cart, 
ball,  and  two  boxes  of  building  blocks.  He  was 
once  given  a  Punch  and  Judy  by  an  indulgent 
aunt,  but  it  was  condemned  by  his  mother  and 
taken  from  him. 

He  was  happiest  when  left  entirely  to  himseK. 
The  domestic  atmosphere  was  free  from  discord, 
peaceful  and  calm,  with  consideration  for  others 
and  stern  justice.  Perfect  truthfulness  and  obedi- 
ence were  required  of  him.  If  he  cried  he  was 
punished,  or  if  he  gave  vent  to  the  exuberance  of 
youth  by  shouting  or  running  in  the  house  it  was 
a  grave  offence.  "  The  wish  to  disobey  is  already 
disobedience."  He  "  had  nothing  to  love,  nobody 
to  assist,  nobody  to  thank,  took  aU  for  granted, 
had  nothing  to  endure,  strength  never  exercised. 


THE  STUDY  OP  JOHN  RUSKIN  3 

courage  never  fortified."  He  had  an  innate  love 
of  nature,  mountains,  art,  "  first  loved  castles  and 
ruins,  not  pictures."  Of  literature  he  was  a  great 
reader  from  his  fifth  year.  His  first  books  were 
the  Bible,  Sir  Walter  Scott,  Pope's  Homer.  He 
learned  to  write  by  copying  print  out  of  books, 
and  he  attributes  his  cramped  chirography  to  this 
practice.  His  mother  required  of  him  great  feats 
in  mental  gymnastics  which  produced  serious  con- 
sequences in  later  years. 

Henry  Telford,  Mr.  Euskin's  partner,  gave  to 
little  John  a  copy  of  Kogers's  "  Italy,"  which  was 
his  first  introduction  to  Turner.  "  The  Eichmond 
Bridge,  Surrey,"  was  the  first  original  drawing  by 
Turner  that  Euskin  owned,  and  was  the  beginning 
of  a  great  collection. 

Mr.  Windus,  a  retired  coach-maker  who  lived  in 
Tottenham,  owned  the  finest  collection  of  Turner's 
pictures,  consisting  of  drawings  of  the  English 
series  and  the  series  of  illustrations  to  Scott,  By- 
ron, the  Southern  Coast,  and  Finden's  Bible.  He 
was  in  the  habit  of  opening  his  rooms  to  the  pub- 
lic one  day  of  each  week.  To  young  Euskin  he 
gave  the  privilege  of  coming  at  any  and  all  times. 
"  This  was  .  .  .  for  me  the  means  of  writing 
*  Modem  Painters.' " 

The  second  Turner  owned  by  Euskin  was  "  Gos- 
port,"  1839;  «  Winchelsea"  became  his  in  1840  ; 


4       BIBLIOGRAPHICAL  CONTRIBUTION  TO 

"  Harlech,"  16  inclies  by  9  inches,  in  1840,  for 
which  seventy  pounds  were  paid ;  in  1844  ten 
others,  including  "  The  Slave  Ship,"  which  Kuskin 
considers  Turner's  best. 

In  1840,  on  June  22,  at  Mr.  Thomas  Griffith's, 
Kuskin  first  met  Turner.  "  Introduced  to-day  to 
the  man  who  beyond  all  doubt  is  the  greatest  in 
every  faculty  of  the  imagination,  in  every  branch  of 
scenic  knowledge,  at  once  painter  and  poet  of  the 
day,  J.  M.  W.  Turner.  Everybody  had  described 
him  to  me  as  coarse,  boorish,  unintellectual,  vulgar. 
This  I  knew  to  be  impossible.  I  found  him  a 
somewhat  eccentric,  keen-minded,  matter-of-fact 
English  gentleman;  good  natured  evidently,  bad 
tempered  evidently,  hating  humbug  of  all  sorts, 
shrewd,  perhaps  a  little  selfish  ;  highly  intellectual 
powers  of  mind,  not  brought  out  with  any  delight 
in  their  manifestation  or  intention  of  display,  but 
flashing  out  occasionally  in  a  word  or  a  look." 

Kuskin  was  a  great  traveller  from  his  childhood. 
His  father  called  upon  his  customers  during  the 
summer  months,  going  from  town  to  town  by  post 
chaise.  Frequently  he  took  Mrs.  Kuskin  and  their 
son  in  a  carriage  lent  them  by  Mr.  Telford,  Mr. 
Kuskin's  partner.  Under  these  auspices  the  boy 
saw  England,  Scotland,  and  Wales. 

In  1833,  through  a  book  of  sketches  of  Flan- 
ders and  Germany  by  Prout,  a  tour  of  these  coun- 


THE  STUDY  OF  JOHN  RUSKIN  5 

tries  was  suggested,  and  John  Euskin  in  that  year 
had  his  first  taste  of  Continental  travel,  although 
he  had  been  in  Paris  in  1825  and  visited  the  field 
of  Waterloo,  but  did  not  do  much  travelling ;  they 
saw  Calais,  Brussels,  Cologne,  went  up  the  Rhine 
to  Strassburg,  through  the  Black  Forest  to  Schaff- 
hausen.  Here  Kuskin  caught  his  first  glimpse  of 
the  Alps,  which  were  ever  afterwards  a  passion 
with  him.  This  marked  an  epoch  in  his  life  as 
did  also  the  first  view  he  had  of  Lake  Geneva. 

During  his  travels  he  studied  scenery  and  build- 
ings, not  people  nor  customs. 

He  first  went  to  Venice  in  1835,  and  he  always 
loved  it.     He  went  to  Naples  in  the  same  year. 

During  1837, 1838,  and  1839  he  made  short  trips 
through  different  parts  of  England  and  Scotland. 

In  1840,  he  visited  Paris,  Rouen,  the  Loire  to 
Tours,  the  Rhone  to  Avignon,  the  Riviera  to  Flor- 
ence, and  went  to  Rome  for  the  first  time.  He 
was  very  much  disappointed,  not  being  well  in- 
formed on  Roman  history.  Here  he  met  Joseph 
Severn,  the  English  Consul  and  George  Rich- 
mond the  artist,  and  they  made  his  stay  pleasant. 
At  Geneva  he  studied  Michael  Angelo,  whom  he 
admired  from  the  first,  but  he  failed  to  appreciate 
Botticelli  or  Fra  Angelico  until  years  after.  He 
made  many  good  drawings  on  this  trip  at  Bologna, 
Naples,  and  Amalfi ;  of  these,  he  says :  "  I  can 


6       BIBLIOGRAPHICAL  CONTEIBUTION  TO 

say  now,  forty  years  later,  with  certitude,  that  they 
could  not  have  been  much  better  done." 

He  had  not  begun  to  study  architecture  yet,  and 
paid  but  little  attention  to  it. 

In  1842  we  find  him  again  in  the  Alps ;  also  in 
1844.  He  spent  many  weeks  in  Geneva,  which  he 
considered  as  near  a  model  city  as  any  modern  city 
can  be. 

The  year  1842  was  an  eventful  one,  for  he 
learned  the  value  of  drawing  directly  from  nature 
"  what  was  really  there."  The  beauties  possible  to 
detail  were  impressed  upon  his  mind  by  an  ivy 
growing  around  a  thorn  stem,  of  which  he  made  a 
drawing.  After  graduation  (1842)  his  life  lay  be- 
fore him  to  make  of  it  what  he  could.  He  had 
means  and  opportunity  for  travel  and  adventure, 
but  that  was  not  his  inclination.  Still  he  spent 
much  of  his  time  abroad. 

In  1845  he  went  to  Lucca,  where  he  lived  in  the 
Cloister  of  San  Francesco.  The  city  was  a  reve- 
lation and  a  delight  architecturally.  He  found 
twelfth-century  buildings  in  perfect  repair,  and  the 
Cloister  was  a  fine  example. 

At  Pisa  he  studied  very  diligently  the  art  trea- 
sures of  the  city.  He  found  "briefly  the  entire 
doctrine  of  Christianity  painted  so  that  a  child 
could  understand  it.  And  what  a  child  cannot 
understand  no  one  need  try  to."   He  made  sketches 


THE  STUDY  OF  JOHN  RUSKIN  7 

of  these  frescoes  that  were  rapidly  disappearing 
from  neglect  and  exposure. 

In  Venice  Ruskin  found  quite  a  colony  of  kin- 
dred spirits,  including  J.  D.  Harding,  Mrs.  Jame- 
son, who  was  writing  her  Legends,  and  Sir  W. 
Boxall,  R.  A.  Euskin  discovered,  in  the  Zecca, 
Bonifazio's  "  Solomon  and  Queen  of  Sheba,"  Tin- 
toret's  "  Bankers,"  Benedetto's  "  Diana,"  and  sev- 
eral of  Vecchio's  pictures.  He  visited  the  San 
Rocco,  and  upon  that  visit  depended  the  writing 
of  "  The  Stones  of  Venice  "  and  "  The  Laws  of  Fe- 
sole."  "  Tintoret  swept  me  away  at  once  into  the 
*  Mare  Maggiore  '  of  the  schools  of  painting  which 
crowned  the  power  and  perished  in  the  fall  of  Ven- 
ice, so  forcing  me  into  the  study  of  the  history  of 
Venice  herself.  All  I  did  at  Venice  was  bye-work, 
because  her  history  had  been  falsely  written  .  .  . 
and  because  in  the  world  of  painting  Tintoret  was 
virtually  unseen,  Veronese  unf  elt,  Carpaccio  not  so 
much  as  named  when  I  began  to  study  them.  Some- 
thing also  was  due  to  my  love  of  gliding  about  in 
gondolas."  Ruskin  had  come  to  a  full  understand- 
ing of  Venetian  color ;  and  Titian,  John  Bellini, 
and  Perugino  had  a  new  meaning  for  him. 

The  three  great  influences  in  Ruskin's  artistic 
life  were :  — 

ScuLPTUEE.  —  The  tomb  of  Ilaria  di  Caretto, 
"  as  embodying  the  truest  and  purest  womanhood." 


8       BIBLIOGRAPHICAL  CONTRIBUTION  TO 

(It  is  by  Giacomo  della  Querela,  and  is  in  memory 
of  Ilario,  second  wife  of  Paolo  Giunigi,  Lord  of 
Lucca.     It  was  completed  in  1413.) 

Architecture.  —  The  fa9ade  of  the  Santa 
Maria  Novella,  Florence,  "  thereon  literally  began 
the  study  of  architecture."  (Begun  in  1278  by 
Fra  Sisto  and  Fra  Kistoro  ;  completed  in  1349  by 
Giovanni  de  Campo.  Designed  by  Leo  Battista 
Alberti.) 

Painting.  —  Fra  Bartolomeo,  "  Example  of 
Catholic  traditions  under  pure  treatment  by  a  per- 
fect school  of  painting."  (The  "  Magdalene  "  and 
the  "  St.  Catherine "  hang  in  the  monastery  at 
Sienna.) 

In  1845  Buskin  also  went  to  Switzerland  to  see 
the  actual  scene  of  Turner's  "  St.  Gothard." 

At  Florence  most  of  his  time  was  spent  in  the 
Santa  Maria,  Santa  Croce,  and  at  the  Academic, 
where  he  studied  Angelico  and  Ghirlandajo,  and 
roamed  at  will  through  the  chapels  and  galleries. 

Buskin  went  north  to  Windermere  and  Amble- 
side in  1847  ;  abroad  in  1849,  climbed  the  Monta- 
vete,  slid  down  two  thousand  feet  to  the  source  of 
the  Arveron  in  seven  or  eight  minutes.  Stayed  in 
Venice  for  several  months. 

Abroad  in  1851  with  his  wife ;  in  1853  went  to 
Scotland  with  Acland  and  Millais.  Abroad  again 
in  1854. 


THE  STUDY  OF  JOHN  RUSKIN  9 

Went  through  Germany  in  1859,  although  he 
disliked  the  art,  people,  and  language  of  the  coun- 
try of  Holbein  and  Diirer.  It  was,  however,  for 
the  purpose  of  visiting  the  galleries  of  Berlin,  Dres- 
den, and  Munich. 

Abroad  in  1871,  1872,  and  1874. 

With  Arthur  Severn,  Huskin  posted  through 
England  in  1874,  in  a  carriage  built  for  the  pur- 
pose. 

In  1882  he  went  abroad  to  revisit  the  scenes 
and  places  he  had  learned  to  love  so  dearly.  He 
was  always  glad  to  return  to  the  Alps,  and  he  had 
learned  more  of  the  ways  of  nature  during  his 
mountain  climbing  than  from  any  other  source. 
The  Dole  and  Righi  had  played  a  part  in  his  life, 
"  the  former  continually  and  calmly,  the  latter  at 
sorrowful  intervals." 

Lake  Maggiore  he  terms  the  "  Garden  of  Eden." 
He  admired  Italian  scenery  and  the  people  physi- 
cally, but  deplored  their  degradation. 

"  There  have  been  in  sum  three  centres  of  my 
life's  thought,  —  Rome,  Geneva,  and  Pisa." 

From  1845,  he  tells  us,  that  all  his  serious  read- 
ing was  done  while  travelling  abroad,  and  his  life 
at  home  was  given  up  to  the  drudgery  of  author- 
ship and  press  corrections,  and  meeting  people  who 
came  to  see  his  Turner  collection.  He  was  obliged 
occasionally  to  send  out  the  following  notice  to  his 


10      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

friends :  "  Mr.  J.  Ruskin  is  about  to  begin  upon  a 
work  of  great  importance,  and  therefore  begs  that 
in  reference  to  calls  and  correspondence  you  will 
consider  him  dead  for  the  next  two  months." 

By  1859  Ruskin's  views  had  undergone  a  great 
change.  "  Men  must  have  possibilities  of  good,  but 
not  necessarily  be  good,"  to  be  great  artists. 

When  revisiting  the  scenes  of  "  The  Stones  of 
Venice,"  he  first  became  interested  in  Carpaccio's 
"  St.  Ursula,"  and  henceforth  it  was  his  favorite 
picture  and  guiding  star.  "Carpaccio  represents 
Greek  mythology  as  presented  by  the  Christian 
mind," 

The  first  mention  Ruskin  makes  of  Botticelli 
was  in  1871,  during  his  second  term  of  Oxford  lec- 
tures. Studied  him  more  minutely  while  abroad 
in  1872.  The  "  Zipporah,"  in  the  Sistine  Chapel, 
attracted  him  especially.  Botticelli  was  again 
treated  in  lectures  on  engraving  and  preface  to 
the  "  Eagle's  Nest." 

Ruskin's  Oxford  lectures  on  art  embody  his  more 
mature  views  on  that  subject.  He  considers  J.  F. 
Lewis  the  artist  who  stands  next  to  Turner  as  a 
landscapist. 

An  exhibition  of  Ruskin's  paintings  was  held  by 
the  Fine  Art  Society  in  1878. 

Ruskin  became  interested  in  daguerreotypes,  and 
bought  a  camera.     Some  of  the  pictures  were  later 


THE  STUDY  OF  JOHN  RUSKIN  11 

reproduced  in  "  Stones  of  Venice."  His  was  the 
first  picture  ever  taken  of  the  Matterhorn.  He 
studied  pre-Raphaelites  with  Mrs.  Jameson,  Lord 
Lindsay,  and  Rio  for  authorities.  The  pre-Ra- 
phaelite  Brotherhood  was  not  formed  by  Ruskin, 
but  is  based  upon  principles  voiced  by  him.  His 
pamphlet  on  the  subject  was  issued  in  1851. 

Ruskin  earned  pocket  money  by  writing  for 
magazines.  Published,  in  1834,  in  the  "  Magazine 
of  Natural  History,"  an  article  on  the  peculiar 
formation  of  the  crags  of  Lauterbrunnen,  and  an- 
other asking  the  cause  for  the  color  of  the  Rhine 
water.  He  was  on  the  staff  of  Loudon's  "  Maga- 
zine of  Architecture."  For  John  Murray  he  wrote 
art  notes.  Wrote  architectural  articles  over  the 
pseudonym  Kata  Phusin^  meaning  "  according  to 
nature." 

The  first  volume  of  "  Modern  Painters "  ap- 
peared in  1843,  by  "A  Graduate  of  Oxford." 
Turner  had  been  attacked  in  "  Blackwood's  Maga- 
zine "  in  1836,  and  "  Modern  Painters  "  was  Rus- 
kin's  defence.  "  The  review  raised  me  to  the  height 
of  '  black  anger,'  in  which  I  have  remained  pretty 
nearly  ever  since."  It  called  forth  a  deluge  of 
criticism.  He  was  well  qualified  to  meet  these  ad- 
verse opinions,  however,  having  travelled  so  exten- 
sively to  equip  himself  for  the  self-imposed  task  of 
defending  Turner. 


12      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Volume  two  was  published  under  his  own  name, 
but  did  not  appear  until  1846,  although  it  was  ex- 
pected to  follow  the  first  very  closely.  This  deals 
with  Angelico  in  Florence  and  Tintoret  in  Venice, 
two  schools  of  painting  practically  unknown  in 
England  at  the  time.  It  was  well  received.  After 
this  success  he  became  the  criterion  of  the  Eng- 
lish art  world.  Asked  to  review  Lord  Lindsay's 
"  Christian  Art."    See  "  London  Quarterly,"  1847. 

"  Modern  Painters,"  volumes  three  and  four, 
were  written  in  1855  ;  volume  five  1858. 

"  Seven  Lamps  of  Architecture "  came  out  in 
1849;  plates  were  by  the  author  in  soft  ground 
etching,  the  cover  by  H.  Rogers,  from  a  sketch 
done  at  San  Miniato  by  Ruskin. 

In  1834,  in  "  Friendship's  Offering,"  a  magazine, 
appeared  his  first  printed  verses.  He  afterwards 
contributed  frequently.  The  last  poems  he  wrote 
were  written  in  1845  at  Geneva,  "  A  Rhyme  to  Mt. 
Blanc "  and  "  A  Criticism  of  the  People  of  Con- 
flans." 

In  1850  his  poems  were  published  in  book  form 
by  his  father,  and  again  in  1890  by  W.  G.  Col- 
lingwood. 

"  Stones  of  Venice  "  was  planned  in  1845,  but 
the  first  volume  did  not  appear  until  1851,  after 
his  return  from  the  Continent.  Many  of  the  litho- 
graphs  and    engravings   were   done    by  Ruskin, 


THE  STUDY  OF  JOHN  RUSKIN  13 

others  by  Armytage,  Conseau,  Cuff,  Le  Keux, 
Boys,  and  Lupton,  the  best  engravers  of  the 
period.  It  was  written  at  Heme  Hill,  and  con- 
tains a  complete  catalogue  of  the  pictures  of  Tin- 
toret,  a  history  of  the  successive  styles  of  architec- 
ture, Byzantine,  Gothic,  and  Renaissance.  Volumes 
two  and  three  published  in  1853. 

In  1854,  Euskin  issued  a  pamphlet  pleading  for 
the  preservation  of  ancient  buildings  and  land- 
marks. The  result  was  the  formation  of  a  society 
for  this  purpose,  and  a  branch  was  established  in 
Italy. 

"  Notes  on  the  Royal  Academy  and  Other  Exhi- 
bitions "  were  begun,  in  1855.  The  first  pamphlet 
went  through  three  editions  in  one  month.  In 
1856  six  editions  of  the  "  Notes  "  were  sold,  such 
was  Ruskin's  standing  in  the  art  world.  These 
"  Notes "  created  much  animosity  towards  him  ; 
for  when  a  picture  was  condemned  by  him,  and  he 
was  fearlessly  truthful,  that  artist's  work  was  a 
drug  on  the  market  for  the  ensuing  year. 

Elements  of  drawing  (1856)  and  elements  of 
perspective  (1859)  were  the  text-books  for  the 
general  student  of  art,  his  theory  being  that  every 
one  should  have  an  understanding  of  rudimentary 
art  to  be  able  to  appreciate  nature.  These  make 
the  study  most  interesting. 

He  wrote  an  annotated  catalogue  of  the  oil  and 


14      BIBLIOGKAPHICAL  CONTRIBUTION  TO 

water-color  paintings  in  the  Turner  Collection. 
Went  through  five  editions. 

"Ethics  of  the  Dust"  (1866)  consists  of  a 
series  of  conversations  which  actually  took  place 
between  Euskin  and  some  of  the  members  of  the 
school  at  Winnington,  where  he  was  a  frequent 
visitor. 

"  Time  and  Tide  "  (1868)  is  a  statement  of  his 
social  views,  clear,  condensed,  and  simple. 

"  Queen  of  the  Air  "  (1869)  is  a  study  in  Greek 
mythology  containing  bird  myths,  animal  myths, 
and  plant  myths,  afterwards  appearing  in  "  Love's 
Meinie,"  "  Deucalion,"  and  "  Proserpina  "  respec- 
tively. 

"  Fors  Clavigera  "  was  first  issued  in  1871,  and 
is  a  continuation  of  the  work  begun  in  "  Time  and 
Tide."  The  letters  are  addressed  to  the  working- 
men  of  England.  It  was  the  first  publication  is- 
sued by  George  Allen,  and  was  bought  directly  by 
the  readers  from  him. 

The  second  course  of  lectures  Kuskin  delivered 
at  Oxford  was  afterwards  published  under  the 
title  "Aratra  Pentelici,"  and  deals  with  Greek 
relief  sculpture. 

"  Proserpina "  was  written  after  examining  a 
thistle  top  while  in  Scotland  (1875-86).  It  is 
Ruskin's  theories  on  botany.  With  the  accepted 
treatment  of  that  science  he  held  nothing  in  sym- 


THE  STUDY  OF  JOHN  RUSKIN  15 

patliy.  This  book  tells  of  the  gradual  development 
of  plants,  and  is  unique. 

"  Laws  of  resole  "  was  written  as  a  supplement 
to  "Elements  of  Drawing"  and  "Perspective." 
It  was  never  completed,  as  Euskin  originally  in- 
tended, with  a  continuation  entitled  "Laws  of 
Eivo  Alto." 

"  Saint  Mark's  Best "  was  written  accidentally. 
It  is  practically  a  guide-book  to  Venice. 

Euskin  was  left  an  executor  of  Turner's  will, 
but  refused  to  act ;  but  later  undertook  to  arrange 
the  19,000  drawings  and  sketches  left  to  the 
nation.  He  devised  frames  to  mount  the  sketches. 
He  worked,  with  two  assistants,  every  day  for  six 
months.  In  1881  he  published  "  A  Catalogue  of 
the  Drawings  and  Sketches  of  J.  M.  W.  Turner 
at  present  exhibited  in  the  National  Gallery." 

By  way  of  relaxation,  after  hard  study  or  lectur- 
ing tours,  Euskin  always  turned  to  mineralogy, 
and  he  wrote  many  articles  for  the  "Geological 
Magazine."  Some  of  the  best  specimens  of  common 
forms  of  native  silica  in  the  collection  of  the  Brit- 
ish Museum  were  presented  by  John  Euskin, 
F.  G.  S.  A  catalogue  of  the  same  published  in  1883. 
An  interesting  correspondence  between  Euskin 
and  J.  B.  Jukes,  professor  of  geology  at  Oxford, 
was  carried  on  through  the  pages  of  "  The  Eeader." 

Euskin  disapproved  of  cheap  literature,  which 


16      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

meant  poor  paper  and  poor  print.  People  appre- 
ciate more  that  which  is  not  so  easily  obtained. 
Of  his  writing  Euskin  says :  "  My  own  literary 
work  .  .  .  was  done  as  quietly  and  methodically 
as  a  piece  of  tapestry.  I  knew  exactly  what  I  had 
got  to  say,  put  the  words  firmly  in  their  places  like 
so  many  stitches,  hem  edges  of  chapters  round 
with  what  seemed  to  me  gracef  id  flourishes,  touched 
them  finally  with  my  cunningest  points  of  color, 
and  read  the  work  to  Papa  and  Mamma  next 
morning,  as  a  girl  shows  her  sampler." 

Kuskin's  father  disapproved  of  his  son  taking 
the  lecture  platform;  but  in  the  capacity  of  a 
public  speaker  he  was  almost  more  popular  than 
as  a  writer  on  art.  "  As  a  lecturer  Mr.  Ruskin 
was  most  engaging  "  (Collingwood).  He  had  great 
magnetism.  The  first  part  of  the  lecture  was  read, 
almost  intoned,  and  he  was  very  constrained.  Then 
he  would  become  most  earnest  and  act  out  any 
point  he  wished  to  impress  upon  his  audience.  The 
latter  part  was  frequently  extemporized. 

The  halls  where  his  lectures  were  delivered  were 
filled  to  overflowing.  At  the  first  of  his  Oxford 
lectures  the  small  recitation  room  was  quite  inade- 
quate, and  the  assemblage  was  asked  to  go  to  the 
Sheldonian  Theatre. 

The  "  Edinburgh  Guardian  "  prints  a  most  inter- 
esting account  of  his  first  lecture  of  the  Edinburgh 


THE  STUDY  OF  JOHN  RUSKIN  17 

course  in  1853.  "  His  elocution  is  peculiar,  lie 
has  difficulty  in  sounding  the  letter  '  r,'  and  there 
is  a  peculiar  tone  in  the  rising  and  falling  of  his 
voice  at  measured  intervab.  .  .  .  There  are  two 
things  with  which  you  are  perhaps  most  surprised, 
his  dress  and  manner  of  speaking,  both  eminently 
clerical." 

"  Lectures  on  Architecture  and  Painting  "  was 
severely  criticised  in  the  Athenaeum  (1854),  and 
much  disagreeable  discussion  ensued. 

The  same  year  he  delivered  a  course  before  the 
workingmen's  club  conducted  by  Frederick  Deni- 
son  Maurice,  in  Great  Ormond  Street. 

Euskin  discontinued  his  lectures  from  1854  to 
1857,  due  to  his  father's  persuasions.   However,  in 

1857  he  gave  a  great  many :  — 

"  The  Influence  of  Imagination  in  Architecture," 
before  the  Architectural  Association.  "  Political 
Economy  of  Art,"  at  the  St.  Martin's  School  of 
Art,  London,  and  at  the  Art  Treasures  Exhibi- 
tion, Manchester.     The  most  notable  lectures  of 

1858  were  on  the  same  subject.  "  The  Deteriora- 
tive Power  of  Conventional  Art  on  our  Nation," 
delivered  at  the  opening  of  the  South  Kensington 
Museum  in  1858.  At  Tunbridge  Wells  he  lectured 
on  the  "  Work  of  Iron  in  Nature,  Art,  and  Pol- 
icy," and  on  "  Unity  in  Art,"  in  1859,  at  Manches- 
ter.   The  lectures  delivered  at  Camberwell  Insti- 


18      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

tute  in  1865  are  published  under  the  title,  "  Crown 
of  Wild  Olive,  being  Work,  Labor,  and  War." 

Of  the  lecture  delivered  at  Cambridge  Univer- 
sity in  1867  on  the  "  Relation  of  National  Ethics  to 
National  Art,"  only  the  first  page  and  a  synopsis 
printed  in  the  newspapers  the  following  day  remain. 

"  The  Mystery  of  Life  and  Arts  "  was  given  at 
the  Royal  College  of  Science,  Dublin,  in  1868,  and 
forms  the  third  part  of  "  Sesame  and  Lilies." 

In  1870  Ruskin  was  elected  to  the  chair  of  Slade 
professor  of  Fine  Arts  at  Oxford.  This  was 
founded  by  a  bequest  from  Felix  Slade,  and  in  all 
England  there  was  no  one  so  well  qualified  for 
the  position  as  John  Ruskin.  The  salary  was 
nominal ;  his  influence  on  the  coming  men  of  Eng- 
land would  be  infinite.  He  held  this  professor- 
ship for  nine  years.  In  1879  he  resigned  because 
of  ill  health.  In  1883  he  was  reelected,  but  re- 
signed after  a  short  time  because  of  continued  ill 
health,  and  because  vivisection  was  permitted  in 
the  University. 

These  lectures  covered  other  topics  than  art, 
but  all  in  relation  to  art.  Ten  lectures  on  "  Nat- 
ural Science  in  Relation  to  Art "  were  published 
as  "  The  Eagle's  Nest."  Lectures  on  birds,  pub- 
lished as  "  Love's  Meinie."  For  these  he  had  skins 
of  many  different  kinds  of  birds  to  study  their  plu- 
mage, not  their  anatomy. 


THE  STUDY  OF  JOHN  RUSKIN  19 

The  course  on  "  Niccola  Pisano "  is  published 
under  the  title  "  Val  d'  Arno,"  and  is  largely  his- 
torical. "  It  is  written  with  the  old  nobleness  and 
fire,  in  which  no  other  living  voice,  to  my  know- 
ledge, equals  yours  "  (Carlyle). 

«  On  BotticeUi,"  Eton,  1874. 

"  On  Precious  Stones,"  London  Institute,  1877. 

"  On  the  Cistercian  Architecture,"  after  a  visit 
to  Citeaux,  the  birthplace  of  St.  Bernard. 

In  1870  he  lectured  at  Woolwich  Royal  Mili- 
tary Academy,  on  "  The  Story  of  Arachne,"  which 
is  still  in  manuscript  (1893.     CoUingwood). 

Ruskin  was  offered  the  gold  medal  of  the  Royal 
Institute  of  British  Architects,  but  declined  the 
honor,  as  he  was  not  in  sympathy  with  their  aims. 

He  was  elected  Lord  Rector  of  St.  Andrews 
University,  Glasgow,  in  1871.  Lord  Lytton  re- 
ceived 79  votes,  Ruskin  86  votes.  Later  it  was 
found  that  he  was  disqualified  because  he  was 
holding  a  professorship  in  an  English  university. 

Ruskin  says  of  himself  that  the  true  work  of 
his  life  began  with  his  thirtieth  year,  1850.  "  At 
the  age  of  forty,  Ruskin  had  finished  writing  on 
art"  (CoUingwood).  His  earlier  books  were  al- 
lowed to  run  out  of  print  because  he  came  to  the 
conclusion  that  people  read  his  books  not  for  the 
lesson  he  meant  to  teach,  but  for  the  beautiful 
word-painting  and  charming  style. 


20      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

It  was  through  art  that  Ruskin  became  a  social 
reformer.^  "Turner  made  him  an  art  prophet, 
Thomas  Carlyle,  called  Ruskin's  master,  made 
him  a  social  reformer."  "The  organic  relations 
between  art  and  national  character."  His  science 
of  life  lies  in  the  following  statement :  "  There  is 
no  wealth  but  life,"  and  "  The  final  outcome  and 
consummation  of  all  wealth  is  in  the  producing  as 
many  as  possible  full-breathed,  bright-eyed,  and 
happy-hearted  human  beings."  His  social  system 
is  based  upon  the  old  feudal  plan,  and  is  not 
Utopian.     "  Work  "  is  the  fundamental  principle. 

Ruskin  was  a  sympathizer  with  Carlyle  in  1850, 
when  criticism  of  Carlyle  was  most  furious,  and 
became  more  and  more  imbued  with  his  theories 
and  influence  every  year. 

Ruskin  was  prepared  for  his  work  as  a  political 
economist  by  his  practical  experience  in  so  many 
branches  of  industry,  —  understanding  architec- 
ture, wood  carving,  metal  work,  pottery,  jewelry, 
weaving,  road-making,  crossing-sweeping,  house 
painting  with  a  blunt  brush,  carpentry  (he  could 
take  aJsJiaving  six  feet  long)  ;  he  tried  masonry, 
but  found  that  was  too  difficult.  Once  he  swept 
fifteen  or  twenty  steps  at  the  old  chapel  for  his 
mother.      The  Domecq  daughters,  while  visiting 

^  Many  of  the  notes  on  the  social  views  of  Ruskin  are  selected 
from  Mr.  Hobson's  John  Buskin :  Social  Jteformer, 


THE  STUDY  OF  JOHN  RUSKIN  21 

John  Raskin's  parents  at  Denmark  Hill,  voiced 
sentiments  towards  the  laborers  on  their  father's 
estate  as  the  producers  of  the  wherewithal  to  sup- 
ply them  with  fine  clothes,  travel,  and  the  good 
things  generally  of  this  world.  "  This  gave  me 
the  first  clue  to  the  real  sources  of  wrong  in  the 
social  laws  of  modern  Europe,  and  led  me  neces- 
sarily into  the  political  work  which  has  been  the 
most  earnest  of  my  life." 

CoUingwood  says  that  Ruskin's  childish  writing 
showed  the  same  habits  of  thought  that  gradually 
developed  into  the  theories  he  laid  before  the  world. 

Ruskin  denounced  the  teachings  of  John  Stuart 
Mill,  his  "  protagonist,"  and  advocated  the  imme- 
diate payment  of  bills  in  retail  or  wholesale  trans- 
actions. He  concluded,  after  years  of  thought, 
that  the  commercial  system  was  at  the  root  of  all 
poverty  and  crime.  "  The  great  mass  of  the  un- 
employed was  due  to  incapacity,  and  that  in  that 
incapacity  the  fault  of  the  educated  and  wealthy." 
"  He  advocated  the  gradual  introduction  of  higher 
aims  into  ordinary  life,  at  giving  true  refinement 
to  the  lower  classes,  true  simplicity  to  the  upper  " 
(CoUingwood).  A  beginning  was  made  in  this 
direction  by  the  St.  George's  Company.  His  work 
at  the  Workingmen's  Club,  with  F.  D.  Maurice, 
was  another.  In  1854  he  gave  drawing  lessons  at 
the  club  rooms  every  Thursday  evening,  assisted 


22      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

by  Dante  Gabriel  Rossetti.  These  continued  until 
1858,  when  his  other  duties  compelled  him  to 
turn  the  practical  work  over  to  assistants.  After 
1860  he  gave  lectures  to  the  club  members.  They 
were  well  attended.  His  students,  both  here  and 
at  Oxford,  loved  him. 

Kuskin  claimed  that  all  artists  should  be  work- 
men, and  all  workmen  artists.  Several  very  fine 
copyists  and  engravers  were  trained  at  the  Work- 
ingmen's  Club,  and  one  of  these,  George  Allen, 
afterwards  was  his  publisher. 

The  beginning  of  the  St.  George's  Company 
was  made  in  1877,  with  thirteen  acres  of  land,  not 
far  from  Sheffield,  and  Euskin  gave  seven  thousand 
pounds,  equal  to  one  tenth  of  his  possessions,  and 
two  hundred  and  thirty-six  pounds  thirteen  shil- 
lings were  collected  from  those  interested.  Lord 
Mount  Temple  and  Sir  T.  D.  Acland  were  the 
trustees.  The  land  proved  useless  for  farming, 
and  those  who  joined  knew  nothing  of  agriculture. 
It  was  finally  turned  over  to  the  most  competent 
on  trust. 

On  the  Isle  of  Man  there  were  many  old  people 
who  had  made  a  living  in  early  life  by  weaving, 
but  the  new  inventions  in  machinery  had  long  ago 
caused  the  demand  for  homespuns  to  cease.  Eg- 
bert Kydings,  a  disciple  of  Euskin,  gathered  a 
number  of  these  people  into  a  settlement  at  Laxey 


THE  STUDY  OF  JOHN  RUSKIN  23 

and  began  the  industry  of  homespun  woolen  cloth. 
Ruskin's  clothes  were  made  of  this  material,  which 
is  warranted  never  to  wear  out. 

Albert  Fleming  is  guiding  successfully  a  hand- 
loom  weaving  and  spinning  establishment  at  Kes- 
wick, called  the  Ruskin  Linen  Industry.  It  was 
in  1875,  while  Ruskin  was  Slade  professor,  that 
he  conducted,  personally,  the  road-making  expedi- 
tion at  Hinksey.  The  road  was  very  much  in 
need  of  repair,  but  no  one  could  be  discovered 
whose  duty  it  was  to  do  it.  Ruskin  organized  a 
band  of  students  from  his  Oxford  classes,  and 
gave  them  lessons  in  stone-breaking  and  road- 
making.  The  road  was  not  much  improved,  but 
it  afforded  great  opportunity  for  the  local  wag, 
and  an  object  lesson  for  the  world  at  large.  At 
the  crossing  sweeping  between  the  British  Museum 
and  St.  Giles,  his  gardener,  Downes,  was  supervisor 
of  a  corp  of  men  employed  by  Ruskin,  who  some- 
times assisted  also.  His  theories  of  a  good  land- 
lord were  exemplified  in  a  piece  of  property  in 
London,  left  to  him  by  his  father.  He  had  suit- 
able houses  built,  and  rented  them  at  the  rate  of 
five  per  cent.,  other  landlords  in  the  neighborhood 
realizing  twelve  per  cent.  He  finally  sold  it  for 
thirty-five  hundred  pounds. 

Ruskin's  tea  shop  was  an  actual  experiment. 
One   of  his    many   superannuated    servants  was 


24      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

placed  in  charge.  The  tea  was  of  excellent  qual- 
ity, sold  to  the  poor  people  for  the  same  price  paid 
for  inferior  grades.  It  proved  a  paying  invest- 
ment, and  other  articles  were  later  offered  for  sale. 
Ruskin  felt  the  sufferings  of  the  masses  as  acutely 
as  though  they  were  his  own,  and  to  alleviate  this 
misery  was  the  problem  which  from  1860  was  the 
one  thought  of  his  life.  He  made  a  recluse  of 
himself  in  his  mountain  home  at  Mornex  that  he 
might  think  out  undisturbed  the  best  way  to  help 
these  people  to  help  themselves.  He  brooded  over 
their  condition  until  it  produced  his  mental  col- 
lapse. 

He  was  brought  up  in  strictest  Scotch  Evan- 
gelicalism. His  parents,  during  their  Swiss  trav- 
els, called  his  attention  to  the  different  aspects  of 
the  Protestant  and  Catholic  cantons.  The  former 
were  "  busy  and  clean,"  the  latter  "  idle  and 
dirty,"  and  although  the  rites  and  ceremonies  of 
the  Romish  services  had  a  fascination  for  him  while 
young,  he  thought  Papacy  should  be  exterminated. 
Later  on,  when  allowed  to  travel  alone  with  his 
valet,  he  was  most  punctilious  about  the  way  his 
Sundays  were  spent.  He  never  sketched  nor 
climbed  mountains,  always  attended  morning  ser- 
vice, and  if  there  was  no  English  church  he  read 
the  Morning  Prayer  and  Litany  himseK.  Once  he 
broke  his  rule,  and  climbed  a  peak  with  Couttet, 


THE  STUDY  OF  JOHN  RUSKIN  26 

his  guide ;  it  "  remains  a  weight  on  my  conscience 
until  this  day."  Once  only  did  he  ever  make  a 
sketch  on  Sunday. 

George  Herbert  was  greatly  admired  by  Kuskin. 
"  Whatever  has  been  wisest  in  thought  or  happiest 
in  the  course  of  my  following  life  was  founded  at 
this  time  on  the  teaching  of  Herbert." 

Kuskin  believed  "that  the  life  of  religion  de- 
pended on  the  force  of  faith,  not  on  the  terms  of 
it."     He  believed  in  fortune  and  fortune-telling. 

The  first  shock  his  religious  feeling  received  was 
from  a  monk  of  the  Carthusian  Monastery,  who 
disparaged  the  surrounding  beauties.  Ruskin  felt 
that  if  he  lived  in  the  midst  of  so  much  beauty  he 
could  never  grow  insensible  of  it,  and  could  never 
be  otherwise  than  good.  He  attached  great  impor- 
tance to  the  monk's  careless  remarks  :  "  We  do  not 
come  here  to  look  at  the  mountains." 

By  1859  Ruskin's  father  and  mother  considered 
him  a  heretic.  Theology  had  taught  him  to  look 
for  a  different  world  than  he  had  found,  and  poetry 
likewise  had  led  him  to  look  for  the  impossible. 
By  1866  he  was  not  a  believer  in  any  definite 
creed.  "  He  regarded  the  fear  of  God  and  the  reve- 
lation of  the  Divine  Spirit  as  great  facts"  (Col- 
lingwood).  A  personal  creed  was  the  result. 
Cardinal  Manning  talked  Roman  Catholicism  to 
Ruskin,   but   never   successfully,   although   many 


26      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

reports  became  current  at  the  time.  He  had  been 
doubtful  of  the  immortality  of  the  soul,  but  in  1876 
a  medium,  whom  he  met,  showed  him  his  dead 
fiancee.  This  convinced  him,  and  afterwards  he 
became  more  religious  and  he  studied  the  Bible 
more  closely. 

When  he  was  sixteen  Euskin  had  a  love  affair 
which  was  quite  serious.  He  fell  in  love  with  the 
daughter  of  his  father's  Spanish  partner,  Adele 
Domecq.  His  mother  disapproved  because  the 
young  lady  was  a  Catholic.  His  affection  was  not 
reciprocated,  however,  or  Mrs.  Ruskin's  consent 
might  not  have  been  essential.  Miss  Domecq 
married  a  few  years  later,  and  Ruskin  went  abroad 
in  search  of  health.  He  was  married,  April  10, 
1848,  to  Euphemia  Chalmers  Gray,  "  a  fair  Maid 
of  Perth,"  for  whom,  years  before,  he  had  written 
"  King  of  the  Golden  River."  It  was  an  arrange- 
ment between  the  parents  of  the  contracting  par- 
ties, and  they  were  quite  uncongenial.  They  sepa- 
rated in  1854. 

When  he  was  fifty-three  years  of  age  he  became 
very  much  attached  to  one  of  his  pupils,  despite  a 
great  disparity  of  years.  She  held  strong  religious 
views,  and  until  Ruskin  could  make  certain  state- 
ments of  belief  she  refused  to  marry  him.  This 
he  could  not  do.  She  died  soon  afterwards. 
"  There  was   something  in   girls  I  never  under- 


THE  STUDY  OF  JOHN  RUSKIN  27 

stood."  He  was  bom  under  Saturn,  and  his  line 
of  luck  was  broken  at  the  head  and  heart. 

The  first  money  Ruskin  was  given  was  an  income 
of  two  hundred  pounds  a  year,  by  his  father,  in 
1834.  Before  that  he  had  earned  money  by  writ- 
ing. Most  of  this  allowance  went  for  Turner  pic- 
tures. He  was  left  160,000  pounds  at  his  father's 
death.  Of  this  he  gave  away  nearly  all :  17,000 
pounds  were  given  to  his  poor  relations ;  15,300 
pounds  were  given  in  one  year  to  various  charities ; 
5000  were  for  the  chair  of  drawing  at  Oxford,  pre- 
sented  at  Convocation  in  1871.  He  once  disposed 
of  a  piece  of  property  for  3500  pounds;  of  this 
amount  the  cost  of  a  silk  umbrella  was  spent  upon 
himself,  the  rest  going  to  charities.  In  his  later 
years  his  income  was  derived  entirely  from  his 
books.  In  these  transactions  he  won  for  himself 
the  title  of  "  a  great  tradesman." 

His  annual  income  from  the  sale  of  his  books  in 
England  averaged  4000  pounds.  The  nimiber  of 
copies  sold  since  his  works  have  been  reprinted  in 
cheap  editions  are  as  follows  :  — 

Sesame  and  Lilies 
Frondes  Agrestes  . 
Crown  of  "Wild  Olive 
Unto  this  Last 
Seven  Lamps     . 
King  of  the  Golden  River 


40,000  . 

copies. 

34,000 

31,000 

30,000 

29,000 

22,000 

28      BIBLIOGRAPHICAL  CONTRIBUTION  TO 


Queen  of  the  Air 

.     14,000  copies, 

Time  and  Tide 

13,000       " 

Joy  Forever 

.    12,000      " 

Mornings  in  Florence     . 

11,000      " 

Eagle's  Nest 

.     11,000      " 

Total         ....      247,000      " 

From  Orpington  his  books  were  sold  directly 
to  the  reader.  For  "  Sesame  and  Lilies "  he  re- 
ceived $1.75  and  $2.25  per  volume,  but  later  the 
price  was  raised  to  $4.50  and  $5.00  per  volume. 
At  this  latter  price  it  went  through  six  editions. 
A  small-sized  edition  was  brought  out  later  to  sell 
for  $1.25  per  volume.  Of  this  four  editions  sold 
of  3000  volumes  each. 

Kuskin  was  never  very  strong,  and  all  his  life 
he  taxed  his  strength  to  the  utmost.  At  the  age 
of  eight  he  had  his  first  serious  illness.  In  1841  it 
was  feared  by  his  parents  that  he  was  going  into 
consumption.  In  1845  he  again  showed  signs  of 
decline,  and  on  his  wedding  trip,  in  1848,  a  return 
of  the  old  symptoms  drove  him  to  Switzerland, 
where  he  always  enjoyed  better  health  than  else- 
where.    The  cough  returned  from  time  to  time. 

Not  until  1867  did  any  indication  of  his  later 
illness  appear.  He  was  ill  in  1871,  and  three  years 
later  he  tells  of  "  failing  strength,  care  and  hope." 
He  went  abroad  hoping  to  receive  the  usual  bene- 


THE  STUDY  OF  JOHN  RUSKIN  29 

fit,  but  he  suffered  a  serious  relapse,  and  Christ- 
mas Day,  1876,  found  him  stricken  with  brain 
fever.  Until  the  summer  of  1878  he  was  quite  an 
invalid.  When  he  was  allowed  to  work  he  over- 
taxed his  brain,  and  in  the  winter  he  was  very  ill 
again  with  the  second  attack.  For  the  third  time, 
in  1882  and  again  in  1889,  he  was  quite  given  up 
by  the  physicians.  He  disliked  to  take  medicine, 
and  he  was  a  very  hard  patient  to  manage.  After 
that  he  led  a  quiet  life,  and  never  took  up  his  work 
again.  His  time  was  spent  in  visiting  his  friends 
in  the  neighborhood,  receiving  them  at  his  home, 
and  reading  the  new  books  and  daily  papers. 

Buskin  had  lived  at  Brantwood  since  1872,  and 
here  he  died  January  20,  1900,  being  eighty-one 
years  of  age.  He  passed  away  peacefully  after  a 
short  illness,  and  was  bm-ied  in  the  little  church- 
yard at  Coniston.  A  place  in  Westminster  had 
been  selected,  but  his  cousin  respected  what  she 
knew  would  be  his  wishes  in  the  matter.  Charles 
Eliot  Norton  was  appointed  literary  executor.  A 
uniform  edition  of  Buskin's  works  will  perhaps 
be  published  later  on.  An  authorized  biography 
seems  unnecessary.  "  Praeterita "  and  Colling- 
wood's  "  Life  "  have  accomplished  almost  all  that 
could  be  desired. 

Buskin's  estimate  of  a  few  of  the  men  and  wo- 
men who  influenced  his  life  is  worth  giving :  — 


30      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

He  spoke  respectfully  of  the  work  of  Darwin 
and  Tyndall.  He  praised  the  work  of  Alma- 
Tadema. 

In  1875  he  wrote  disparagingly  of  Gladstone, 
as  the  leader  of  the  party.  Ruskin  visited  him  in 
1878,  and  in  reprinting  the  letter  containing  this 
condemnation  these  portions  were  omitted  and  a 
blank  space  left,  and  in  the  centre  these  words, 
"  A  memorial  to  rash  judgment." 

Dante  Gabriel  Eossetti  he  admired  for  his  im- 
aginative powers. 

He  once  saw  Wordsworth  and  Southey  in  church. 
Wordsworth's  appearance  did  not  please  him  at  all. 

Mrs.  Jameson  he  considered  "  absolutely  with- 
out knowledge  or  instinct  of  painting,  and  had  no 
sharpness  of  insight  for  anything  else  ;  but  she  was 
candid  and  industrious,  with  a  pleasant  disposition 
to  make  the  best  of  all  she  saw,  and  to  say  compli- 
antly that  a  picture  was  good  if  any  one  had  ever 
said  so  before." 

He  criticised  Whistler  most  severely,  and  a  suit 
was  entered  against  him  by  Whistler  for  libel. 
Ruskin  lost  the  suit  and  had  to  pay  damages  to 
the  extent  of  one  farthing.  The  costs  were  paid 
by  subscription  by  his  friends.  Ruskin  wrote  of 
Whistler  as  "  a  coxcomb." 

He  thought  Turner  the  "  epitome  of  all  art,  the 
concentration  of  all  power;  there  is  nothing  that 


THE  STUDY  OF  JOHN  RUSKIN  31 

ever  artist  was  celebrated  for  tliat  he  cannot  do 
better  than  the  most  celebrated.  He  seems  to 
have  seen  everything,  spiritualized  everything  in 
the  visible  world ;  there  is  nothing  he  has  not  done, 
nothing  he  dares  not  do ;  when  he  dies  there  will 
be  more  of  nature  and  her  mysteries  forgotten  in 
one  sob  than  will  be  learnt  again  by  the  eyes  of 
a  generation." 

He  wrote :  "  No  description  of  mine  is  worth 
four  lines  of  Tennyson." 

EDUCATION 

Euskin's  only  teacher  until  he  was  fourteen  years 
of  age  was  his  mother,  who  had  the  happy  faculty 
of  making  his  studies  interesting,  even  to  his  Latin 
grammar.  She  had  him  read  the  Bible  aloud  from 
cover  to  cover  once  a  year  ;  the  slightest  error  was 
corrected.  He  memorized  the  following  chap- 
ters :  — 

Exodus,  chapters  15,  20. 
Deuteronomy,  chapter  32. 

Second  Samuel,  chapter  1,  from  the  seventeenth  verse 
to  the  end. 

First  Kings,  chapter  8. 

Psahns,  chapters  23,  32,  90,  91, 103,  112, 119, 139. 

Proverbs,  chapters  2,  3,  8,  12. 

Isaiah,  chapter  58. 

Matthew,  chapters  5,  6,  7. 


32      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Acts,  chapter  26. 

First  Corinthians,  chapters  13, 15. 

James,  chapter  4. 

Revelation,  chapters  5,  6. 

He  attributes  his  "  clear  insight  and  analytical 
power  to  this  early  training." 

His  father  read  aloud  every  evening,  and  Ruskin 
heard  most  of  Shakespeare,  Fielding,  and  the 
Waverley  Novels  in  this  way.  When  Kuskin  was 
fourteen,  Mr.  Rowbotham  instructed  him  in  math- 
ematics. Osbourne  Gordon  became  his  tutor  in 
1836.  Entered  Oxford,  Christ  Church,  in  1837. 
He  spent  much  time  on  poetry,  and  competed  three 
times  for  the  Newdigate  prize.  The  first  time  it 
was  won  from  him  by  Arthur  P.  Stanley,  after- 
wards Dean.  The  next  year  Ruskin  submitted 
the  "Exile  of  St.  Helena,"  but  it  was  won  by 
Henry  Dart.  In  1838  the  prize  was  won  with 
"  Salsette  and  Elephanta,"  by  Ruskin.  In  1840 
he  expected  to  take  his  degree,  but  his  health  gave 
way  from  overwork.  He  returned  to  England  in 
1841,  however,  and  read  under  his  former  tutor  and 
took  a  B.  A.  with  an  honorary  double  fourth.  He 
was  strong  in  divinity,  philosophy,  and  mathe- 
matics, but  his  Latin  was  always  weak.  He  re- 
ceived his  M.  A.  in  1843,  when  he  was  twenty-four. 

Ruskin  gives  little  credit  to  Oxford  for  his 
learning.     His  philosophical  studies  covered  Al- 


THE  STUDY  OF  JOHN  RUSKIN  33 

drich,  Bacon,  Locke,  Aristotle,  Plato,  Thomas 
Browne,  and  Dugald  Stuart  and  other  Scotchmen. 
In  1869  he  began  to  study  Egyptology  through 
Max  Miiller. 

Euskin  was  elected  Fellow  of  Corpus  Christi 
College,  Oxford,  in  1871.  He  studied  music  under 
Marshall ;  art,  first  with  Copley  Fielding,  Prout, 
Northcote,  and  Runciman. 

First  Writings.  —  When  seven  years  of  age, 
Kuskin  wrote  descriptions  of  his  travels  in  verse, 
then  a  story,  after  the  style  of  Miss  Edgeworth's 
books,  called  "  Harry  and  Lucy  ...  in  4  volumes, 
with  copper  plates,  printed  and  composed  by  a  little 
boy."  His  first  published  writings  were  the  poems 
printed  in  "  Friendship's  Offering,"  in  1836.  His 
first  published  book  was  volume  one  of  "  Modem 
Painters." 

Number  of  Books  Published,  86. 

Personality.  —  Ruskin  was  between  five  feet 
ten  and  eleven  inches  in  height,  slim,  had  deep-set 
blue  eyes,  light  brown  hair  worn  quite  long,  large 
aquiline  nose,  good  perceptive  faculties,  sensitive 
mouth.  Later  in  life  he  wore  a  long  white  beard. 
His  hair,  though  white,  remained  thick.  "  They  've 
been  doing  photographs  of  me  again,  and  I  am 
an  orang-outang  as  usual  and  am  in  despair.  I 
thought,  with  my  beard,  I  was  beginning  to  be 


34      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

just  the  least  bit  nice  to  look  at.  I  would  give 
up  half  my  books  for  a  new  profile." 

His  hands  were  beautiful.  He  generally  wore 
homespun  from  Laxey  and  a  light  blue  tie ;  a 
frock  coat  and  a  white  vest  on  the  lecture  platform. 
Always  wore  Gladstonian  collars. 

Euskin  was  an  exceptionally  fine  conversational- 
ist, and  an  equally  good  listener.  "  John  Euskin, 
boy  and  man,  had  a  terrible  power  of  winning 
hearts  "  (Collingwood).  He  was  always  genial,  al- 
ways most  respectful  to  his  mother. 

Euskin's  character  was  very  strong,  and  asserted 
itself  at  an  early  age.  He  enjoyed  the  theatre 
from  childhood,  was  fond  of  music,  especially  sing- 
ing. He  was  fond  of  a  joke,  was  very  neat,  and 
loved  cleanliness,  which  he  inherited  from  his  mo- 
ther, and  from  his  father  "  solidity  and  soundness." 
His  "  power  of  taking  pains  "  was  one  of  his  most 
marked  characteristics.  He  was  very  impulsive 
and  had  a  vivid  imagination ;  a  very  just  critic, 
very  enterprising,  liberal  with  his  money ;  imobtru- 
sive  in  his  sorrows,  chivalrous.  He  liked  to  begin 
a  drawing,  but  dreaded  the  finishing ;  disliked 
ugly  people ;  did  not  smoke.  He  was  very  fond  of 
young  people,  and  loved  children,  —  once  gave  a 
dinner  for  three  hundred  and  fifteen.  He  loved 
animals,  and  spent  days  at  the  Zoological  Gardens. 
In  his  younger  days  he  owned  a  dog  named  Dash, 


THE  STUDY  OF  JOHN  RUSKIN  35 

then  followed  collies,  St.  Bernards,  bulls.  He 
studied  the  habits  of  animals  with  great  interest ; 
delivered  a  lecture  on  snakes  in  1880. 

Ruskin  was  a  strong  supporter  of  the  Society 
for  the  Prevention  of  Cruelty  to  Animals,  and 
formed  a  society  of  children,  called  the  "  Society  of 
Friends  of  Living  Creatures,"  in  1885. 

Environments.  —  Ruskin  was  born  at  54  Hun- 
ter Street,  Brunswick,  London.  In  1822  they 
moved  to  Heme  Hill ;  thence  to  Denmark  Hill, 
Dulwich,  in  1842,  but  Ruskin  was  always  more 
fond  of  Heme  Hill.  The  Denmark  Hill  home 
was  on  Vauxhall  Road.  It  stood  in  seven  acres 
of  land,  half  in  kitchen  garden  and  an  orchard 
of  almond  and  peach  trees.  The  rooms  of  the 
house  were  hung  with  the  pictures  of  Turner, 
Copley  Fielding,  and  two  portraits  of  John  Rus- 
kin, the  boy,  by  Northcote.  His  own  study  was 
very  plain  and  simple.  The  household  was  well 
conducted  by  Mrs.  Ruskin.  When  her  son  entered 
Oxford  she  took  rooms  in  the  town  that  she  might 
be  near  him,  and  every  evening  Ruskin  came  to 
take  tea  with  her.  He  and  his  bride  lived  at  31 
Park  Street,  Loudon,  for  a  short  time,  and  also  at 
Heme  HiD. 

Miss  Joanna  Ruskin  became  an  inmate  of  their 
home  in  1864.  Later  she  married  Arthur  Severn. 
She  was  very  devoted  to  Ruskin's  mother  during 


36     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

her  declining  years,  and  remained  with  him  until  he 
died.  Ruskin  went  to  live  at  Brantwood  on  Lake 
Coniston,  Cumberland,  in  1872.  Tent  House,  oc- 
cupied once  by  Tennyson,  is  also  on  the  lake,  and 
ten  miles  away  are  Grasmere  and  Dove  Cottage. 

Brantwood  ^  is  a  rambling  house  built  of  rough- 
cast and  pebbles,  covered  with  vines.  Ruskin 
made  many  additions  to  the  original  building. 
The  house  stands  at  the  foot  of  a  steep  mountain, 
and  from  the  windows  fine  views  of  the  surround- 
ing country  are  obtained,  including  the  lake  and 
"  The  Old  Man."  The  garden  flowers  are  poppies, 
hollyhocks,  rue,  sweet  marjoram ;  the  margins  are 
marked  with  boxwood.  The  lawn  is  cut  with  a 
scythe,  not  a  lawn-mower.  Hot -houses  supply 
grapes  and  strawberries  to  the  sick  of  the  neigh- 
borhood. A  brass  knocker  is  on  the  door.  The 
entrance  hall  is  square,  and  the  walls  are  hung  with 
"  Fair  Rosamund,"  "  Thisbe,"  and  "  Cleopatra," 
by  Burne-Jones,  several  pictures  by  Prout,  and  sev- 
eral by  Ruskin.  The  drawing-room  is  done  in  blue, 
and  there  are  not  many  pictures  ;  the  dining-room 
is  in  green,  and  is  a  very  large  room  with  a  fine 
view.  The  pictures  are  Tintoret's  "  Titian,"  por- 
traits of  Reynolds  and  Turner  by  Ruskin,  Raphael 
by  a  pupil,  portraits  of  Ruskin's  father  and  mother 

^  Much  of  the  description  of  Brantwood  is  taken  from  Mr. 
Elbert  Hubbard's  Little  Journeys. 


THE  STUDY  OF  JOHN  RUSKIN  37 

by  Northcote,  and  his  own  two  portraits  by  the  same 
artist.  The  library  is  subdued  in  coloring ;  only 
three  etchings  and  two  water-colors  adorn  the  walls. 
The  chairs  are  leather-covered ;  the  table  is  strewn 
with  magazines,  newspapers,  and  photographs. 
Ruskin's  own  sanctum  was  the  turret  room,  which 
was  strictly  private.  It  is  furnished  with  old-fash- 
ioned furniture.  The  walls  of  this  room  and  his 
sleeping-room  are  closely  hung  with  his  Turner 
pictures.  Many  of  them  have  been  discussed  in 
"  Modem  Painters." 

He  had  also  many  very  rare  and  valuable  books 
and  manuscripts.  Of  late  years  he  had  used  a 
typewriter  quite  extensively.  Candles  were  burned 
in  the  house  altogether,  neither  gas  nor  lamps 
being  allowed. 

Euskin  was  always  very  anxious  to  have  a  home 
of  his  own  in  the  Alps,  and  after  many  fruitless 
attempts  and  laughable  experiences  he  secured  one 
at  Mornex,  two  thousand  feet  above  the  level  of 
the  sea  and  overlooking  Mont  Blanc. 

When  in  Venice,  Buskin  stayed  at  La  Calcina, 
in  the  Latin  quarter.  It  faces  the  Giudecca  and 
is  opposite  the  Church  of  II  Redentore  and  the 
Church  of  the  Gesuiti. 

Favorite  Authors.  —  Shakespeare,  Pope,  By- 
ron, George  Herbert,  Wordsworth,  SheUey,  Scott, 
Rousseau. 


38     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Frientds.  —  Thomas  Carlyle,  Mrs.  Carlyle,  Dr. 
John  Brown,  Mrs.  Jameson,  Sir  William  Gull, 
M.  D.,  Sir  Charles  Newton,  Lord  and  Lady  Mount 
Temple,  Sir  Henry  Acland,  Henry  Dart,  John 
Lewis,  Miss  Prout,  W.  M.  Thackeray,  Dean  Stan- 
ley, James  A.  Froude,  Joseph  Severn,  J.  D.  Har- 
ding, George  Richmond,  J.  E.  Millais,  Robert  and 
Elizabeth  Barrett  Browning,  Frederic  Denison 
Maurice,  Dante  Gabriel  Rossetti,  Burne-Jones, 
William  Morris,  Charles  Eliot  Norton,  Mrs.  Harriet 
Beecher  Stowe,W.  J.  Stillman,  Charles  Halle,  W. 
G.  Collingwood,  A.  D.  O.  Wedderburn,  Arnold 
Toynbee,  W.  H.  Mallock,  C.  H.  Moore,  Prince 
Leopold,  W.  E.  Gladstone,  Cardinal  Manning, 
Godfrey  Windus,  Max  Miiller,  Lord  Lindsay,  Sir 
W.  BoxaU,  R.  A. 


ESTIMATES  OF  RUSKIN 

ON  AET 

Collingwood.  —  "  Ruskin  did  for  English  art 
what  Aristotle  did  for  Greek  ethics."  "  Ruskin's 
work  went  on  until  he  was  practically  acknow- 
ledged to  be  the  leading  authority  upon  matters 
of  art  —  almost  the  dictator  of  taste."  "  He  knew 
•more  about  scenery  than  most  geologists  and  more 
about  geology  than  most  artists." 


THE  STUDY  OF  JOHN  RUSKIN  39 

Benjamin.  —  "  With  all  the  extravagance  of  his 
works  was  blended  so  much  that  was  really  true 
and  great  that  at  one  time  he  exerted  a  salutary- 
influence  on  English  art.  But  he  is,  after  all,  a 
man  of  only  one  idea,  he  cannot  adapt  himself  to 
the  shifting  forms  of  art  suggested  by  different 
circumstances." 

HoppiN.  —  "  Kuskin  .  .  .  has  done  more  for  the 
right  understanding  of  art  than  any  living  man  or 
artist." 

Oliphant.  —  "  Ruskin  is  one  of  the  most  dis- 
^  tinguished  of  living  critics."  "  Feeling  and  criti- 
cism of  the  present  day  are  so  largely  influenced 
by  Mr.  Ruskin." 

Turner.  —  "  He  knows  a  great  deal  more  about 
my  pictures  than  I  do;  he  puts  things  into  my 
head,  and  points  out  meanings  that  I  never  in- 
tended." 

Anonymous.  — In  "  Blackwood's  Magazine  "  for 
January,  1860 :  "  Mr.  Ruskin  has  been  before 
the  world  for  some  time  as  the  most  voluminous, 
the  most  confident,  and  the  most  dogmatic  of  art 
critics.  He  has  astonished  his  readers  no  less  by 
his  platitudes  than  by  his  paradoxes.  .  .  .  There 
is  nothing  more  painful  in  Mr.  Ruskin's  works 
than  the  total  want  of  reverence  for  things  human 
and  divine  which  pervades  them." 


40     BIBLIOGRAPHICAL  CONTRIBUTION  TO 
ON   LITERARY   WORK 

Allison.  —  "  His  great  and  varied  genius  and 
taste  appear  equally  conspicuous  in  his  *  Seven 
Lamps'  (as  in  'Modern  Painters'),  one  of  the 
most  profound  and  original  works  of  the  kind  in 
the  English  language." 

Bronte.  —  "  The  *  Stones  of  Venice '  seem 
nobly  laid  and  chiseled.  How  grandly  the  quarry 
of  vast  marbles  is  disclosed !  Mr.  Ruskin  seems 
to  me  one  of  the  few  genuine  writers  as  distin- 
guished from  bookmakers  of  this  age.  His  ear- 
nestness amuses  me,  for  I  cannot  help  laughing  to 
think  how  utilitarians  will  fume  and  fret  over  his 
deep,  serious,  (they  will  think)  fanatical  reverence 
for  art." 

"  I  congratulate  you  [the  publishers]  on  the  ap- 
proaching publication  of  Mr.  Ruskin's  new  book. 
If  '  Seven  Lamps  of  Architecture  '  resemble  their 
predecessors,  '  Modern  Painters,'  they  will  be  no 
lamps  at  all,  but  a  new  constellation  ;  seven  bright 
new  stars  for  whose  rising  the  reading  world  ought 
to  be  anxiously  agape." 

Carlyle.  —  "It  is  written  with  the  old  noble- 
ness and  fire,  in  which  no  other  living  voice,  to  my 
knowledge,  equals  yours." 

CoLLiNGWOOD.  —  "  Ruskin  was  the  first  writer 
whose  contemporaries,  during  his  lifetime,  formed 


THE  STUDY  OF  JOHN  RUSKIN  41 

societies  to  study  his  work."  "  The  best  men  .  .  . 
were  the  first  to  recognize  Mr.  Ruskin's  genius." 

English  Cyclop-edia  of  Biography. — "  One 
of  the  greatest  masters  of  diffused  writing ;  he  is 
one  of  the  strongest  in  condensed  invective." 

Japp.  —  "  Not  a  single  English  writer  has  been 
on  the  whole  more  consistent  from  first  to  last 
than  Kuskin."  "  Ruskin  has  .  .  .  remarkable  and 
ready  power  of  giving  sensuous  form  to  all  his  im- 
pressions." "  With  him  to  feel  is  to  embody :  his 
experiences,  be  they  commoner  or  deeper,  almost 
of  themselves  start  into  beautiful  and  appropriate 
form,  in  which  we  see  the  results  of  large  culture 
and  well-directed  imagination." 

Rhoades.  —  "  Brilliant  gifts,  eloquence,  and 
enthusiasm  made  him  one  of  the  most  influential 
and  effective  teachers  of  his  generation." 

Ritchie.  —  "Ruskin  should  have  been  a  nov- 
elist. When  he  chooses  to  describe  a  man  or  a 
woman,  there  stands  the  figure  before  us  ;  when  he 
tells  a  story,  we  live  it.  His  is  rather  the  descrip- 
tive than  the  constructive  faculty ;  his  mastery  is 
over  detail  and  quantity  rather  than  over  form." 

RosSETTi,  W.  M.  —  "  He  has  evinced  an  over- 
whelming superiority  in  those  other  faculties  of 
perception,  fervor,  and  eloquence  constituting  a 
vigorous  individualism  and  initiating  force." 

Saintsbuey.  —  "  All  his  work  in  reality  bears 


42     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

the  same  marks,  —  an  intense  love  of  beauty,  a 
restless  desire  to  theorize  on  beautiful  objects,  a 
vivid  imagination,  a  rather  weak  logical  gift, 
a  strong  but  capricious  moral  sense,  a  knack  of 
succumbing  to  any  tempting  current  theory,  a  mar- 
vellous command  of  eloquent  prose,  and  as  must 
be  constantly  repeated,  an  utter  absence  of  criti- 
cal faculty  properly  so-called."  "Mr.  Ruskin's 
[thought]  is  for  the  most  part  purely  original  .  .  . 
and  at  times  it  has  really  marvellous  vigor,  felicity, 
and  truth ;  at  others,  and  just  as  often,  it  borders 
on  sheer  nonsense."  "  A  crotcheteer  with  a  tongue 
of  gold."  " '  Stones  of  Venice '  ...  is  the  book  of 
descriptive  prose  in  English."  "Ruskin's  books, 
if  read  simply  for  enjoyment,  will  be  found  to 
contain  the  very  finest  prose  (without  exception 
and  beyond  comparison)  which  has  been  written 
in  English  during  the  last  half  of  the  nineteenth 
century." 

Smith,  Sidney.  —  "  Transcendent  talents,  pre- 
senting the  most  elegant  and  powerful  language 
which  should  work  a  complete  revolution  in  the 
world  of  taste." 

Stmonds,  J.  A.  —  "  Ruskin  has  shown  how  far 
a  gifted  writer  can  miss  the  mark  through  want  of 
sympathy,"  in  his  lecture  on  Michael  Angelo  and 
Tintoret. 

Taveneb,  Lucking.  —  "It  has  been  acknow- 


THE  STUDY  OF  JOHN  EUSKIN  43 

ledged  that  lie  is  the  greatest  master  of  English 
prose." 

Thoreau.  —  "I  have  just  read  Ruskin's  ' Mod- 
ern Painters.'  ...  I  am  disappointed  in  not  find- 
ing it  a  more  out-of-door  book,  for  I  had  heard  that 
such  was  its  character.  But  its  title  might  have 
warned  me.  He  does  not  describe  nature  as  nature, 
but  as  Turner  painted  her.  Although  the  work 
betrays  that  he  has  given  close  attention  to  nature, 
it  appears  to  have  been  with  an  artist's  and  critic's 
design." 

Hamerton,  p.  G.  —  "  Of  prose  writers  Ruskin 
stands  quite  alone." 

ON  RELIGIOUS  THOUGHT 

CoLLiNGWOOD.  —  "He  is  different  from  other 
men  you  know  just  by  the  breadth  and  vividness 
of  his  sympathies,  by  power  of  living  as  few  other 
men  can  live  in  admiration,  hope,  and  love.  Is 
not  such  a  life  worth  living  whatever  its  monument 
be  ?  "  "  Ruskin  did  not  know  there  was  another 
life ;  he  hoped  there  was,  and  yet  if  he  were  not 
a  saint  or  a  Christian,  was  there  any  man  in  the 
world  who  was  nearer  to  the  kingdom  of  heaven 
than  this  stubborn  heretic  ?  " 

HoPPiN.  —  "  Ruskin  has  been  an  apostle  of  good 
in  other  things  besides  art,  and  has  fought  a  glo- 
rious fight  against  untruth  and  materialism." 


44    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

TuTHiLL.  —  "As  a  Christian  philosopher  Mr. 
Euskin  deservedly  ranks  with  the  'Judicious' 
Hooker,  the  eloquent  Jeremy  Taylor,  and  the  '  Di- 
vine '  Herbert.  A  devout  spirit  animates  and  in- 
spires all  his  books.  .  .  .  He  has  an  ever-realizing 
sense  of  the  presence  of  God,  and  acknowledges 
that  Divine  Presence  not  with  light  words,  but 
with  words  of  solemn  import,  —  not  as  the  God 
of  nature  alone,  but  as  the  Almighty  Father  and 
Friend  revealed  in  the  life-giving  Gospel  of  Jesus 
Christ." 

Wakj:field. — "  To  make  people  think  ever  has 
been  Mr.  Ruskin's  aim." 

HuBBAED,  Elbert.  —  "I  believe  John  Euskin, 
William  Morris,  Henry  Thoreau,  Walt  Whitman, 
and  Leo  Tolstoi  to  be  Prophets  of  God,  and  they 
should  rank  in  mental  reach  and  spiritual  insight 
with  Elijah,  Hosea,  Ezekiel,  and  Isaiah." 

ON  HIS  SOCIAL  WORK 

Caelyle.  —  "  Dear  Euskin  :  This  '  Fors  Clavi- 
gera,'  letter  No.  5,  which  I  have  just  finished  is 
incomparable,  a  quasi-sacred  consolation  to  nie 
which  almost  brings  tears  into  my  eyes.  Every 
word  of  it  is  as  if  spoken  not  out  of  my  poor  heart 
only,  but  of  the  eternal  skies,  words  winged  with 
Empyrean  wisdom  lightning,  and  which  I  really 
do  not  remember  to  have  heard  the  like  of.     Con- 


THE  STUDY  OF  JOHN  RUSKIN  45 

tinue,  while  you  have  such  utterances  in  you,  to 
give  them  voice.  They  will  find  and  force  en- 
trance into  human  hearts,  whatever  the  *  angle  of 
incidence '  may  be,  that  is  to  say,  whether  for  the 
degraded  and  inhuman  Blockheadism  we  so-called 
men  have  become,  you  come  in  upon  them  at  the 
broadside,  at  the  top,  or  even  at  the  bottom,  Enge  I 
Enge ! " 

HoBSON.  —  "  He  ever  seeks  to  touch  the  heart 
as  well  as  to  convince  the  imderstanding."  "  *  Mu- 
nera  Pulveris '  is  the  most  systematic  of  his  books." 
"  He  has  amply  justified  his  claim  in  the  theory  of 
social  economics."  "  There  is  in  Euskin  nothing  of 
the  intellectual  '  wrecker.'  His  analytic  faculty, 
directed  against  the  faults  of  a  bad  system  of  art, 
education,  or  social  order,  is  always  charged  with 
a  spirit  of  repair,  which  is  eager  to  exert  itself 
in  imposing  order  upon  chaos,  supplanting  noxious 
weeds  by  wholesome  fruit-bearing  plants,  and  pre- 
paring the  barren  ground  for  useful  cultivation." 
"  He  might  be  classed  as  a  utilitarian."  "  He 
humanized  political  economy."  "  He  succeeded  in 
telling  our  age  more  of  the  truths  it  most  requires 
to  know  than  any  other  man."  "  Mr.  Ruskin  will 
rank  as  the  greatest  social  teacher  of  his  age  not 
merely  because  he  has  told  the  largest  number 
of  important  truths  upon  the  largest  variety  of 
vital  matters,  in  language  of  penetrative  force,  but 


46     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

because  he  has  made  the  most  powerful  and  the 
most  felicitous  attempt  to  grasp  and  to  express  as 
a  comprehensive  whole  the  needs  of  a  human  soci- 
ety and  the  process  of  social  reform." 

Japp.  —  "  Ruskin's  mission  ...  is  to  recall  men 
to  a  fact  almost  forgotten  in  the  midst  of  the  great 
mechanical  advances  and  material  enrichment  of 
the  age,  —  the  sacredness  of  individual  life."  "  He 
was  a  thorough  scholar,  a  bold  and  original 
thinker,  and  a  man  of  keen  insight,  not  only  into 
nature  and  her  laws,  but  also  into  human  life  and 
its  manifold  relations." 

Saintsbury.  —  "A  political  economist,  who 
would  bankrupt  Eldorado  and  unsettle  Sparta." 

MISCELLANEOUS 

Tolstoi.  —  "  Ruskin  is  one  of  the  greatest  men 
of  the  age,  and  it  pains  me  to  notice  that  English 
people  generally  are  of  a  different  opinion.  But 
*  no  man  is  a  prophet  in  his  own  country,'  and  the 
greatest  men  are  seldom  recognized  in  their  own 
generation,  for  the  very  reason  that  they  are  so 
much  in  advance  of  their  age.  Their  contempo- 
raries are  unable  to  understand  them." 

Browning,  Elizabeth  Barrett.  —  "I  like  Mr. 
Ruskin  very  much  and  so  does  Robert ;  very  gen- 
tle, yet  earnest,  refined,  and  truthful,  I  like  him 
very  much.  We  coimt  him  one  among  the  valu- 
able acquaintances  made  this  year  in  England." 


THE  STUDY  OF  JOHN  RUSKIN  47 

Memorial  sent  to  Euskin  on  his  birthday,  Feb- 
ruary 8,  1899.  Signed  by  the  trustees  of  the 
British  Museum,  Prince  of  Wales,  representatives 
of  the  National  Gallery,  Royal  Academy,  Oxford 
Guild,  and  Ruskin  societies :  "  We  feel  that  the 
world  is  richer  for  that  which  you  have  been  able 
to  accomplish,  year  by  year,  in  ever-widening  ex- 
tent. There  is  an  increasing  trust  in  your  teaching, 
an  increasing  desire  for  the  noble  ideals  you  have 
set  before  mankind  in  words  which  we  feel  have 
brought  nearer  to  our  hearts  the  Kingdom  of  God 
upon  earth.  It  is  our  hope  and  prayer  that  the 
joy  and  peace  you  have  brought  to  others  may 
return  in  full  measure  to  your  own  heart,  filling  it 
with  the  peace  which  comes  from  love  of  God  and 
the  knowledge  of  the  love  of  your  fellow  men." 


BOOKS  BY    PRODUCTION    CHRONO- 
LOGICALLY 

1843.  Modern  Painters.     Volume  I. 

1846.  Modern  Painters.    Volume  II. 

1849.  Scythian  Guest.     Printed  separately. 

1849.  Seven  Lamps  of  Architecture. 

1850.  Poems  in  book  form.     They  had  previously 

appeared  as  follows :  — 

1835.  Salzburg,  first  printed  in  "  Friend- 

ship's Offering,"  pp.  37,  38. 
Fragments   from    a    metrical   jour- 
nal, ibid.,  pp.  317-319. 

1836.  The  Months,  ibid.,  pp.  290,  291. 

1837.  The  Last  Smile,  ibid.,  p.  102. 

Full  Broad  and  Bright  is  the  Silver 
Light,  reprinted  from  Leoni,  in 
"Friendship's  Offering,"  pp.  217- 
226. 

1838.  The  Scythian  Grave,  "  Friendship's 

Offering,"  pp.  116-118.     Signed 

J.  R.,  Christ  Church,  Oxon. 
Remembrance,  ibid.,  pp.  119,  120. 

Signed  P. 
Christ  Church,  Oxford,  ibid.,  pp.  287, 

288. 


THE  STUDY  OF  JOHN  RUSKIN  49 

1839.  A  Scythian  Banquet  Song,  "  Friend- 
ship's Offering,"  pp.  25-39.  Signed 
J.  R.,  Christ  Church,  Oxon. 

Aristodemus  at  Plataea,  ibid.,  pp. 
140-142. 

The  Recreant,  first  printed  in  the 
"  Amaranth,"  pp.  56,  57.  Signed 
J.  R. 

The  Wreck,  ibid.,  p.  90.  (The 
"Amaranth"  is  a  miscellany  of 
original  prose  and  verse  con- 
tributed by  distinguished  writers. 
Ed.  by  T.  K.  Hervey,  London.) 

Song — We  Care  not  What  Skies 
are  the  Clearest,  first  printed  in 
the  "London  Monthly  Miscel- 
lany," p.  486. 

Song  —  Though  Thou  Hast  not  a 
Feeling  for  One,  ibid.,  p.  491. 

Horace — Iter  ad  Brundusium,  i^id.^ 
p.  500. 

Memory,  ibid.,  p.  536. 

The  Name,  ibid.,  p.  558. 

Canzonet  —  The  Winter  Chill,  ibid., 
p.  604. 

Fragments  from  a  meteorological 
journal,  ibid.,  p.  624. 

Canzonet  —  There  's  a  Change  in 
the  Green  Leaf,  ibid.,  p.  635. 

The  Mirror,  ibid.,  p.  653. 


50     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

1839.  Song  of  the  Tyrolese  after  the  Battle 

of  Brixen,  "Friendship's  Offer- 
ing," p.  739. 
Salsette  and  Elephanta,  prize  poem, 
printed  and  published  by  J.  Vin- 
cent, 1839.  Separate  edition  by 
Allen,  1879. 

1840.  The  Scythian  Guest,  "  Friendship's 

Offering,"    pp.   52-60.      Printed 

separately  in  1849. 
The  Broken  Chain,  ibid.,  pp.  137— 

154. 
To  .  .  .  (Adele),  ibid.,  pp.  244-248. 

Signed  P. 

1841.  The   Tears  of   Psammeritus,   ibid., 

pp.  37-45. 
The  Two  Paths,  ibid.,  pp.  37-74. 
The  Old  Water-Wheel,  ibid.,  pp.  107, 

108,  signed  K.  $.   (Kata  Phusin). 
Farewell,  ibid.,  pp.  168-180.    Signed 

MovoGTOS,  September,  1839. 
The  Departed  Light,  ibid.,  pp.  217, 

218.     Signed  P. 
Agonia,  ibid.,  p.  288,  signed  *  *  *. 
The  Broken  Chain,  Pt.  III.,  ibid., 

pp.  311-319. 

1842.  The  Last  Song  of  the  Arion,  ibid., 

pp.  43-51. 
The  Hills  of  Carrara,  ibid.,  pp.  159- 
161. 


THE  STUDY  OF  JOHN  RUSKIN  61 

1843.  The  Broken  Chain,  Pts.  IV.,  v.,  with 

a  drawing  of  Ambrose  by  the 
author,  engraved  by  E.  Goodall, 
"  Friendship's  Offering,"  page  not 
given. 

1844.  The  Battle  of  the  Montenotte,  ibid., 

pp.  59-69. 
A  Walk  in  Chamouni,  ibid.,  pp.  141- 
144,  with  drawings  by  the  author 
of  "The  West  Coast  of  Genoa" 
and  "Le  Glacier  des  Bois,"  en- 
graved by  J.  C.  Armytage. 

1845.  The  Old  Seaman,  first  printed  in  the 

"  Keepsake,"  pp.  63,  64. 
The  Alps  seen  from  Marengo,  ibid., 

p.  270. 
La  Madonna  dell'  Acqua,  first  printed 

in  Heath's   "Book  of   Beauty," 

pp.  18,  19. 

1846.  Written   among  the    Basses    Alps, 

ibid.,  p.  109. 
The  Glacier,  ibid.,  p.  110. 
Mont  Blanc,  ibid.,  p.  35. 
The  Arve  at  Cluse,  ibid.,  p.  234. 
Poems  that  had  not  previously  appeared  in  print  until 
published  in  the  collection  of  1850  are  as  follows  :  — 
Song  —  I  Weary  of  the  Torrent. 
The  Avalanche. 
The  Emigration  of  the  Spirits. 
Ehrenbreitstein. 
Good  Night. 


52     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

On  AdMe  by  Moonlight. 

The  Gipsies. 

The  ExUe  of  St.  Helena. 

Charietie. 

Mont  Blanc  Revisited. 

1851.  Stones  of  Venice.     Volume  I. 
Pre-Raphaelitism. 

Notes  on  the  Construction  of  Sheepfolds. 
King  of  the  Golden  River. 
Examples  of  Architecture  of  Venice. 

1852.  National  GaUery  Letters. 

1853.  Stones  of  Venice.     Volumes  II.  and  m. 
1853-60.     Giotto  and  his  Work  at  Padua. 

1854.  Pamphlet  for  the  Preservation  of  Ancient 

Buildings  and  Landmarks. 
Opening  of  the  Crystal  Palace. 
Lectures  on  Architecture  and  Painting. 
Letters  to  the  "  Times." 

1855.  Notes  on  the  Royal  Academy. 

1856.  Notes  on  the  Royal  Academy. 

Modern  Painters.     Volumes  III.  and  IV. 
Harbours  of  England. 

1857.  Political  Economy  of  Art. 

Notes  on  the  Turner  Gallery  at  Marlborough 
House. 

Notes  on  the  Royal  Academy. 

Elements  of  Drawing. 

Catalogue  of  the  Turner  Sketches  and  Draw- 
ings at  Marlborough  House. 

Catalogue  of  Turner's  Sketches  in  the  Na- 
tional Gallery. 


THE  STUDY  OF  JOHN  RUSKIN  53 


1858. 

Inaugural  Address  at  Cambridge. 

Notes  on  the  Royal  Academy.   ^ 

1859. 

Two  Paths. 

Elements  of  Perspective. 

Oxford  Museum. 

Notes  on  the  Royal  Academy. 

1860. 

Modern  Painters.     Volume  V. 

Unto  this  Tiast. 

1861. 

Tree  Twigs. 

1862-63. 

Munera  Pulveris. 

1863. 

Forms  of  Stratified   Alps.    Printed  sepa- 

rately. 

1865. 

Sesame  and  Lilies. 

1866. 

Crown  of  WUd  Olive. 

1868. 

Ethics  of  the  Dust 

Leoni. 

Time  and  Tide. 

Notes  on  the  General  Principles  of  Employ- 

ment for    the    Destitute    and    Criminal 

Classes. 

1869. 

Catalogue  of  Pictures  in  Illustration  of  Lec- 

tures on  Flamboyant  Architecture. 

Catalogue  of  Pictures  sold  at  Christie's. 

Queen  of  the  Air. 

1870. 

Catalogue  of  Examples  arranged  for  Ele- 

mentary Study  in  the  University  Galleries. 

Lectures  on  Art. 

Samuel  Prout.    Privately  printed. 

Verona  and  its  Rivers. 

1871-84. 

Fors  Clavigera. 

54     BIBLIOGRAPHICAL  CONTRIBUTION  TO 


1872. 

Aratra  Pentelici. 

Eagle's  Nest. 

Monuments  of  the  Cavalli  Family,  Verona. 

Relations  between  Michael  Angelo  and  Tin- 

toret. 

1873. 

Ariadne  Florentina. 

1873. 

Love's  Meinie. 

Nature  and  Authority  of  Miracle.     Printed 

privately. 

1874. 

Val  d'Arno. 

1875. 

Deucalion. 

Frondes  Agrestes. 

Notes  on  the  Royal  Academy. 

1875-77. 

Mornings  in  Florence. 

1875-86. 

Proserpina. 

1876. 

Bibliotheca  Pastorum. 

1877. 

Bibliotheca  Pastorum.     Volume  II. 

Guide  to  the  Principal  Pictures  in  the  Acad- 

emy of  Arts,  Venice. 

1877-78. 

Laws  of  Fdsole. 

1877-84. 

Saint  Mark's  Rest. 

1878. 

Notes  on  the  Turner  Exhibition. 

1879^0. 

Circular  respecting  the  Memorial  Studies  at 

St.  Mark's. 

Lord's  Prayer  and  the  Church ;  letters. 

Notes  on  the  Prout  and  Hunt  Exhibit. 

Salsette  and  Elephante. 

1880. 

Arrows  of  the  Chace. 

1880-85. 

Bible  of  Amiens. 

1880. 

Elements  of  English  Prosody. 

THE  STUDY  OP  JOHN  RUSKIN 


55 


1881. 

Catalogue  of  Drawings  and  Sketches  by  J,  M. 

W.  Turner,  R.  A.,  at  present  in  the  Na- 

tional Gallery. 

1883. 

Art  of  England. 

Catalogue  of  Silicious  Minerals. 

1884. 

Catalogue  of  Minerals  given  to  Kirkcud- 

bright Museum. 

Catalogue  of  Series  of  Specimens  in  the  Brit- 

ish Museum. 

1884-85. 

Pleasures  of  England. 

Storm  Cloud  of  the  Nineteenth  Century. 

1885. 

Bibliotheca  Pastonmi.     Volume  IV. 

Cceli  Enarrant. 

On  the  Old  Road. 

1885-89. 

Praeterita. 

188&-87. 

Dilecta. 

1887. 

Hortus  Inclusus. 

1889. 

Two  Letters  concerning  "  Notes  on  the  Con- 

struction of  Sheepfolds." 

1890. 

Ruskiniana. 

1891. 

Poems. 

1892. 

Poetry  of  Architecture. 

Stray  Letters  to  a  London  Bibliophile. 

1897. 

Letters. 

BRITISH  EDITIONS  OF  RUSKLN'S  BOOKS 


Works.     Allen,  Orpington.     1887. 

Aratra  Pentelici,  six  lectures  on  the  Elements  of 
Sculpture,  given  before  the  University  of  Oxford  in 
Michaehnas  term,  1870.     3  editions.     Allen.     1872. 


56     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Ariadne  Florentina,  six  lectures  on  Wood  and  Metal 
Engraving,  with  Appendix,  given  before  the  Univer- 
sity of  Oxford,  in  Michaelmas  term,  1872.  2  edi- 
tions.    AUen.     1873. 

Arrows  of  the  Chace,  being  a  collection  of  scattered  let- 
ters, published  chiefly  in  the  daily  papers,  1840-80. 
Ed.  byA.  D.  O.Wedderburn.    2  vols.    AUen.     1880. 

Art  of  England,  lectures  given  in  Oxford.  2  editions. 
AUen.    1883-84. 

AUen.     1898.     5  s. 

Bible  of  Amiens,  coUected  in  one  volume.    AUen.    1881. 

Separate  traveUer's  edition  of  chapter  iv.     AUen. 

1881. 

BibUotheca  Pastorum.  Vol.  I. :  The  Economist  of  Xeno- 
phon.  Tr.  by  A.  D.  O.  Wedderburn  and  W.  G.  Col- 
lingwood.  Vol.  II. :  Rock  Honeycomb,  Sir  Philip  Sid- 
ney's "  Psalter."  Vol.  III. :  not  pubUshed.  Vol.  IV. : 
A  Knight's  Faith,  Life  of  Sir  Herbert  Edwardes. 
AUen.     London.     1876-85. 

EUis  &  White.     1876. 

Black  Arts :  a  Reverie  in  the  Strand.  Printed  in  the 
"  Magazine  of  Art,"  January,  1881. 

Catalogue  of  a  Series  of  Specimens  in  the  British  Mu- 
seum.    AUen.     1884. 

Catalogue  of  Examples  arranged  for  Elementary  Study 
in  the  University  GaUeries.  5  editions.  Clarendon 
Press,  Oxford.     1870. 

Catalogue  of  Minerals  given  to  Kirkcudbright  Museimi. 
1884. 

Catalogue  of  Pictures  in  Illustration  of  Lecture  on  the 


THE  STUDY  OF  JOHN  RUSKIN  57 

'    Flamboyant  Architectiire  of  the  Valley  of  the  Somme. 

1869. 
Catalogue  of  Pictures  sold  at  Christie's.     1869. 
Catalogue  of  the  SUicious  Minerals  given  to  St.  David's 

School.     1883. 
Catalogue  of  the  Sketches  and  Drawings  by  J.  M.  W. 

Turner,   R.  A.,   exhibited   at   Marlborough   House. 

Spottiswood  &  Co.     1857. 

Enlarged  edition.     Spottiswood  &  Co.     1858. 

Catalogue  of  the  Sketches  and  Drawings  by  J.  M.  W. 

Turner  ...  at  present   exhibited   in  the  National 

GaUery.     Allen.     1880. 

Revised  edition.     Allen.     1881. 

Catalogue  of  Turner's  Sketches  in  the  National  Gallery. 

For  private  circulation.     1857. 
Cestus  of  Aglaia.     Nine  papers  printed  in  the  "  Art 

Journal,"  partly  reprinted  in   "  On  the  Old  Road  " 

and  "  Queen  of  the  Air."     1865-66. 
Circular  respecting   Memorial  Studies  at  St.  Mark's. 

3  issues.     Fine  Arts  Society.     1879-80. 
Cceli  Enarrant.     Studies  in  cloud  form,  and  its  visible 

cause,  collected  from  "Modem  Painters."      Allen. 

1885. 
Convergence  of  Perpendiculars.     Five  articles,  "  Lou- 
don's Magazine."     1838. 
Crown  of  Wild  Olive,  three  lectures  on  Work,  War  and 

Trafl&c.     3  editions.     Smith,  Elder.    London.    1866. 

5  editions.     Allen.     1866. 

Deucalion,  collected  studies  of  the  lapse  of  waves  and 

life  of  stones.     (First  supplement,  Limestone  Alps 


58     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

of  Savoy,  CoUingwood,  with  introduction  by  Ruskin.) 

8  parts  (some  of  which  ran  into  2  editions),  collected 

in  2  volumes.     AUen.     1875-83. 
Deucalion,  also  Yewdale  and  its  Streamlets.    Reprinted 

from  the  "  Kendal  Mercury."     1877. 
Dilecta,  Correspondence,  Diary  Notes,  Extracts  from 

Books,  illustrating  "  Prseterita."     Allen.     1886. 
Drawings  .  .  .  illustrative  of  the  Architecture  of  Ve- 
rona.    1870. 
Eagle's  Nest,   ten  lectures  on  the  relation  of  natural 

science  to  art  given  before  the  University  of  Oxford 

in  the  Lent  term,  1872.     Seditions.     Allen.     1872. 
Eastlake's  History  of  Painting,  reviewed.    Reprinted  in 

«  On  the  Old  Road  "  from  the  "  Quarterly  Review." 

March,  1848. 
Economist  of  Xenophon.     See  Bibliotheca  Pastorum. 
Education  in  Art.    "  Transactions  National  Association 

for  Promotion  of  Social  Science."     1858. 
Education,  needed  but  neglected  elements  restated  and 

reviewed.     Allen.     1894. 
Elements  of  Drawing  in  Three  Letters  to  Begiimers,  with 

drawings  by  the  author.     Smith,  Elder.     L.    1857. 

Eighth  thousand.     Smith,  Elder.     1857. 

New  edition.    Allen.     1892. 

4  editions.     Macmillan. 

Elements  of  English  Prosody  for  use  in  St.  Greorge's 

School,  explanatory  of  various  terms  used  in  "  Rock 

Honeycomb."     Allen.     1880. 
Elements  of  Perspective,  arranged  for  the  use  of  schools, 

and  intended  to  be  read  in  connexion  with  the  first 

three  books  of  Euclid.    Smith,  Elder.   London.   1859. 


THE  STUDY  OF  JOHN  RUSKIN  69 

Enquiries  on  the  Causes  of  the  Color  of  the  Water  of 
the  Rhine.  Reprinted  in  "  On  the  Old  Road,"  from 
"  Loudon's  Magazine  of  Natural  History."     1834. 

Etliics  of  the  Dust ;  ten  lectures  to  little  housewives 
on  the  elements  of  crystallization.  Smith,  Elder. 
1866. 

4  editions.     Allen.     1877. 

Examples  of  the  Architecture  of  Venice,  sketched  and 
drawn  to  measurement  from  the  edifices.  3  parts. 
Smith,  Elder.     1851. 

Allen.     1887. 

Facts  and  Considerations  on  the  Strata  of  Mont  Blanc. 
Reprinted  in  "  On  the  Old  Road,"  from  "  Loudon's 
Magazine."     1834. 

Fiction  —  Fair  and  Foul.  Five  papers  reprinted  in  "  On 
the  Old  Road,"  from  the  "  Nineteenth  Century  Maga- 
zine."    1880-81. 

Forms  of  the  Stratified  Alps  of  Savoy.  "  Proceedings  of 
the  Royal  Institution,"  reprinted,  with  variations,  in 
the  "  Geologist,"  1863 ;  reported  fuUy  in  "  Journal  de 
G^nbve."  1863.  Reprinted  separately,  and  in  "  On 
the  Old  Road." 

Fors  Clavigera,  Letters  to  the  Workmen  and  Labourers 
of  Great  Britain.  Letters  1-84,  published  monthly 
from  January,  1871,  to  December,  1877.  Letters 
84-96  (1-12,  new  series),  published  at  intervals  from 
1878-1884.  Afterwards  collected  in  8  volumes. 
Allen.     1884. 

Index  to  Vols.  I.,  II.     1873. 
Index  to  Vols.  III.,  IV.    1875. 


60     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Articles  on  J.  D.  Forbes,  chiefly  from  "  Fors." 

No.  34,  in  Rendu's  "Glaciers  of  Savoy,"  trans- 
lated by  Alfred  Wills,  Q.  C     Macmillan. 
Letters  to  Young  Girls,  from  "  Fors."     Nos.  65, 
66.    18  editions.     Published  up  to  1890.     Allen. 
Relating  to  St.  George's  Guild,  viz..  Abstract  of 

the  Object  and  Constitution.     1878. 
Memorandum  and  Articles  of  Association.     1878. 
Master's  Report  for  1879-81,  1884-85. 
General  Statement,  explaining  the  nature  and  pur- 
pose.    2  editions.     Allen.     1882. 
Contents  of  large  sliding  frames  in  the  Museum. 

1879. 
Catalogue  of  Drawings  made  for  Guild  and  ex- 
hibited at  Fine  Arts  Society  Gallery.     1886. 
Catalogue  of  Minerals  in  the  Museum. 

New  edition.     4  vols.     Allen.     1896. 

Readings  in  "  Fors."     Allen.     1899.     2  s.  6  d. 
Frondes  Agrestes.     See  Modern  Painters. 
Future  of  England,  a  paper  read  at  the  Royal  Artillery 

Institute,  "Woolwich.     1869. 
Giotto  and  his  "Works  in  Padua.    Arundel  Society.   1854. 

Arundel  Society.     1877. 

lUustrated.     AUen.     1900.     7  s.  6  d. 

Gold,  a  dialogue  connected  with  the  subject  of  "  Munera 
Pulveris,"  edited  by  H.  B.  Forman.  Privately 
printed.  London.  1891. 
Guide  to  the  Principal  Pictures  of  the  Academy  of  Fine 
Art,  "Venice,  arranged  for  English  travellers,  in  2 
parts.     London  and  Aylesbury  and  Venice,  1877. 


THE  STUDY  OF  JOHN  RUSKIN  61 

Guide  to  the  Principal  Pictures  of  the  Academy  of  Fine 
Art,  Venice.     Allen.     1877. 

Guild  of  St.  George.     See  Fors  Clavigera. 

Harbours  of  England,  illustrated  by  J.  M.  W.  Turner. 
2  editions.     Gambart.     London.     1856. 

3d  edition.     Day  &  Sons.     1877. 

4th  edition.     T.  J.  Allman.     1877. 

5th  edition.     Smith,  Elder.     1877. 

edited  by  T.  J.  Wise.     Allen.     1895, 

Hortus  Inclusus,  letters  to  the  Misses  Beever.  Allen. 
1887. 

Inaugural  Address  delivered  at  the  Cambridge  School 
of  Art,  October  29,  1858.     Deighton  BeU.     1858. 

reprinted  in  "  On  the  Old  Road."     Allen.     1879. 

Induration  of  Sandstone.  Reprinted  in  "  On  the  Old 
Road,"  from  "  Loudon's  Magazine."     1836. 

In  Mortibus  Sanctus.     See  Modem  Painters. 

Introduction  to  the  Poetry  of  Architecture.  "  Loudon's 
Architectural  Magazine."     1837. 

(A)  Joy  Forever,  and  its  Price  in  the  Market.  See 
Political  Economy  of  Art. 

King  of  the  Golden  River,  written  in  1841.  7  editions. 
Smith,  Elder.     1851. 

3  editions.     Allen.     1856,  1884. 

Knight's  Faith.     See  Bibliotheca  Pastorum.     Vol.  IV. 

Laws  of  F^sole,  familiar  treatise  on  the  elementary  prin- 
ciples and  practice  of  drawing  and  painting,  as  deter- 
mined by  the  Tuscan  masters,  arranged  for  the  use 
of  schools.     Allen.     1879. 

2d  edition.     Allen.     1882. 


62     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Lectures  on  Architecture  and  Painting,  delivered  at 
Edinburgh,  November,  1853,  illustrated  by  the  author. 
Smith,  Elder.     1854. 

2d  edition.     London.     1855. 

New  edition.     Allen.     1891. 

Lectures  on  Art,  delivered  before  the  University  of 
Oxford  in  Hilary  term,  1870.  3  editions.  Claren- 
don Press.     Oxford,  1870. 

Small  edition.     Allen.     1870. 

New  edition,  revised.     Allen.     1887. 

Allen.     1888. 

Lectures  on  Landscape,  delivered  at  Oxford  in  Lent 
term,  1871. 

Allen.     1898.     42  s. 

Leonie,  a  legend  of  Italy,  reprinted  from  "  Friendship's 

Offering  "  of  1837,  with  preface.     1868. 
Letters :  — 

"  Act,  Act  in  the  Living  Present."     From  the  "  New 

Year's  Address  and  Message  to  the  Blackfriar's 

Bible    Class."      Aberdeen.     1873.     Reprinted  in 

"  Arrows  of  the  Chace." 

Addressed  to  a  college  friend  during  the  years  1840- 

45.  Allen.  1894. 
Arts  as  a  Branch  of  Education.  To  the  Rev.  F. 
Temple,  Bishop  of  Exeter,  September  25,  1857. 
Printed  in  T.  D.  Acland's  "  Account  of  the  Origin 
and  Objects  of  the  New  Oxford  Examinations." 
Ridgway.  London.  1858.  Reprinted  in  "  Arrows 
of  the  Chace." 
Art  Teaching  by  Correspondence.     To  Mr.  Williams, 


THE  STUDY  OF  JOHN  EUSKIN  63 

Letters,  continued. 

of  Southampton.  Printed  in  "Nature  and  Art," 
December,  1866.  Reprinted  in  "  Arrows  of  the 
Chace." 

At  the  Play.  «  PaU  MaU  Gazette,"  March  1, 1867. 
Reprinted  in  "  Arrows  of  the  Chace." 

Bibliography  of  Ruskin.  Two  letters.  From  the 
list  of  "  Mr.  Shepherd's  Publications,"  printed  at 
the  end  of  his  "Bibliography  of  Dickens."  Re- 
printed in  "  Arrows  of  the  Chace." 

Blindness  and  Sight.  To  the  Secretary  of  the  Pro- 
testant Blind  Pension  Society.  Printed  in  the 
Young  Men's  Association  of  the  Clapham  Congre- 
gational Church,  September,  1879,  Vol.  IH.  Re- 
printed in  "  Arrows  of  the  Chace." 

British  Museum.  To  the  Editor  of  the  "Times," 
Saturday,  January  27, 1866.  Reprinted  in  "  Arrows 
of  the  Chace." 

Building  Operations  at  the  Castle.  To  the  Editor  of 
the  "  Witness,"  Edinburgh,  September  30,  1857. 
Reprinted  in  "  Arrows  of  the  Chace." 

Castle  Rock.  To  the  Editor  of  the  "  Witness,"  Edin- 
burgh, September  16,  1857.  Reprinted  in  "Ar- 
rows of  the  Chace." 

Castles  and  Kennels.  To  the  "Daily  Telegraph," 
December  22,  1871.  Reprinted  in  "Arrows  of 
the  Chace." 

Circular  respecting  Memorial  Studies  at  St.  Mark's, 
Venice,  now  in  progress  under  Mr.  Ruskin's  direc- 
tion, 1879-80.  Reprinted  in  "Arrows  of  the 
Chace." 


64     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Letters,  continued. 

Circular  respecting  Memorial  Studies  at  St.  Mark's, 
Venice.  2d  edition,  containing  letter  to  Mr.  Pullen. 
Reprinted  in  "  Arrows  of  the  Chace." 

Commercial  Morality.  Date  and  place  of  publication 
not  known.     Reprinted  in  "  Arrows  of  the  Chace." 

Concerning  Notes  on  the  Construction  of  Sheepfolds. 
Privately  printed.     London,  1890. 

Copies  of  Turner's  Drawings.  To  the  "  Times,"  April 
25,  1876.     Reprinted  in  "  Arrows  of  the  Chace." 

Copy  of  Turner's  "  Fltielen."  To  the  "Times," 
March  20,  1880.  Reprinted  in  "Arrows  of  the 
Chace." 

Coventry  Patmore's  "Faithful  Forever."  To  the 
"Critic,"  October  27,  1860.  Reprinted  in  "Ar- 
rows of  the  Chace." 

Cradle  of  Art.  Date  and  place  of  publication  un- 
known.    Reprinted  in  "  Arrows  of  the  Chace." 

Danger  to  the  National  GaUery.  To  the  "  Times," 
January  7,  1847.  Signed  The  Author  of  "  Modern 
Painters."     Reprinted  in  "  Arrows  of  the  Chace." 

The  Debate  (The  Danish  Question).  To  the  Editor 
of  the  "  Morning  Post,"  July  7, 1864.  Reprinted 
in  "  Arrows  of  the  Chace." 

Definition  of  Wealth.  To  the  "  Monetary  and  Mining 
Gazette,"  November  13, 1875.  Reprinted  in  "Ar- 
rows of  the  Chace." 

Depreciation  of  Gold.  To  the  Editor  of  the  "  Times," 
October  8, 1863.  Reprinted  in  "Arrows  of  the 
Chace." 


THE  STUDY  OF  JOHN  RUSKIN  65 

Letters,  continued. 

Dramatic  Reform.  Two  letters  to  J.  S.  Bogg,  Secre- 
tary of  the  Dramatic  Reform  Association,  Man- 
chester. Printed  in  "Journal  of  Dramatic  Re- 
form," November,  1880.  Reprinted  in  "Arrows 
of  the  Chace." 

Drunkenness  and  Crime.  To  the  "  Daily  Telegraph," 
December  11,  1871.  Reprinted  in  "Arrows  of 
the  Chace." 

Eagle's  Nest.  To  the  "Young  Men's  Association 
Magazine,"  October,  1879,  Vol.  IV.  Reprinted 
in  "  Arrows  of  the  Chace." 

Employment  of  the  Destitute  Poor  and  Criminal 
Classes.  To  the  "  Daily  Telegraph,"  December 
26,  1868.     Reprinted  in  "  Arrows  of  the  Chace." 

Ernest  George's  Etchings.  In  the  "  Architect,"  De- 
cember 27,  1873.  Reprinted  in  "  Arrows  of  the 
Chace." 

Excuses  from  Correspondence.  Circular  letter  printed 
in  1868.     Reprinted  in  "  Arrows  of  the  Chace." 

Printed  March,  1880.     Reprinted  in  "  Arrows 

of  the  Chace." 

Extract  of  letter  to  the  Glasgow  Athenaeum  Lecture 
Committee.  Published  in  the  "  Times,"  February 
12, 1878.     Reprinted  in  "  Arrows  of  the  Chace." 

Female  Franchise.  Date  and  place  of  publication 
unknown.  Letter  dated  Venice,  May  29,  1870. 
Reprinted  in  "  Arrows  of  the  Chace." 

Franco-Prussian  War.  Two  letters  to  the  "Daily 
Telegraph,"  October  7  and  8,  1870.  Reprinted  in 
"  Arrows  of  the  Chace." 


66      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Letters,  continued. 

Frederick  Walker  Exhibition.  To  the  "Times," 
January  20,  1876.  Reprinted  in  "  Arrows  of  the 
Chace." 

How  the  Rich  spend  their  Money.  Three  letters  to 
the  "  Pall  MaU  Gazette,"  January  24, 1873.  Re- 
printed in  "  Arrows  o£  the  Chace." 

Is  England  Big  Enough  ?  To  the  "  DaUy  Telegraph," 
July  31,  1868.  Reprinted  in  "Arrows  of  the 
Chace." 

Jamaica  Insurrection.  To  the  "  Daily  Telegraph," 
December  20,  1865.  Reprinted  in  "Arrows  of 
the  Chace." 

King's  First  Duty.  To  the  "  Daily  Telegraph,"  Janu- 
ary 12,  1871.  Reprinted  in  "Arrows  of  the 
Chace." 

Landslip  near  Gargnano.  A  letter  to  Dr.  Bucland, 
read  at  a  meeting  of  the  Society.  "  Proceedings 
of  the  Ashmolean  Society "  for  May  10,  1841. 
Reprinted  in  "  Arrows  of  the  Chace." 

"  Laborare  est  Orare."  In  the  New  Year's  Address 
and  Message  to  the  Blackfriar's  Bible  Class.  Ab- 
erdeen. 1874.  Reprinted  in  "Arrows  of  the 
Chace." 

Law  of  Supply  and  Demand.  Three  letters  to  the 
Editor  of  the  "Daily  Telegraph,"  October  28, 
31,  and  November  3, 1864. 

*'  Limner  and  Illumination  "  in  the  "  Builder,"  De- 
cember 9,  1854.  Reprinted  in  "Arrows  of  the 
Chace." 


THE  STUDY  OP  JOHN  RUSKIN  67 

Letters,  continued. 

Lord  Rectorship  of  Glasgow  University.  Four  letters 
to  Matthew  B.  Fraser,  Esq.,  printed  in  the  Glasgow 
"Herald,"  October  7,  1880.  Reprinted  in  " Ar- 
rows of  the  Chace." 

To  Alexander  Mitchell,  Esq.,  ibid.,  October  12, 

1880.     Reprinted  in  "  Arrows  of  the  Chace." 

Madness  and  Crime.  In  the  "  Pall  Mall  Gazette," 
November  4,  1872.  Reprinted  in  "Arrows  of 
the  Chace ; "  also  in  "  Fors  Clavigera,"  letter  xlviii., 
p.  318,  Vol.  II. 

Merchant  of  Venice.  In  the  "Theatre,"  March, 
1880.     Reprinted  in  "  Arrows  of  the  Chace." 

Millais  "  Pot-Pourri."  To  the  Editor  of  the  "  Times," 
Thursday,  March  29,  1859.  Reprinted  in  "  Ar- 
rows of  the  Chace." 

Mistaken  Review.  In  the  "Pall  Mall  Gazette," 
January  11,  1875.  Reprinted  in  "  Arrows  of  the 
Chace." 

Mr.  Ruskin  and  Mr.  Lowe.  In  the  "Standard," 
August  28,  1877.  Reprinted  in  "  Notes  and  Cor- 
respondence" to  "Fors  Clavigera,"  letter  Ixxxi. ; 
also  in  "  Arrows  of  the  Chace." 

Mr.  Ruskin  and  Professor  Hodgson.  Two  letters 
in  the  "  Scotsman,"  November  10  and  18,  1873. 
Reprinted  in  "  Arrows  of  the  Chace." 

Mr.  Ruskin's  Influence,  a  Defence  and  a  Rejoinder. 
Two  letters  to  the  "  Pall  Mall  Gazette,"  March, 
1872.     Reprinted  in  "  Arrows  of  the  Chace." 

Morality  of  Field  Sports.     To  the  "  Daily  Telegraph," 


68      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Letters,  continued. 

January  15,  1870.     Reprinted  in  "  Arrows  of  the 
Chace." 

Modern  Houses.  To  the  Editor  of  the  "  Daily  Tele- 
graph," October  17,  1865.  Reprinted  in  "Ar- 
rows of  the  Chace." 

Modern  Restoration.  To  the  Liverpool  "  Daily  Post," 
June  9,  1877.  Reprinted  in  "Arrows  of  the 
Chace." 

Modern  Warfare.  "  Fraser's  Magazine,"  July,  1876. 
Reprinted  in  "  Arrows  of  the  Chace." 

National  Gallery.  To  the  Editor  of  the  "  Times," 
December  29,  1852.  Reprinted  in  "  Arrows  of  the 
Chace." 

Nation's  Defences.  In  the  "Pall  Mall  Gazette," 
January  19,  1871.  Reprinted  in  "  Arrows  of  the 
Chace." 

Notes  on  a  Word  in  Shakespere.  Two  letters  to 
Mr.  Furnivall.  Printed  in  "  The  Transactions  of 
the  New  Shakespere  Society,  1878-79."  Reprinted 
in  "  Arrows  of  the  Chace." 

Notice  of  "  Illustrations  of  the  Scriptures  by  an  Ani- 
mal Painter,"  in  the  "  Morning  Chronicle,"  Janu- 
ary 20,  1855.  Reprinted  in  the  "Evening 
Chronicle,"  January  22,  1855,  and  in  "  Arrows  of 
the  Chace." 

"  Notre  Dame  de  Paris."  To  the  "  Daily  Telegraph," 
January  19,  1871.  Reprinted  in  "  Arrows  of  the 
Chace." 

Oak  Silkworms.  To  the  "Times,"  October  24, 
1862.     Reprinted  in  "  Arrows  of  the  Chace." 


THE  STUDY  OF  JOHN  RUSKIN  69 

Letters,  continued. 

Object  of  Charity.  To  the  "  Daily  Telegraph,"  Janu- 
ary 22,  1868.  Reprinted  in  "  Arrows  of  the 
Chace." 

On  a  Museum  or  Picture  Grallery.  In  the  "Art 
Journal,"  1880.     Reprinted  in  "  On  the  Old  Road." 

On  Cooperation.  To  George  J.  Holyoake.  Printed 
in  "  Coventry  Cooperative  Record,"  January,  1880. 
Reprinted  in  the  "  Christian  Life,"  December  20, 
1879 ;  also  in  "  Arrows  of  the  Chace." 

On  Domestic  Servants.  To  the  "  Daily  Telegraph," 
September  5,  7,  and  18,  1865.  Reprinted  in 
"  Arrows  of  the  Chace." 

On  Dress.  In  the  monthly  "Packet  of  Evening 
Readings  for  the  Younger  Members  of  the  Enghsh 
Church"  (L.  Mozley,  ed.),  November,  1863.  Re- 
printed in  "  Arrows  of  the  Chace." 

On  English  Workmen.  To  Thomas  Dixson.  See 
Time  and  Tide. 

On  Foreign  Policy  of  England.  In  the  "  Liverpool 
Weekly  Albion,"  November  2,  1863.  Reprinted 
in  "  Arrows  of  the  Chace." 

On  Foreign  Politics.  In  the  "  Scotsman,"  July  22, 
1859.     Reprinted  in  "  Arrows  of  the  Chace." 

On  Generalization  and  Pre-Raphaelites.  To  the 
"Witness,"  Edinburgh,  March  27,  1858.  Re- 
printed in  "  Arrows  of  the  Chace." 

On  the  Alps.  Four  letters  in  the  "  Reader,"  Novem- 
ber and  December,  1864.  Reprinted  in  "  Arrows 
of  the  Chace." 


70      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Letters,  continued. 

On  the  Fine  Arts.  Part  of  a  letter  to  Alfred  Hunt. 
Printed  in  the  "  Liverpool  Albion,"  January  11, 
1858.     Reprinted  in  "  Arrows  of  the  Chace." 

On  the  Gentian.  To  the  "  Athenseum,"  in  explana- 
tion of  a  passage  in  the  Turner  notes,  "  Athe- 
naeum," February  14,  1857.  Reprinted  in  "Ar- 
rows of  the  Chace." 

On  the  Italian  Question.  In  the  "  Scotsman,"  July 
20  and  August  6, 1859.  Reprinted  in  "  Arrows  of 
the  Chace." 

On  the  "  Light  of  the  World  "  and  "  The  Awakening 
Conscience,"  by  Hohnan  Hunt.  Two  letters  to  the 
« Times,"  May  15  and  25,  1854.  Reprinted  in 
"  Arrows  of  the  Chace." 

On  the  Principal  Pre-Raphaelite  Pictures  in  the  Ex- 
hibition. To  the  "  Times,"  1876.  Reprinted  sep- 
arately and  in  "  Arrows  of  the  Chace." 

On  the  Proper  use  of  Art  in  Education.  Published 
in  T.  D.  Acland's  "  Some  Account  of  the  Origin 
and  Objects  of  the  New  Oxford  Examinations  for 
the  Title  of  Associate  in  Arts  and  Certificates." 
Reprinted  in  "  Arrows  of  the  Chace." 

On  the  Purchase  of  Pictures.  To  the  "Leicester 
Chronicle  and  Mercury,"  January  31,  1880.  Re- 
printed in  "  Arrows  of  the  Chace." 

On  the  Reflection  of  Rainbows.  In  "Nature  and 
Art,"  December  1,  1866.  Reprinted  in  "  Arrows 
of  the  Chace." 

On  the  Study  of  Natural  History.     To  Adam  White, 


THE  STUDY  OF  JOHN  RUSKIN  71 

Letters,  continued. 

of   Edinburgh.      Reprinted  in    "Arrows   of  the 

Chace." 
On  the  Turner  Bequest.     To  the  "  Times,"  October 

28,  1856.     Reprinted  in  "  Arrows  of  the  Chace." 
On  the  Turner  Sketches  and  Drawings.     In  the  "  Lit- 
erary Gazette,"  November  13,  1858.     Reprinted 

in  "  Arrows  of  the  Chace." 
On   the  Vote  for   the   National  Gallery.     To  the 

"Times,"  July  9,  1857.     Reprinted  in  "Arrows 

of  the  Chace." 
On  the  Works  of  Millais,  Holman  Himt,  and  other 

painters  of  the  Royal  Academy  Exhibition  of  1851. 

Signed  The  Author  of  "  Modern  Painters."     The 

"  Times,"  May  13,  1851.     Reprinted  in  "  Arrows 

of  the  Chace." 
Our  Railway  System.     To  the  "Daily  Telegraph," 

December   8,   1865.      Reprinted   in  "Arrows  of 

the  Chace." 
Ownership  of  Railways.     Li  the  "  Daily  Telegraph," 

August  6,   1868.     Reprinted  in  "Arrows  of  the 

Chace." 
Oxford  Protest.     In  the  "  Globe,"  October  29,  1874. 

Reprinted  in  "  Arrows  of  the  Chace." 
Pagan  Message.     In  the  "  New  Year's  Address  and 

Message  to  the  Blackfriar's  Bible  Class."    Aber- 
deen.   1874.    Reprinted  in  "  Arrows  of  the  Chace." 
Politics  in  Youth.     In  the  "  Yoimg  Men's  Magazine," 

November,  1879.     Reprinted  in  "Arrows  of  the 

Chace." 


72      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Letters,  continued. 

Position  of  Critics.  In  the  "Pall  Mali  Gazette," 
January  19,  1875.  Reprinted  in  "  Arrows  of  the 
Chace." 

Pre-Raphaelite  Artists.  To  the  "  Times,"  May  30, 
1851.  Signed  The  Author  of  "  Modem  Painters." 
Reprinted  in  "  Arrows  of  the  Chace." 

Principles  of  Property.  In  the  "  Socialist "  (Shef- 
field), November,  1877.  Reprinted  in  "  Arrows  of 
the  Chace." 

Publication  of  Books.  In  the  "  World,"  June  9, 
1875.     Reprinted  in  "  Arrows  of  the  Chace." 

"  (The)  Queen  of  the  Air."  In  the  "Asiatic,"  May 
23,  1871.     Reprinted  in  "  Arrows  of  the  Chace." 

Railway  Economy.  To  the  "  Daily  Telegraph,"  Au- 
gust 10,  1868.  Reprinted  in  "Arrows  of  the 
Chace." 

Railway  Safety.  To  the  "Daily  Telegraph,"  No- 
vember 30,  1870.  Reprinted  in  "  Arrows  of  the 
Chace." 

Recitations.  To  R.  T.  Webling.  Printed  in  the 
"  Daily  News  "  (London),  1880  ;  also  in  "  Arrows 
of  the  Chace." 

Report  of  Interview  between  Ruskin  and  Henry 
Irving.  In  the  "Theatre,"  January,  1880.  Re- 
printed in  "  Arrows  of  the  Chace." 

Ribbesford  Church.  In  the  "  Kidderminster  Times," 
July  28,  1877.  Reprinted  in  "Arrows  of  the 
Chace." 

Sad-Colored   Costumes.      "Macmillan's   Magazine," 


THE  STUDY  OF  JOHN  RUSKIN  73 

t 

Letters,  continued. 

November,  1870,  p.  80.  Reprinted  in  "  Arrows  of 
the  Chace." 

Saint  Greorge's  Museum.  In  the  "Sheffield  Daily 
Telegraph,"  September  7,  1875.  Reprinted  in 
*'  Arrows  of  the  Chace." 

Standard  of  Wages.  To  the  "  Pall  Mall  Gazette," 
May  1,  1876.  Reprinted  in  "Arrows  of  the 
Chace,"  and  in  "  Time  and  Tide  "  (with  slight  alter- 
ations). Appendix  X. 

Streams  of  Italy.  To  the  "  Daily  Telegraph,"  Feb- 
ruary 7,  1871.  Reprinted  in  "Arrows  of  the 
Chace." 

Streets  of  London.  To  the  "Pall  Mall  Gazette," 
December  28,  1871.  Reprinted  in  "Arrows  of 
the  Chace." 

Strike  and  Arbitration.  To  the  "  Pall  Mall  Grazette," 
April  18,  1865.  Reprinted  in  "Arrows  of  the 
Chace." 

To  Ernest  Chesneau.  Edited  by  T.  J.  "Wise.  Pri- 
vately printed.     London.    1894. 

To  F.  J.  FumivaU.  Edited  by  T.  J.  Wise.  Privately 
printed.     London.     1897. 

To  the  Author  of  a  Review.  In  the  ."Liverpool 
Weekly  Albion,"  November  9,  1872.  Reprinted 
in  "  Arrows  of  the  Chace." 

To  the  Clergy,  .  .  .  with  replies  from  the  Clergy, 
Laity,  and  Epilogue  by  Ruskin ;  edited  by  F.  A. 
MaUeson.     3  editions.     AUen.     1896. 

To  the  "  Contemporary  Review,"  1879.  Reprinted  in 
«  On  the  Old  Road." 


74     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Letters,  continued. 

To  the  Editor  of  the  "Weekly  Chronicle."  Signed 
The  Author  of  "  Modem  Painters."  Printed  in 
the  "Weekly  Chronicle,"  September  23,  1843. 
Reprinted  in  "  Arrows  of  the  Chace." 

To  W.  H.  Harrison,  facsimiled  in  the  "  Autographic 
Mirror,"  December  23-30,  1865.  Reprinted  in 
"  Arrows  of  the  Chace." 

To  WiUiam  Ward.  Privately  printed.  London.  1893. 

To  Young  Girls.     See  Fors  Clavigera. 

True  Education.  In  the  "  Pall  MaU  Gazette,"  Janu- 
ary 31,  1868.  Reprinted  in  "Arrows  of  the 
Chace." 

Turner  Gallery  at  Kensington.  To  the  "Times," 
October  21,  1859.  Reprinted  in  "  Arrows  of  the 
Chace." 

Turner's  Drawings.  Two  letters  to  the  "  Daily  Tele- 
graph," July  5,  1876.  Reprinted  in  "Arrows 
of  the  Chace." 

"  Turner's  "  False  and  True.  To  the  "  Times,"  Jan- 
uary 24,  1871.  Reprinted  in  "  Arrows  of  the 
Chace." 

Two  Letters  from  the  Author  of  "  Modern  Painters." 
In  the  "  Artist  and  Amateur  Magazine  "  (edited 
by  E.  V.  RippingiUe),  pp.  230-287,  314-319. 
London.  1843-44.  Reprinted  in  "  Arrows  of  the 
Chace." 

Upon  Subjects  of  General  Interest.  Privately  printed. 
London.     1892. 

Value  of  Lectures.  In  the  "  Glasgow  Herald,"  June 
5, 1874.     Reprinted  in  "  Arrows  of  the  Chace." 


THE  STUDY  OF  JOHN  RUSKIN  75 

Letters,  continued. 

Verona    versus   Warwick.      To    the   "  Daily  Tele- 
gi-aph,"  December  22,  1871.     Reprinted  in  "  Ar- 
rows of  the  Chace." 
Waters  of   Comfort.     In  the   "Daily   Telegraph," 
February  4,  1871.     Reprinted  in  "  Arrows  of  the 
Chace." 
Woman's  Sphere.     Letter  addressed  in   excuse   for 
absence  from  a  lecture  upon  Woman's  Work  and 
Sphere,  printed  in  the  "  Daily  Telegraph,"  Febru- 
ary 21,    1871.      Reprinted   in  "  Arrows    of    the 
Chace." 
Woman's  Work.     Li  "  L'Espdrance,  Journal   Men- 
Buel,"  organe  de  I'Association  des  femmes,  Gdnfeve, 
le  Mai,  1873.    Reprinted  in  "  Arrows  of  the  Chace." 
Work  and  Wages.     Five  letters  printed  in  the  "  Pall 
Mall  Gazette,"  April,  1865.    Reprinted  in  "  Arrows 
of  the  Chace." 
Lord  Lindsay's  "Christian  Art"  reviewed.      "Quar- 
terly Review,"  1847.      Reprinted  in  "On  the  Old 
Road." 
Love's  Meinie.     Lectures  on  Greek  and  English  Birds 
given  before  the  University  of  Oxford.     Lectures  L 
and  II.     Keston.     1873. 

2d  edition.     Allen.     1873. 

Part  in.     Allen.     1881. 

Complete.     Allen.     1882. 

3d  complete  edition.     Allen.     1897. 

Modem   Painters :    their   Superiority   in   the  Art   of 
Landscape  Painting  to  all  Ancient  Masters  proved 


76     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

by  examples  of  the  true,  the  beautiful,  and  the  In- 
tellectual from  the  works  of  modern  artists,  especially 
from  those  of  J.  M.  W.  Turner,  Esq.,  R.  A.  Vol.  I. 
By  a  Graduate  of  Oxford.  2  editions.  Smith,  Elder. 
London.     1843. 

Modern  Painters,  published  under  author's  name.    3d 
edition.     5  vols.     Smith,  Elder.     1860. 

7th  edition  of  Vol.  I.  only.     Smith,  Elder.     1867. 

5th  edition  of  Vol.  n.  only.     Smith,  Elder.    1869. 

Autograph  Edition.     Smith,  Elder.     1873. 

New  edition  of  Vol.  I.  only.     Smith,  Elder.  1873. 

Vol.  II.  only,  arranged  in  2  vols.    Allen.    1883. 

With   general    bibliographical   notes.      Complete 

edition.     6  vols.     Allen.     1888. 

5  vols.     Smith,  Elder.    1888. 

Allen.     1892. 

Vol.  II.  arranged  in  2  vols.     6th  edition.    Allen. 

1897.    58. 

Small  edition.     6  vols.     Allen.     1897. 

Vol.  I.  and  II.  small.     AUen.     1897.    11  s. 

with    general    index    and   bibliographical    notes. 

New  small  edition.     AUen.     1897.     5  s. 

Vol.  in.    Allen.     1897.    8  s. 

Selections  from  Modern  Painters  :  — 

CoeU   Enarrant.     Studies  in   cloud  form.    Allen. 

1884. 
Frondes  Agrestes.     Readings  in  "  Modern  Paint- 
ers," chosen  by  Miss  Susanna  Beever,  edited  by 
Ruskin.     Ten   issues,    totaling   18,000    copies 
Allen.    1875. 


THE  STUDY  OF  JOHN  RUSKIN  77 

In  Mortibus  Sanctus.  Studies  in  mountain  form, 
and  its  visible  causes,  collected  from  "  Modern 
Painters."     2  parts.     Allen.     1884-85. 

Modern  Warfare.  "Fraser's  Magazine,"  1876.  Re- 
printed in  "  Arrows  of  the  Chace." 

Monuments  of  the  Cavalli  Family,  Verona.  Arundel 
Society,  1872.     Reprinted  in  "  On  the  Old  Road." 

Mornings  in  Florence,  being  simple  studies  of  Christian 
Art  for  English  travellers.  6  parts.  3  editions. 
Allen.     1875-77. 

Munera  Pulveris.  Six  Essays  on  the  Elements  of  Po- 
litical Economy.  First  printed  in  *'  Eraser's  Maga- 
zine," 1863.     3  editions.     Allen.     1872. 

My  First  Editor.  "  University  Magazine."  1878.  Re- 
printed in  "  On  the  Old  Road." 

Mystery  of  Life  and  Its  Arts.  Lecture  dehvered  in 
the  theatre  of  the  Royal  College  of  Science,  Dublin, 
1868.  5  editions.  Allen.  1869.  Reprinted  in 
"  Sesame  and  Lilies." 

National  Gallery.  Letters  to  the  "Times."  Printed 
separately.  1869.  Reprinted  in  "Arrows  of  the 
Chace." 

Nature  and  Authority  of  Miracle.  Published  in  the 
"  Contemporary  Review."  Printed  privately.  Lon- 
don.    1873.     Reprinted  in  "  On  the  Old  Road." 

Notes  on  the  Prout  and  Hunt  Exhibit,  with  illustrations. 
Fine  Art  Society.     London.    1879. 

4  issues.     1880. 

4th  thousand.     1881. 

Notes  on  the  Construction  of  Sheepfolds.  2  editions. 
Smith,  Elder.     1851. 


78      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Notes  on  the   Construction  of   Sheepfolds.     2  issues. 

AUen.     1875.    Reprinted  in  «  On  the  Old  Road." 
Notes  on  the  General  Principles  of  Employment  for 

the  Destitute  Classes ;   for  private  circulation  only. 

Strangeways  &  Walden.    London.    1868.    Reprinted 

in  "  Arrows  of  the  Chace." 
Notes  on  the  Perforation  of  a  Leaden  Pipe  by  Rats. 

"  Loudon's  Magazine."     London.    1834.    Reprinted 

in  "On  the  Old  Road." 
Notes  on  the  Principal  Pictures  of  MiUais  at  Grosvenor 

GaUery.     Reeves.     1886. 
Notes   on   the  Royal  Academy,   No.  I.      3   editions. 

Smith,  Elder.     1855. 

No.  n.     6  editions.     Smith,  Elder.     1856. 

No.  III.     2  editions.     Smith,  Elder.     1857. 

No.  rV.     Smith,  Elder.     1858. 

No.  V.     Smith,  Elder.     1859. 

Complete.     4  editions.     Allen.     1875. 

Notes  on  the  Shape  and  Structure  of  the  Alps.     "  Geo- 
logical Magazine,"  1865. 
Notes  on  the  Turner  Exhibit  at  the  Fine  Art  Society's 

Gallery.     12  illustrated  editions.     Fine  Art  Society, 

London.     1878. 

Without  plates.     London.    1878. 

Revised.     12th  thousand.     London.     1881. 

Notes  on  the  Turner  Exhibit  at  Marlborough  House. 

2  editions.     Smith,  Elder.     London.     1857. 

Revised  preface.   3d  edition.   Smith,  Elder.    1857. 

Revised.     4th  edition.     London.     1857. 

Revised.     5th  edition.     London.     1857. 


THE  STUDY  OF  JOHN  RUSKIN  79 

Note  respecting  Greology  of  Chamouni.  Eoyal  Society 
of  Edinburgh.     1858. 

Observations  on  the  Causes  of  the  Variation  of  Tem- 
perature between  Spring  and  River  Water.  "  Lou- 
don's Magazine,"  1836.  Reprinted  in  "  On  the  Old 
Road." 

On  Banded  and  Brecciated  Concretions.  "Geological 
Magazine,"  1867-70. 

On  the  Nature  of  the  Gothic,  chapter  vi.  of  Volume  II. 
of  "  Stones  of  Venice." 

On  the  Old  Road.  Collection  of  miscellaneous  essays, 
pamphlets,  etc.,  published  from  1834-85.  A.  D.  O. 
Wedderbum,  ed.     2  vols.     Allen.     1885. 

2  vols.     Allen.     1899. 

3  vols.    Allen.     1900.    5  8. 

Opening  of  the  Crystal  Palace,  considered  in  some  of  its 
relations  to  the  prospects  of  art.  Smith,  Elder. 
1854.     Reprinted  in  "  On  the  Old  Road." 

«  Our  Fathers  Have  Told  Us."  Sketches  of  the  History 
of  Christendom  for  boys  and  girls  who  have  been  held 
at  its  fonts.  Part  I.  of  the  "Bible  of  Amiens," 
traveller's  edition.     Allen.     1881. 

Allen.     1884. 

3d  edition.     Allen.     1898.     5  s. 

Oxford  Lecture.  "Nineteenth  Century  Magazine," 
1878.     Reprinted  in  "  On  the  Old  Road." 

Oxford  Museum.     4  editions.     Smith,  Elder.     1859. 

Planting  of  Church- Yards.  "Loudon's  Architectural 
Magazine,"  1838. 

Pleasures  of  England.  Lectures  given  in  Oxford.  4 
parts.    Allen.     1884. 


80      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Poems,  containing  all  poems  previously  enumerated. 
Privately  printed.     1850. 

Poems,  edited  by  W.  G.  Collingwood.  2  vols.  Allen. 
1891. 

Poetry  of  Architecture,  or  the  Architecture  of  the  Na- 
tions of  Europe,  considered  in  association  with  natural 
scenery  and  character.  Printed  in  "  Loudon's  Archi- 
tectural Magazine,"  1837-38  (under  the  pseudonym 
"  Kata  Phusin ").  Reprinted  separately.  Allen. 
1893. 

Political  Economy  of  Art.  Being  the  substance,  with 
additions,  of  two  lectures  delivered  at  Manchester, 
July  10, 13, 1857.  2  editions.  Smith,  Elder.  1857. 
3d  edition  was  entitled  "A  Joy  Forever,  and  its 
Price  in  the  Market,"  and  includes  other  lectures. 

Portfolio  Studies  in  Both  Arts :  being  ten  subjects 
drawn  and  described  by  J.  Ruskin.     Allen.     1899. 

Praeterita,  Autobiography.     2  vols.     Allen.     1885. 

2d  edition.     2  vols,  in  1.     Allen.     1885. 

3  vols.     Allen.     1886. 

2  vols.     Allen.     1899. 

3  vols.     Allen.     1900.     5s.,  lis. 

Prefaces.    See  Bibliography  of  Prefaces,  etc. 

Pre-Raphaelitism.     2  editions.     Smith,  Elder.     1851. 

Smith,  Elder.     1862.     Reprinted  in  "  On  the  Old 

Road." 

Proserpina :  Studies  of  "Wayside  Flowers  while  the  Air 
was  yet  Pure  among  the  Alps  and  in  the  Scotland  and 
England  which  my  Father  knew.  2  vols.  Allen. 
1875-86. 


THE  STUDY  OF  JOHN  RUSKIN  81 

Queen  of  the  Air,  being  a  study  of  the  Greek  myths 
of  cloud  and  storm.  2  editions.  Smith,  Elder. 
London.     1869. 

— —  3  editions.     Allen. 

Range  of  Intellectual  Conception  proportioned  to  the 
Rank  in  Animated  Life.  "  Contemporary  Review," 
xvii.  424-427.  1871.  Reprinted  in  "  On  the  Old 
Road." 

Readings  from  "  Modem  Painters,"  "  Seven  Lamps," 
and  "  Stones  of  Venice."     Allen.     1895. 

Relation  between  Michael  Angelo  and  Tintoret.  Seventh 
of  the  course  of  lectures  on  sculpture  delivered  at 
Oxford,  1870-71.     Seditions.     Allen.     1872. 

Remarks  addressed  to  the  Mansfield  Art  Night  Class. 
1873. 

Remarks  on  the  Present  State  of  Meteorological  Science. 
"Monthly  Meteorological  Magazine,"  1870.  Re- 
printed in  "  On  the  Old  Road." 

Report  on  the  Turner  Drawings  in  the  National  Gallery. 
"  Annual  Report  of  the  National  Gallery,"  1877. 

Rock  Honeycomb.     See  Bibliotheca  Pastorum. 

Ruskiniana.  Letters  collected.  Privately  printed. 
1890. 

Saint  Mark's  Rest.  The  History  of  Venice  written  for 
the  help  of  the  few  travellers  who  still  care  for  her 
monuments.     Allen.     1877. 

With  various  supplements  and  an  appendix  to  chap- 
ter viii.,  entitled  "  Sanctus,  Sanctus,  Sanctus."  An 
accoimt  of  the  mosaics  in  the  Baptistery  of  St.  Mark's, 
by  A.  D.  O.  Wedderburn.    Allen.    1884. 


82      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Salsette   and   Elephanta.     Prize   poem.     Printed  and 

published.     J.  Vincent.     1839. 

AUen.     1879. 

Samuel  Prout.     "Art  Journal,"  1849.     Printed  sepa- 
rately.    1870.     Reprinted  in  "  On  the  Old  Road." 
Scythian  Guest.     Poem.     Printed   separately.     (Very 

rare.)     1849. 
Sesame  and  Lilies.     Three  lectures.    4  editions.    Smith, 

Elder.     1865. 

6  editions.     AUen.     Up  to  1884. 

14  editions.     Allen.     Up  to  1894. 

Seven   Lamps   of  Architecture.      2  editions.      Smith, 

Elder.     1849. 

Smith,  Elder.     1855. 

4  editions.     Allen.     1880. 

Allen.    1890. 

Sir  Joshua  and  Holbein.     "  Cornhill  Magazine,"  1860. 

Reprinted  in  "  On  the  Old  Road." 
Social  Policy.     A  paper  for  the  Metaphysical  Society. 

1875. 
Stones  of  Venice.    Vol.  I.  The  Foundations.    Vol.  11. 

The  SearStories.    VoL  III.  The  Fall.    Vols.  II.  and 

III.,  2  editions  each,  published  separately.     Smith, 

Elder.     1853. 
3  vols,   together.      Autograph  Edition.      Smith, 

Elder.     1874. 

Allen.     1879. 

Traveller's  edition,  abridged.     Allen.     1881. 

Allen.     1884. 

With  notes.    Allen.    1886. 


THE  STUDY  OP  JOHN  RUSKIN  83 

Stones  of  Venice.     Allen.     1892. 

Illustrated  by  the  author.     Small  edition.     Allen. 

1898.     10  s. 

On  the  Nature  of  the  Gothic,  chapter  vi.  of  Vol.  II. 
Smith,  Elder.     1854. 

"With  preface  by  WilUam   Morris.      Allen. 

1892. 
Allen.     1899.     1  s.  6  d. 


Storm  Cloud  of  the  Nineteenth  Century.  Two  lectures 
delivered  at  the  London  Institute,  February  4  and 
11,1884.    Allen.     1884. 

Stray  Letters  from  Professor  Ruskin  to  a  London  Bib- 
liophile. Forty  copies  only,  privately  printed.  Lon- 
don.    1892. 

Studies.     See  Portfolio. 

Study  of  Architecture  in  our  Schools,  an  inquiry  into 
some  of  the  conditions  at  present  affecting  it.  Read 
at  the  ordinary  general  meeting  of  the  Royal  Insti- 
tute of  British  Architecture,  May  15,  1865. 

Three  Colours  of  Pre-Raphaelitism.  "  Nineteenth  Cen- 
tury Magazine,"  1878,  4:  925-931,  1072-1082. 
Reprinted  in  "  On  the  Old  Road." 

Three  Letters  and  an  Essay  on  Literature,  1836-41, 
found  in  his  tutor's  desk.     Allen.     1893. 

Time  and  Tide  by  Weare  and  Tyne.  Twenty-five  let- 
ters to  a  workingman  of  Sunderland  on  the  Laws  of 
Work,  first  published  in  the  *'  Manchester  Examiner  " 
and  the  "  Leeds  Mercury."  2  editions.  Smith,  Elder. 
1868. 

3  editions.    Allen. 


84      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Tree  Twigs.  Printed  in  the  "  Proceedings  of  the  Royal 
Institution."  Reprinted  separately.  1861.  Re- 
printed in  "  On  the  Old  Road." 

Two  Letters  concerning  the  "Construction  of  Sheep- 
folds,"  addressed  to  the  Rev.  F.  D.  Maurice,  written 
in  1851,  printed  with  forewords  by  F.  J.  Fumivall, 
in  1889. 

Printed   for  private  distribution  only.     London. 

1890. 

Two  Paths.  Being  Lectures  on  Art  and  its  Application 
to  Decoration  and  Manufacture,  delivered  in  1858-59. 
Smith,  Elder.     1859. 

Two  Paths.     3  editions.     Allen. 

Unity  of  Art.  Part  of  an  address  delivered  at  Man- 
chester, March  14,  1859.  Privately  printed.  1859. 
Lecture  III.  of  "  Two  Paths." 

Unity  of  Art.     See  above.  Two  Paths. 

Unto  this  Last.  Four  Essays  on  the  First  Principles 
of  Political  Economy.  Printed  in  the  "Cornhill 
Magazine,"  1860.  Printed  separately.  Smith,  Elder. 
1862. 

5  editions.     Allen.     1877. 

32d  thousand.     Allen.     1900.    2  s.,  1  s.  6  d. 

Usury.  A  Reply  and  a  Rejoinder.  "  Contemporary 
Review,"   1880.    Reprinted  in  "  On  the  Old  Road." 

Val  d' Arno.  Ten  lectures  on  Tuscan  Art  directly  Ante- 
cedent to  the  Florentine  Year  of  Victories  :  given  be- 
fore the  University  of  Oxford  in  Michaelmas  tei'm, 
1872.     Seditions.     Allen.     1874. 

Verona  and  its  Rivers.      Printed  in  the  "  Proceedings 


THE  STUDY  OF  JOHN  RUSKIN  85 

of  the  Royal  Institution.  "  Reprinted  in  "  On  the  Old 

Road."     1870. 
Verona  and  its  Rivers,  and  other  Lectures.     Illustrated 

by  the  author.     AUen.     1894. 
Whether  Works  of   Art  may  be   combined  with  the 

Sublimity  of  Nature.     "  Loudon's  Magazine,"  1839. 

FOREIGN  EDITIONS 

No  international  copyright  laws  existed  between  Eng- 
land and  America  earlier  than  1891 ;  all  previous  edi- 
tions, therefore,  are  pirated.  Many  of  these  issues  were 
sold  in  Europe  because  of  cheapness.  Ruskin  disap- 
proved of  the  translation  of  his  books  into  foreign  lan- 
guages because  of  the  false  ideas  often  conveyed ;  for 
that  reason  there  are  very  few  issues  other  than  in  the 
original. 
Works.     30  vols.     Wiley,  New  York,  1876. 

20  vols.     Wiley,  New  York,  1876. 

Library  Edition.    25   vols.     Wiley,    New  York, 

1884. 

New  edition.     12  vols.     Wiley,  New  York,  1885. 

Popular   Edition.     19  vols.     Wiley,  New  York, 


1886. 
—  18  vols.     Wiley,  New  York,  1886. 


Complete  works.     14  vols.     Burrows.     1886. 

Works.  With  introduction  by  Charles  Eliot  Norton. 
First  authorized  American  edition,  illustrated.  Brant- 
wood  Edition.  22  vols.  Maynard,  1891-92.  $39.25, 
$66.75. 

Illustrated.     13  vols.     Merrill  and  Baker,    New 

York,  1895. 


86     BIBLIOGKAPHICAL  CONTRIBUTION  TO 

Works.   Illustrated.   26  vols.    Merrill  and  Baker,  1897. 
New   popular  edition.     26  vols.     American  Pub- 
lishing Corporation,  1897. 
Including  Life  by  Hobson.     St.  Mark's  Edition. 


Taylor,  New  York,  1899. 

—  12  vols.     J.  B.  Lyon,  Albany,  N.  Y.,  no  date. 

—  Illustrated.     2  editions.    26  vols.    Estes,  Boston, 
1900.     $39,  $78. 

—  2  editions.     13  vols.     Estes,  Boston,  1900.     $13, 


Miscellanea.     2  vols.     Wiley,  New  York,  1886. 
Aratra  Pentelici.     2  editions.   Wiley,  New  York,  1876. 

Lovell's  Library.     J.  W.  LoveU,  1885. 

Merrill,  New  York,  1892.     $2.75.  ^ 

Ariadne  Florentina.     Wiley,  New  York,  1876. 

Merrill,  New  York,  1892.     $2.75. 

Arrows  of  the  Chace.   2  vols.    Wiley,  New  York,  1881. 

Literary  Series.     LoveU,  1890. 

Art  of  England.     Wiley,  New  York,  1883. 

Appendix  and  Index.     Wiley,  New  York,  1884. 

Scribner,  New  York,  1885. 

Lovell's  Library.     Lovell,  1885. 

LoveU,  1886. 

Literary  Series.     LoveU,  1889. 

MerriU,  1892.     $2.75. 

Crown  of  Wild  OUve.     Alden,  no  date. 

WUey,  New  York,  1876. 

LoveU's  Library.     LoveU,  1885. 

Literary  Series.     LoveU,  1889. 

Ruskin  Library.     Wiley,  New  York,  1890. 


THE  STUDY  OF  JOHN  RUSKIN  87 

Crown  of  Wild  Olive.     Library  of  the  World's  Best 

Books.     Burt,  1890. 

Literary  Series.     United  States  Book  Co.,  1891. 

Altemus,  Philadelphia,  1900.     35  c,  40  c.,  50  c. 

2  editions.     Burt,  New  York,  1900.     75  c,  $1. 

3  editions.     Caldwell,  New  York,  1900.    35  c, 

50  c.,  75  c. 
Seditions.     Crowell,   1900.     40c.,   50c.,  60c, 

75  c,  $1,  $2. 

and  Seven  Lamps.     CroweD,  1900.     $1.50. 

Handy    Volume    Series.     Hill,    Chicago,    1900. 


35  c. 

—  Page,  Boston.     $1. 

—  Bay  View,  New  York.     50  c,  75  c. 

—  Donohue,  Chicago.     25  c,  75  c. 

—  Mershon,  New  York.     10  c,  50  c,  75  c. 

—  Hurst,  Boston.     30  c,  35  c,  50  c. 

—  and  other  Essays.     Estes,  Boston.     $1.50. 

—  Merrill,  New  York.     $1.60. 


Couronne  d'olivier  sauvage,  traduction  de  Soci^t^  d'Edi- 

tion  Artistique.     G.  Elwall,  Paris,  1900. 
Deucalion.     Wiley,  New  York,  1876. 

WUey,  New  York,  1877. 

Lovell's  Library.     Lovell,  1885. 

Lovell,  1886. 

Wiley,  New  York,  1886. 

Literary  Series.     Lovell,  1889. 

Estes,  Boston.     $1.50. 

Eagle's  Nest.     Wiley,  New  York,  1876. 
Lovell's  Library.     Lovell,  1885. 


88     BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Eagle's  Nest.     LoveU,  1886. 

MerriU,  New  York,  1892.     $1.50. 

Elementi   del   disegno   e   della  pittura,  traduzione  di 

Bocca.     E.  Nicolello,  Torino,  1898. 
Elements  of  Drawing.     Wiley,  New  York,  1876. 

Merrill,  New  York,  1892.     $1.50. 

Elements  of  Perspective.     Wiley,  New  York,  1876. 
Essays  and  Letters.     Ginn,  1894. 
Ethics  of  the  Dust.     Alden.    No  date. 

Wiley,  New  York,  1876. 

Lovell's  Library.     LoveU,  1885. 

Literary  Series.     LoveU,  1889. 

Ruskin  Library.     Wiley,  New  York,  1890. 

Altemus,  PhUadelphia,  1893. 

Funk  &  WagnaUs,  New  York,  1900.     15  c. 

4  editions.      CaldweU,   New  York,  1900.     30  c, 

35  c,  50  c. 

7  editions.     CroweU,  1900.     40  c,  60  c,  75  c,  $2. 

Donohue,  Chicago.     25  c,  75  c. 

Mershon,  New  York.     10  c,  50  c,  75  c. 

Hurst,  Boston.     30  c,  35  c,  50  c. 

MerriU,  New  York,  1892.     $1.50. 

and  other  Selections.     Estes,  Boston.     $1.50. 


Fors  Clavigera.     WUey,  New  York,  1876. 

Standard  Series.     French,  1880. 

WUey,  1884. 

LoveU's  Library.     LoveU,  1886. 

3  vols.     Literary  Series.     LoveU,  1890. 

4  vols.     Literary  Series.    United  States  Book  Co., 

1891. 


THE  STUDY  OF  JOHN  RUSKIN  89 

Fors  Clavigera.  2  vols.  Funk  &  Wagnalls,  New  York, 
1900.    15  c.  each. 

8  vols.     Maynard,  1899.     $28.50. 

4  vols.     Estes,  1900.     $6. 

Frondes  Agrestes.     Wiley,  New  York,  1876. 

Scribner,  1876. 

Standard  Series.     French,  1880. 

Maynard,  1899.     $1.50. 

Funk  &  Wagnalls,  New  York,  1900. 

Giotto  and  his  Work  at  Padua,  with  Poetry  of  Archi- 
tecture.    Lovell,  1890. 

Scribner,  1900.     $3. 

Harbours  of  England.    Imported  by  Scribner,  1896.   $3. 

Hortus  Inclusus.     Wiley,  1877. 

Maynard,  1899.     $1.60. 

with  In  Mortibus  Sanctus  and  Coeli  Enarrant. 

Lovell,  1892. 

and  miscellaneous  works.     Estes,  1900.     $1.50. 


Inaugural  Address  at  Cambridge.     Reprinted  in  New 

York  "Saturday  Press,"  1895. 
In  Mortibus  Sanctus.     See  Hortus  Inclusus. 
Joy  Forever.     Lovell's  Library.     Lovell,  1885. 

Literary  Series.     Lovell,  1890. 

Maynard,  1899.     $1.50. 

Der  KOnig  des  Goldflusses,  oder  die  Schwarzen  Brllder : 

aus  dem  Engl,  von  A.  Benson  mit  2  Bildem.    Kuntz, 

Dresden,  1861. 
Der  Konig  des  Goldenen  Stromes,  oder  die  Schwarzen 

Brttder.     Slavische  Mahrchensage.     Aus  dem  Engl. 

von  Henriette  Tuwald.     Stuttgart,  1861. 


90      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

King  of  the  Golden  Eiver.     Lee  &  Shepaxd,  Boston, 

1876. 

WUey,  New  York,  1876. 

Wiley,  New  York,  1882. 

Classics  for  Children.     Ginn,  1885. 

LoveU's  Library.     LoveU,  1885. 

New  edition.     Lee  &  Shepard,  Boston,  1888. 

School  Edition.   Lee  &  Shepard,  Boston,  1888. 

Literary  Series.     Lovell,  1890. 

Literary  Gem  Series.     Putnam,  1890.     75  c. 

Cosy  Corner  Series.     Knight,  Boston,  1895. 

Maynard,  1899.     $1. 

Crowell,  1900.    55  c. 

Ginn,  1900.     25  c. 

350  copies  only.     Roycroft  Press,  1900.     $5. 

40  copies.     Roycroft  Press,  1900.     $10. 

Roycroft  Press,  1900.     $2. 

Page,  Boston.     50  c. 

Maynard,  1899.     $1. 

with  Dame  Wiggins  of  Lea.     Merrill,  New  York, 

1900. 

and  other  wonderful  tales  from  BjOrnstjerne  Bjorn- 


son  and  others.     Houghton,  Mifflin,  Boston,  1898. 
15  c. 

Edited  by  M.  V.  O'Shea,  illustrated  by  S.   Gal- 


lager.     Heath,  Boston,  1900. 

Herbert  Bates,  ed.     Macmillan,  1900.     25  c. 

and  other  selections.     Maynard,  1899.     12  c. 


Laws  of  Fdsole.     Wiley,  New  York,  1876. 
Wiley,  New  York,  1879. 


THE  STUDY  OF  JOHN  RUSKIN  91 

Laws  of  F^sole.     Estes,  1900.     $1.50. 

Lectures  on  Architecture,  with  illustrations  drawn  by 

the  author.     Alden,  New  York,  1885. 
Lectures  on  Architecture  and  Painting.    Literary  Series. 

Lovell,  1885. 

MerriU,  New  York,  1892. 

2  editions,  imported  by  Scribner,  1900.     $3,  $6. 

Lectures  on  Art.     Wiley,  New  York,  1876. 

Lovell's  Library.     Lovell,  1885. 

Literary  Series.     Lovell,  1889. 

Imported  by  Scribner,  1900.     $2.50. 

Letters  addressed  to  a  College  Friend.     Macmillan, 

1894.     $1.50. 
Letters  and  Advice  to  Young  Girls.     Wiley,  New  York, 

1879. 
Letters  to  the  Clergy.     3  editions.     Dodd,  Mead,  New 

York,  1896. 
Letters  to  Workmen.     2  vols.     Funk  &  Wagnalls,  New 

York,  1900.     15  c.  each. 
Love's  Meinie.     Wiley,  New  York,  1876. 

Lovell's  Library.     Lovell,  1885. 

Lovell,  1886. 

Modem  Painters.     5  vols.     Wiley,  New  York,  1876. 

Vol.  11.     Wiley,  New  York,  1883. 

6  vols.     Wiley,  New  York,  1882. 

2  vols.   People's  Edition.   Wiley,  New  York,  1884. 

5  vols.     Lovell's  Library.     Lovell,  1885. 

6  vols.     Literary  Series.     Lovell,  1889. 

5  vols.     New  edition.     Hazell,  1889. 

5  vols.     Holiday  Edition.     Estes,  1894. 


92      BIBLIOGRAPHICAL  CONTRIBUTION  TO 
Modern  Painters.  6  vols.    Imported  by  Scribner.    1900. 


—  6  vols.     Maynard,  1899.     $48. 

—  Selections.     Maynard.     12  c. 

—  Funk  &  WagnaUs.     15  c. 

—  and  Stones  of  Venice.     Caldwell,  Boston.     $1. 

—  2  editions.     Caldwell,   New  York,  1900.     35  c, 
50  c,  75  c,  $1. 

—  5  vols.    2  editions.    Estes,  Boston,  1900.     $7.50. 


$10,  $20. 
Mornings  in  Florence.     Wiley,  New  York,  1876. 

Lovell's  Library.     Lovell,  New  York,  1885. 

Lovell,  1886. 

Caldwell,  New  York,  1900.     30  c,  50  c,  75  e. 

Handy  Volume  Series.     Hill,  Chicago,  1900. 

Donohue,  Chicago.     25  c,  75  c. 

Mershon,  New  York.     10  c,  50  c,  75  c. 

Hurst,  Boston.     30  c,  35  c,  50  c. 

and  other  selections.     Estes,  Boston.     $1.50. 

Munera  Pulveris,  with  Ethics   of  the  Dust.      Estes, 

Boston.     $1.50. 
Notes  on  the  Construction  of  Sheepfolds.     Wiley,  New 

York,  1876. 
Our  Fathers  Have  Told  Us.    Lovell's  Library.     Lovell, 

1885. 

LoveU,  1886. 

Wiley,  New  York,  1886. 

Literary  Series.     LoveU,  1890. 

Part  I.     Maynard,  New  York.     $2.40. 

On  the  Old  Road.    Imported  by  Scribner.     1900. 


THE  STUDY  OF  JOHN  RUSKIN  93 

Pleasures   of   England.       Lovell's    Library.      Lovell, 

1885. 

Wiley,  New  York,  1885. 

Pleasures  of  Learning.     CroweU,  1900.     25  c. 
Poems.     Wiley,  New  York,  1882. 

■  Literary  Series.     Lovell,  1890. 

2  vols.     Brantwood  Edition.     Merrill,  New  York, 

1891.     $3. 
Poetry  of  Architecture.    Wiley,  New  York,  1876. 

Literary  Series.     Lovell,  1890." 

Estes,  Boston.     $1. 

Political  Economy  of  Art.     Wiley,  New  York,  1876. 
Praeterita.     Scribner,  1885-89. 

3  vols.     Wiley,  1885-89. 

2d  edition  of  Vol.  I.     Wiley,  1886. 

3  vols.     Ruskin  Library.     Wiley,  1890. 

United  States  Book  Co.,  1892. 

3  vols.    Maynard,  1889. 

Estes.     $1.50. 

Pre-Raphaelitism.      Literary   Gem   Series.      Putnam, 

1891. 
with  Notes  on  Sheepfolds  and  King  of  the  Golden 

River.     Wiley,  1876. 
with  papers  from  1854-62,  arranged  by  W.  M. 


Rossetti.     Dodd,  Mead,  1899. 
Proserpina.     Lovell's  Library.     Lovell,  1885. 

Wiley,  1876-79. 

Wiley,  1886. 

Lovell,  1886. 

and  other  selections.     Estes,  Boston.     $1.50. 


94      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Queen  of  the  Air.     Wiley,  1876. 

Alden,  1885. 

LoveU's  Library.     LoveU,  1885. 

Literary  Series.     LoveU,  1889. 

Handy    Volume    Series.      Hill,    Chicago,    1900. 

35  c. 

Altemus,  Philadelphia,  1900.    35  c,  40  c,  50  c. 

2  editions.     CaldweU,  New  York,  1900.    35  c, 


50  c,  75  c. 

—  7  editions.    CroweU,    1900.    40  c,  50  c,  60  c, 
75c.,  $2. 

—  Maynard.     $1.50. 

—  Hurst,  Boston.     35  c,  50  c,  80  c. 

—  Mershon,  New  York.     10  c,  50  c,  75  c 

—  Donohue,  Chicago.     25  c. 


Ruskin  Library.  6  vols.  Contains  Sesame  and  Lilies, 
Ethics  of  the  Dust,  Crown  of  Wild  Olive,  Queen  of 
the  Air,  True  and  Beautiful.  Wiley,  New  York, 
1890. 

Ruskin  Library.  Fifty  titles.  Illustrated.  Crowell, 
1899.    60  c.  per  vol. 

Saint  Mark's  Rest.  People's  Edition.  Wiley,  New 
York,  1879. 

translated  into  Italian  by  Comte  Cav.  G.  P.  Zar 

neUi,  1885. 

with  index.     Wiley,  New  York,  1884. 

LoveU's  Library.     LoveU,  1885. 

LoveU,  1886. 

'         Literary  Series.     LoveU,  1889. 

Handy  Volume  Series.    HiU,  Chicago,  1900. 


THE  STUDY  OF  JOHN  RUSKIN  95 

Saint  Mark's   Rest.     Hurst,   Boston.     30  c,   85  c, 

60  c. 

Mershon,  New  York,  10  c,  50  c,  75  c 

Donohue,  Chicago.     25  c. 

And  other  selections.     Estes,  Boston.     $1.50. 

Selected  Works.     8  vols.    Alden,  1885.     . 

4  vols.     Including  Crown  of  Wild  Olive,  Ethics 

of  the  Dust,  Mornings  in  Florence,  Sesame  and  Lilies. 

Donohue,  Chicago.     $3. 
Sesame  and  Lilies.     2  sizes.     Wiley,  New  York,  1876. 

New  cheap  edition.     Wiley,  New  York,  1884. 

LoveU's  Library.     Lovell,  1885. 

Reprint  of  3d  English  edition.     WUey,  New  York, 

1888. 

Literary  Series.     Lovell,  1889. 

McQurg,  Chicago,  1889. 

Knickerbocker    Nuggets,  Vol.  XXV.     Putnam, 

1889. 

Alden,  1890. 

Page,  Boston.     $1. 

Bay  View,  New  York.     50  c,  75  c. 

Donohue,  Chicago.     25  c,  50  c,  75  c. 

Mershon,  New  York.     10  c,  50  c,  75  c 

— —  Hurst,  Boston.     30  c,  35  c,  50  c. 

Lupton,  New  York.     30c. 

Altemus,  1892. 

Elia  Series.     Putnam,  1895.     $2.25. 

Knight,  1898. 

Roycroft  Press,  1898.     $5. 

2  copies  only.     Roycroft  Press,  1898. 


96      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Sesame  and  Lilies.     Altemus,  1900.     35  c,  50  c. 
7  editions.     Burt,  New  York,  1900.    75  c,  $1, 

$1.50,  $2. 
3  editions.     Caldwell,  New  York,  1900.     35  c, 

50  c,  75  c,  $1. 

11  editions.     Crowell,  1900.     40  c,  $2.50. 

■  Handy  Volume  Series.    Hill,  Chicago,  1900.    35  c. 

Houghton,  Cambridge,  1900.     15  c. 

McClurg,  Chicago,  1900.     $1,  $2.50. 

World's  Classics.     Putnam.     New  York,  1900. 

edited  by   Cook.      Silver,   Burdett,   New   York, 

1901. 

Mosher,  Portland,  Me.,  1900.     $1,  $2.50. 

with  King  of  the  Golden  Eiver.     Edited  by  H. 

Bates.     Macmillan,  1900.     25  c. 

with  True  and  Beautiful.     CaldweU.     $1. 

with   Crown  of  Wild   Olive   and  Ethics   of   the 


Dust.     Alden. 
—  with  other  selections.     Estes.     $1.50. 


Sesame  and  Lilies  —  Queen's  Garden.     Maynard,  1899. 

12  c. 
King's  Treasures.     Maynard,  New  York,  1899. 

12  c. 
Seven    Lamps    of    Architecture.     Illustrated.     Wiley, 

1876. 

Cheap  edition.     Wiley,  1880. 

Wiley,  1884. 

Alden,  1885. 

Lovell's  Library.     Lovell,  1885. 

Literary  Series.     Lovell,  1889. 


THE  STUDY  OF  JOHN  RUSKIN  97 

Seven    Lamps   of  Architecture.      With    Critical   and 

Biographical  Introduction  by  Russell  Sturgis.     Ap- 

pleton,  1899. 

Maynard,  1899.     $2.75,  $8.40. 

Imported  by  Scribner,  1900.     $8.40. 

8  editions.     Crowell,  1900. 

Burt,  New  York,  1900.     $1. 

and  other  selections.     Estes,  $1.50. 

Sept  lampes   de  I'architecture,   traduction  de   Soci^t^ 

d'Edition  Artistique.     G.  Ewall,  Paris,  1900. 
Stones  of  Venice.     3  vols.     Wiley,  1876. 

Cheap  edition.    3  vols.     Wiley,  1881. 

People's  Edition.     Wiley,  1884. 

Lovell's  Library.     Lovell,  1885. 

Literary  Series.     3  vols.     Lovell,  1889. 

Edition  de  luxe,  illustrated,  limited  to  750  copies. 

3  vols.     Bryan,  Taylor  &  Co.,  New  York,  1892. 
Illustrated  Holiday  Edition.    3  vols.    Estes,  1894. 

$4.50,  $6,  $12. 
2   editions.     Caldwell,   New  York,   1899.     35  c., 


50  c,  75  c,  $1. 

—  2  vols.     Maynard,  1899. 

—  3  vols.     Maynard,  1899. 

—  2  editions.     3  vols.     Estes,  1900. 

—  3  vols.     Scribner,  1900.     $36. 


Steine  von  Venedig,  eine  Auslese  aus  dem  Werke,  *'  The 
Stones  of  Venice ; "  aus  dem  Engl.  Ubersetzt  und 
zusanmiengestellt  von  Jakob  Feis.      Strasburg,  1900. 

Storm  Cloud  of  the  Nineteenth  Century.     Wiley,  1884. 

——  Scribner,  1885. 


98      BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Studies  in  Both  Arts.  Being  ten  subjects  drawn  and  de- 
scribed by  John  Ruskin.  Imported  by  Scribner, 
1895.     $8.50. 

Study  of  Architecture  in  our  Schools.  Wiley,  New 
York,  1876. 

Time  and  Tide.     Wiley,  New  York,  1876. 

Wiley,  New  York,  1884. 

Lovell's  Library.     Lovell,  1885. 

R.  Worthington,  1885. 

Maynard,  New  York.     $1.50. 

Two  Paths.     Maynard,  $1.50. 

Wiley,  New  York,  1876.* 

Lovell's  Library.     Lovell,  1885. 

Two  Paths.     Literary  Series.     Lovell,  1889. 

and  other  selections.     Estes,  Boston.     $1.50. 

Unto  this  Last.     Lovell's  Library.     Lovell,  1885. 

Wiley,  New  York,  1876. 

Val  d'Arno.     Lovell's  Library.     LoveU,  1885. 

Wiley,  New  York,  1886. 

also    Pleasures    of    England.      Literary    Series. 

Lovell,  1890. 

Maynard,  $2.75. 


Verona.     Macmillan,  1894.     $2.50. 


THE  STUDY  OF  JOHN  RUSKIN  99 


BIBLIOGRAPHY  OF  BOOKS  COMPOSED  OF 
AND  CONTAINING  SELECTIONS  FROM 
RUSKIN'S  WRITINGS,  ALSO  OF  BOOKS  FOR 
WHICH  HE  WROTE  PREFACES,  NOTES, 
LETTERS,  ETC. 

Angels  in  Art,  pp.  42,  259.  Clara  Erskine  Clement. 
Boston,  1898. 

Aphorismen  zur  Lebensweisheit,  eine  Gedankenlese  aus 
den  Werken  des  Ruskins,  aus  dem  Engl,  tibersetzt  und 
zusammengesteUt  von  Jakob  Feis.  180  Seiten.  Heitz, 
Strasburg,  1899. 

Aristotle's  Rhetoric,  with  manuscript  notes  and  draw- 
ings by  Ruskin,  1833. 

Art  and  Formation  of  Taste,  numerous  selections.  Lucy 
Crane.     London,  1882. 

Art  Culture.  W.  H.  Piatt,  arranger.  Wiley,  New 
York,  1873. 

Art  Education,  pp.  305,  318.  Selections.  Walter  Smith. 
Boston,  1873. 

Art  Schools  of  Mediaeval  Christendom.  Preface  and 
notes  by  Ruskin.     A.  C.  Owen.     London,  1876. 

Artists  of  the  Nineteenth  Century.  Numerous  selec- 
tions.    C.  E.  Clement  and  L.  Hutton.     Boston,  1880. 

Autobiographical  Notes  of  the  Life  of  William  BeU 
Scott.  Letter  from  Ruskin,  p.  7.  W.  Minto,  ed. 
New  York,  1892. 

Beautiful  in  Nature.     English  Classic  Series. 

Beauty  and  Nature.     Caldwell,  Boston.    50  c,  76  c,  $1. 


100    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Bernardino  Luini,  pp.  7,  11.  Quotations  from  Kuskin. 
G.  C.  Williamson.     London,  1899. 

Bible  References  of  J.  Ruskin.  M.  &  E.  Gibbs,  comp. 
Oxford,  1898.     $1.25. 

Cameos  from  Ruskin.  M.  E.  Cardwill,  arr.  Maynard, 
New  York,  1892.     50  c,  $1. 

Catalogue  of  Exhibition  of  J.  Leech's  Outlines.  Letter 
by  Ruskin.     1872. 

Catalogue  of  the  Exhibition.  Appendix  by  Ruskin. 
Society  of  Water  Colour  Painters.     1886. 

Chapters  on  Art.  A  Selection  from  the  Works  of  Rus- 
kin.    Berlin,  1899. 

Choice  Selections.     Wiley,  New  York,  1896.     75  c. 

Christian  Art  and  Symbolism.  Preface  by  Ruskin.  R. 
St.  J.  Tyrwhitt.     1872. 

Christian  Folk  in  the  Apennine.  Edited  by  Ruskin. 
Francesca  Alexander.     1887. 

Claude  Lorraine.  Nimierous  quotations  from  Ruskin. 
M.  F.  Sweetser.     Artist  Biographies.     Boston,  1878. 

Communism  of  Ruskin.  Himaboldt.  Social  Science  Li- 
brary.     1891.     75  c. 

Dame  Wiggins  of  Lea.  Edited  by  Ruskin.  Illus- 
trated.    Kate  Greenaway.     1885. 

Dante  Gabriel  Rossetti.  Letters  from  Ruskin.  H.  C 
MaciUier.     London,  1899. 

Early  Renaissance  and  other  essays  on  Art  Subjects. 
Selections  from  Ruskin.  J.  M.  Hoppin.  Boston, 
1895. 

Education  of  the  Artist.  Selections,  pp.  231,  255. 
Ernest  Chesneau.    Clara  Bell,  tr.    London,  1886. 


THE  STUDY  OF  JOHN  RUSKIN  101 

Elements  of  Art  Criticism.  Selection,  p.  195.  G.  W. 
Samson.     Philadelphia,  1867. 

English  Prose,  pp.  110,  212.  Selections.  J.  Earle. 
London,  1890. 

English  School  of  Painting.  Notes  and  Preface  by 
Ruskin.     Ernest  Chesneau.     1885. 

Florence.  Several  selections  from  "  Modem  Painters.'* 
A.  J.  C.  Hare.     London,  no  date. 

Fra  Angelico.  Two  quotations.  M.  F.  Sweetser.  Art- 
ist Biographies.     Boston,  1879. 

Fra  Angelico,  pp.  98,  99.  Criticism  of  Ghirlandajo  by 
Ruskin.     C  M.  PhiUimore.     New  York,  1881. 

Gems  from  Ruskin.     A.  N.  Buller,  arr.     1886. 

Genesis  of  Art  Form.  Contains  selections  from  Ruskin. 
G.  L.  Raymond.     New  York,  1893. 

German  Popular  Stories.  Introduction  by  Ruskin.  J. 
L.  C.  and  W.  C.  Grimm.     1869. 

Guide  to  the  Paintings  of  Venice.  Numerous  quotar 
tions.     Karl  K^roly.     New  York,  1895. 

Handbook  of  the  Italian  Schools  based  on  Kugler's 
"  Handbook."  Brief  quotation,  note,  p.  322.  A.  H. 
Layard,  reviser.     London,  1887. 

Hans  Holbein  and  the  Merer  Madonna.  Brief  selec- 
tion, Arundel  Society.     Ralph  N.  Wornum.     1871. 

History  of  French  Painting,  pp.  43,  393.  Brief  selec- 
tion.    C.  H.  Stranahan.     New  York,  1888. 

Ideas  of  Truth  from  Ruskin.  literary  Gem  Series. 
Putnam.     1890. 

Introduction  to  the  Writings  of  Ruskin.  Vida  D. 
Scudder.     Boston,  1890.     50  c. 


102    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

ItaKan  Masters.  Numerous  selections  from  Ruskln. 
Henry  AtweU.     London,  1888. 

Landscape.  Quotation,  ii.  292.  P.  G.  Hamerton. 
London,  1885. 

Landseer.  Ruskin's  description  of  the  "  Chief  Mourner," 
p.  69.  M.  F.  Sweetser.  Artist  Biographies.  Bos- 
ton, 1879. 

Letters  and  Advice  to  Young  Ladies.  Selected  from 
the  writings  of  Ruskin.     Wiley,  1879. 

Library  of  the  World's  Best  Literature,  xxi.  12516. 
Selections  from  Ruskin.     C.  D.  Warner,  ed. 

Life  and  Letters  of  Hugh  MiUer.  Letter  from  Ruskin 
to  Mrs.  Miller.     Peter  Bayne.     London,  1871. 

Life  of  Christ  as  represented  in  Art.  Numerous  quota- 
tions from  Ruskin.  Frederic  W.  Farrer.  New 
York,  1895. 

Life  of  J.  M.  W.  Turner,  R.  A.  Letter  from  Ruskin 
to  author.     Walter  Thornbury.     London,  1862. 

Second  edition  contains  two  .letters  (reprinted  in 

"  Arrows  of  the  Chace  "). 

Limestone  Alps  of  Savoy,  edited  with  introduction  by 
Ruskin.     W.  S.  CoUingwood.     1884. 

List  of  drawings,  engravings,  and  etchings  by  Turner 
and  from  his  design :  shown  in  connection  with  Mr. 
Norton's  lectures  on  "  Turner  and  his  Works "  at 
Parker  Hall,  Boston,  April  25  and  May  5,  1874. 
Contains  extracts  from  letters  to  Mr.  Norton  from 
Ruskin.  Reprinted  in  "Arrows  of  the  Chace." 
Cambridge,  1874. 

Little  Classics,  Number  10.  Childhood.  Rossiter  John- 
son, ed.     Harper,  1900. 


THE  STUDY  OF  JOHN  RUSKIN  103 

Little  Masterpieces.  Selections  from  Buskin.  B. 
Perry,  ed.     1898. 

Lives  of  the  Most  Eminent  British  Painters,  3  vols. 
Selections  from  Ruskin.  Allen  Cunningham.  Lon- 
don, 1880. 

Memoirs  of  T.  Gutherie,  D.  D.  Letter  to  Dr.  Gutherie 
from  Ruskin.  Reprinted  in  "  Arrows  of  the  Chace." 
1875. 

Modern  Painters  and  their  Paintings.  Numerous  se- 
lections from  Ruskin.     Sarah  Tytler.     Boston,  1893. 

Notes  on  Pictures  by  Holman  Hunt,  with  criticism  by 
Ruskin.     A.  G.  Crawford.     1886. 

On  Painting.     Appleton,  New  York.     30  c,  60  c. 

On  Vivisection,  by  J.  Ruskin  and  Bishop  of  Oxford. 
Published  by  Victoria  Street  Society  for  the  Protec- 
tion of  Animals  from  Vivisection.     1885. 

Our  Sketching  Club,  with  lessons  and  woodcuts  from 
Ruskin's  "  Elements  of  Drawing."  R.  St.  John  Tyr- 
whitt.    1874. 

Outline  History  of  Painting,  pp.  280-290.  C  E.  Clem- 
ent.    New  York,  1883. 

Oxford  Museum  (Ruskin's  letters  partly  reprinted  in 
"  Arrows  of  the  Chace  ").  H.  W.  Acland  and  J.  Rus- 
kin.    1859. 

Past  and  Present.  Manuscript  notes  and  autograph 
letter  from  Ruskin.     Thomas  Carlyle.     1845. 

Pearls  for  Young  Ladies.  Selections^  from  Ruskin's 
works.     L.  C.  Tuthill,  ed.     1879. 

Perhaps.  Century  Monographs.  Buckles,  New  York, 
1900. 


104    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Philosophic.    Nugget  Series.    Fords,  Howard,  and  Hul- 

bert.     New  York,  1900. 
Popular  Handbook  of  the  National  Gallery.     Preface 

and  notes  by  Ruskin.     E.  T.  Cook.     1888. 
Precious  Thoughts,  from  the  works  of  Ruskin.     L.  C 

Tuthill.     1876. 
and  Pearls  for  Young  Ladies.     Caldwell,  1900. 

75  c,  $1. 
Preliminary  Catalogue  of  the   Saint  George  Museum. 

Selected  from  the  works  of  John  Ruskin.     H.  Swan. 

1888. 
Principles  of  Rhetoric.     Contains  selections  from  Rus- 
kin.    A.  S.  HiU.     New  York,  1896. 
Protest  against  the  Extension  of  Railways  in  the  Lake 

Districts.     Preface  by  Ruskin.     Richard  Somervill. 

1876. 
Raphael.    Quotations  from  Ruskin,  pp.  104-107.   Henry 

Strachey.     London,  1900. 
Readings  from  Ruskin  :  Italy,  with  Introduction.   Chau- 
tauqua Library.     1885. 
Readings  in  "  Modern  Painters."     Scribner.     $2.50. 
Rights  of  Labor  according  to  Ruskin.   With  letter  from 

Ruskin.     T.  Barclay,  arr.     1889. 
Roadside  Songs   of   Tuscany.     Preface  and  Notes  by 

Ruskin.     Francesca  Alexander.     1885. 
Rules   of  Perspective.     With  letter  of  approval  from 

Ruskin.     M.  M.  Runciman.     1886. 
Ruskin  and  Turner,  an  exposition  of  the  paintings  by 

J.  M.  W.  Turner,  R.  A.,  with  full  descriptive  and 

critical  passages  from  the  works  of  John  Ruskin, 


THE  STUDY  OF  JOHN  RUSKIN  105 

LL.  D.     2  vols.     Frederick  Wedmore,  ed.  and  arr. 

London  and  New  York,  1900.  $100,  $60. 
Euskin  Anthology.  W.  S.  Kennedy.  1886. 
Raskin  Birthday  Book.     Maud  A.  Bateman  and  Grace 

Allen,  arr's.     1884. 
Ruskin  Book.     Vida  D.  Scudder,  ed.     1890. 
Ruskin  on  Himself  and  Things  in  General.     W.  Lewin, 

arr.     1884. 
Ruskin  on  Music.     A.  M.  Wakefield,  ed.     1884. 
Ruskin  on  Painting.    Selected  from  "  Modern  Painters." 

Appleton.     1879. 
Ruskin,  Rossetti,  and  Pre-Raphaelitism.    Contains  sixty 

letters  from  Ruskin.     Illustrated.     W.  M.  Rossetti, 

ed.  and  arr.     New  York  and  London,  1899. 
Ruskin's  Declaration,  with  Portrait.     Outlook.     1900. 

25  c. 
Ruskin's  Opinions  and  Comparisons  of  Painters.     B.  H. 

Green.     1869. 
Ruskin  Society.     First  Annual  Report  of  the  Society 

of  the  Rose,  Manchester.     1880. 
Saints  in  Art.    Quotations  from  Ruskin  on  pp.  182, 194, 

289.     C.  E.  Clement.     Boston,  1899. 
Science  of  Life.     A  pamphlet  containing  four  letters  on 

"  The    Foundation   of    Chivalry."      (Reprinted    in 

«  Arrows  of  the  Chace.")     1877-78. 
Selected  Essays  and  Letters.    L.  G.  Hufford,  ed.  Ginn, 

Boston. 
Selections  from  Ruskin.    Smith,  Elder,  London,  1861. 
Selections  from  Ruskin  on  Reading  and  other  subjects. 

E.  Ginn,  ed.     Boston,  1888. 


106    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Selections  from  the  Liber  Studiorum  of  J.  M.  W. 
Turner.  A  drawing-book  suggested  by  the  writings 
of  J.  Ruskin.     1890. 

Selections  from  the  Poems  of  John  Ruskin.  W.  G. 
Collingwood,  ed.     1892. 

Sir  David  Wilkie.  Brief  selection  from  Ruskin  on  p. 
28.     J.  W.  Mollett.     New  York,  1881. 

Sir  Edward  Landseer.  Criticism  of  Landseer  by  Rus- 
kin, pp.  63,  73,  77,  88.  Frederick  G.  Stephens.  New 
York,  1880. 

Some  Account  of  the  Life  and  Works  of  Hans  Holbein. 
Quotation,  p.  260.     R.  N.  Wornum.      London,  1867. 

Some  Account  of  the  Origin  and  Objects  of  the  New 
Oxford  Examinations.  Letter  from  Ruskin  on  "  The 
Proper  Use  of  Art."     T.  D.  Acland.     1858. 

Story  of  Ida.  Preface  by  Ruskin.  Francesca  Alexan- 
der.    1883. 

Studies  in  Ruskin.     E.  T.  Cook.     1890. 

Studies  in  Structure  and  Style.  "  Crown  of  Wild 
Olive"  analyzed,  pp.  154-171,  271-276.  W.  T. 
Brewster.     New  York,  1896. 

Study  of  Beauty  and  Art,  with  Introduction  by  J.  Rus- 
kin.   T.  C.  Horsfall.     1883. 

Testimonials  of  Intellectual  Ability.  Letters  from  Dis- 
tinguished Men  of  the  Times.  Letter  from  Ruskin 
(reprinted  in  "  Arrows  of  the  Chace").  For  private 
circulation.     W.  C.  Bennet.     1871. 

Theory  of  Fine  Art.  Numerous  selections  from  Rus- 
kin.    Joseph  Torrey.     New  York,  1874. 

Theory  of  the  Glaciers  of  Savoy.     Contains  selection 


THE  STUDY  OF  JOHN  RUSKIN  107 

from  "Fors"  and  an  estimate  of  James  David 
Forbes  (reprinted  in  "  Arrows  of  the  Chace  ").  Louis 
Rendu.     London,  1874. 

Thoughts  chosen  from  Ruskin.  Henry  Attwell,  arr. 
London,  1900.     2  s. 

Thoughts  of  Beauty  and  Words  of  Wisdom.  R.  Por- 
ter, ed.     1887. 

Tintoretto's  "  Christ  before  Pilate  "  and  "  Christ  bear- 
ing the  Cross,"  from  the  Scuola  di  S.  Rocco,  Venice. 
Photographs  with  a  description  by  J.  Ruskin,  Esq., 
from  "  Stones  of  Venice."  Arundel  Society.  Lon- 
don, 1859. 

Transactions  of  the  New  Shakespere  Society.  Contains 
two  letters  from  Ruskin  to  Mr.  Furnivall  on  "  Notes 
on  a  Word  in  Shakespere  "  (reprinted  in  "  Arrows 
of  the  Chace  ").    1878-79. 

Travels  in  South  Kensington.  Selection,  p.  272.  M.  D. 
Conway.     New  York,  1882. 

True  and  Beautiful  in  Nature.  Selected  from  the 
works  of  Ruskin.     L.  C  TuthiU.     1890. 

Turner's  "  Rivers  in  France,"  with  Introduction  by 
Ruskin.     L.  Ritchie.     1886. 

Ulric,  the  Farm  Servant.  Preface  and  notes  by  Rus- 
kin.    Jeremais  Gotthelf.     1886. 

Usury.     Introduction  by  Ruskin.     R.  G.  Sillar.     1885. 

Venice.  Numerous  selections  from  "  Stones  of  Venice  " 
and  "  Modern  Painters."  A.  J.  C.  Hare.  London, 
no  date. 

Was  wir  lieben  und  pflegen  mUssen.  Eine  Sammlung 
Naturansichten  und  Schilderungen  aus  den  Werken 


108    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

des  Ruskins,  a.  d.  Engl,  ttber.  u.  zusammengestellt  von 
Jakob  Feis.    (2  rev.  Auflage.)    Strasburg,  1895. 

Was  wir  wirtschaften  und  arbeiten  mtissen.  Eine 
Sammlung  Naturansichten  und  Schilderungen  aus  den 
Werken  des  Ruskins,  a.  d.  Eng.  iiber.  u.  zusammenge- 
stellt von  Jakob  Feis.     Strasburg,  1896. 

Wege  zur  Kunst.  Eine  Gedankenlese  aus  den  Werken 
des  Ruskins,  aus  dem  Englischen  iibersetzt,  zusam- 
mengestellt und  eingeleitet  von  Jakob  Feis.  2  Bande. 
I.  Eine  Gedankenlese  aus  den  Werken.  II.  Go- 
thik  u.  Renaissance.     Strasburg,  1899. 

BIBLIOGRAPHY  OF  BOOKS  CONCERNING 
JOHN  RUSKIN,  HIS  LIFE,  WORK,  AND 
WRITINGS 

Allibone,  S.  A.    Dictionary  of  Authors,  ii.  1894.    1886. 
Allison,   Archibald.     History   of   Europe,   chapter   v., 

pp.  1815-52. 
American  Cyclopaedia,  xiv.  473.     New  York,  1883. 
Author's  Calendar  for  1901.     Photogravures  of  Ruskin 

and  others.     Buckles,  New  York,  1900. 
Axon,  W.  E.  A.     John  Ruskin  :  Biography.    1879. 
Bain,  Alexander.     Mental  and  Moral  Science.     1868. 
Baldry,  A.  L.    Sir  John  Everett  Millais,  Bart.  P.  R.  A. 

Numerous  references.     London,  1899. 
Baldwin.     Introduction  to  English  Literature  (prose), 

p.  519. 
Ballantyne,  J.     What  is  Pre-Raphaelitism  ?     1856. 
Bayliss,  Wyke.     Higher  Life  in  Art,  chapter  x.  and 

p.  197.  .  London,  1888. 


IHE  STUDY  OP  JOHN  RUSKIN  109 

Bayne,  P.   Essays  in  Biography  and  Criticism,  i.  282. 

Lessons  from  My  Masters,  Oarlyle,  Tennyson,  and 

Ruskin.     1879. 

Ruskin  and  his  Critics.      See  Political  Essays, 

i.  281. 

B.  A.  Notes  on  some  of  the  Critics  of  John  Raskin. 
1857. 

Bell,  C.  F.,  ed.   Turner's  Pictures.    Bell,  London,  1901. 

Benjamin,  S.  G.  W.  Contemporary  Art  in  Europe, 
p.  17.    New  York,  1877. 

Berthelot,  R^n^.  Dans  La  grande  encyclopedia, 
xxviii.  1145.     Paris. 

Bolton,  Sarah  K.  Famous  English  Authors  of  the 
Nineteenth  Century. 

Bosanquet,  Bernard.  History  of  -Esthetic.  London, 
1892. 

Brock-Arnold,  G.  M.  Gainsborough.  Numerous  refer- 
ences.    New  York,  1881. 

Burton,  J.  H.     Book  Hunter.     1862. 

Camden-Pratt,  A.'  T.  People  of  the  Period,  ii.  337. 
London,  1897. 

Carrol,  Ernest.     Artistic  Life  in  Italy.     1858. 

Chambers's  Encyclopaedia,  ix.  27. 

Chesneau,  Ernest.     Ecole  Anglaise. 

English  School  of  Painting.     Translated  by  L.  N. 

Etherington.  References  in  Introduction  and  chap- 
ter ii.     Preface  by  Ruskin.     London,  1885. 

Clarke,  I.  E.  Instruction  in  Drawing  applied  to  the 
Fine  Arts,  i.  120,  211 ;  ii.  449.    Washington,  1885. 

Clement,  C  E.,  and  Hutton,  L.  Artists  of  the  Nine- 
teenth Century :  Sketch,  ii.  228.    Boston,  1880. 


110    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Clement,  C  E.  Outline  History  of  Painting.  New 
York,  1883. 

CoUingwood,  W.  G.  Art  Teaching  of  John  Ruskin. 
London,  1891. 

Life  and  Work  of  John  Ruskin.     2  vols.     New 

York,  1893.     $5. 

John  Ruskin.     A  biographical  outline. 

Conway,  M.  D.  Travels  in  South  Kensington.  Pre- 
face and  p.  213.     New  York,  1882. 

Cook,  D.   Art  in  England,  Ruskin  and  Turner,  p.  316. 

Cook,  E.  T.     Studies  in  Ruskin. 

Cooke,  W.  G.     Poets.     Numerous  references. 

Cundall,  J.     Hans  Holbein,  p.  64.     New  York,  1879. 

Cunningham,  Allen.  Lives  of  the  Most  Eminent  British 
Painters.  3  vols.  Vols.  i.  and  iii.,  numerous  refer- 
ences.    London,  1880. 

Downes,  R.  P.     John  Ruskin,  a  study.     1890. 

Durand,  J.  Life  and  Times  of  A.  B.  Durand,  Rus- 
kin's  influence  on  art  in  America,  p.  193.  New 
York,  1894. 

Dyer,  W.  R.  A.  Notes  on  Shepherd  and  Sheep,  a  letter 
to  John  Ruskin.     1851. 

Eastlake,  C  L.  History  of  the  Gothic  Revival.  Nu- 
merous references.     London,  1872. 

Encyclopaedia  Britannica.  American  supplement,  iv. 
409.     Philadelphia,  1894. 

Everett,  Edward.     Eulogy  on  T.  Dowse,  27. 

Farrer,  F.  W.  Critical  History  of  Free  Thought,  lec- 
ture 8,  n.  4.     1863. 

Feis,  Jakob.    Band  vi.  202-211. 


THE  STUDY  OF  JOHN  RUSKIN  111 

Fitzgerald,  Edward.     Letters,  ii.  153.     London,  1894. 

Foster,   J.      Four   Great    Teachers,   Ruskin,   Carlyle, 
Emerson,  and  Browning.     1890. 

Fouquier,  Marcel. 

Fnswell,  J.  H.     Modem  Men  of  Letters,  p.  105.    Lon- 
don, 1870. 

Frith,  W.  P.     My  Autobiography  and  Reminiscences, 
brief  anecdote,  ii.  98.     New  York,  1888. 

Froude,  James  A.     Thomas  Carlyle.     1897. 

^  Thomas  Carlyle,  a  history  of  his  life  in  London, 

ii.  207,  213,  253,  280.     New  York,  1898. 

Gall,  Ludwig.     Allgemeine  BUcherei,  Nr.  10.     49  s. 

Gaskell,  E.  C.     Life  of  Charlotte  Bronte.    2  vols.    Lon- 
don, 1867. 

Geddes,   Patrick.     Ruskin   as   a  Political  Economist. 
Round  Table  Series,  number  7. 

John  Ruskin,  Economist.     1884. 

Gladstone,  W.  E.     Studies  in  Homer. 

Goodwin,  P.     Out  of  the  Past,  p.  367. 

Gosse,   Edmund.     Short  History  of   Modern  English 
Literature,  p.  356.     New  York,  1898. 

Green,  B.  H.     Ruskin's  Opinions  and  Comparisons  of 
Painters.     1869. 

Griswold,  H.  T.     Home  Life,  p.  372. 

Hales,  J.  W.     Folia  Litteraria,  brief  references,  pp.  330, 
357.     New  York,  1893. 

Hamerton,  P.  G.     Etching  and  Etchers,  pp.  278-287. 
Boston,  1883. 

Landscape.   Numerous  references.    London,  1885. 

Life  of  J.  M.  W.  Turner,  R.  A.    Numerous  refer- 
ences.    Boston.  1879. 


112    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Hamerton,  P.  G.  Painter's  Camp  in  the  Highlands. 
Boston,  1876. 

Thoughts  about  Art.     Boston,  1880. 

Harrison,  F.  Tennyson,  Ruskin,  and  Mill.  New  York, 
1900.     $2. 

Hill,  Adam  S.  Our  English,  brief  reference,  p.  237. 
New  York,  1897. 

Hill,  G.  B.  Letters  of  Dante  Gabriel  Rossetti  to  W. 
AUingham,  1854-70.     New  York,  1897. 

Hillis,  Newell  D.  Ruskin's  Outlook  upon  Youth  as  a 
Great  Opportunity.     Chicago,  1900.     50  e. 

Hobson,  J.  A.     John  Ruskin,  Social  Reformer.     1898. 

The  Social  Problem,  Life  and  Work.     London, 

1901. 

Hodgkins.     Nineteenth  Century  Authors. 

Hoppin,  J.  M.  Early  Renaissance  and  other  Essays  on 
Art  Subjects,  references  in  preface  and  p.  12.  Bos- 
ton, 1895. 

Hubbard,  Elbert.  Little  Journeys  to  the  Homes  of 
Good  Men  and  Great.     1895. 

John  Ruskin.     New  York,  1895.     5  c. 

Hunt,  Margaret,  ed.     Turner's  "  Richmondshire." 

Hutton,  R.  H.  Ruskin  on  Wordsworth.  See  Criticisms 
on  Contemporary  Thought  and  Thinkers,  ii.  6.  Lon- 
don, 1894. 

— —  Ruskin  on  the  Nature  of  Miracle,  i^id.,  ii.  114. 

IgdrasU. 

Imperial  Dictionary  of  Universal  Biography,  iii.  702. 
London. 

International  Cyclopaedia,  xii.  821.     1898. 


THE  STUDY  OF  JOHN  RUSKIN  113 

Japp,  A.  H.     Three  Great  Teachers,  Tennyson,  Car- 

lyle,  and  Ruskin.     1865. 
Johnson's  Universal  Cyclopaedia,  by  H.  A.  Beers,  vii. 

211.     1895. 
Jolly,  W.     Ruskin  on  Education.     1894. 
Knight,  C,  ed.     Biography,  v.  204.     London,  1887. 
Knight,  J.     Life  of  Dante  Gabriel  Rossetti,  pp.  29,  30, 

32,  72.     London,  1887. 
Labrosse,  P.     Grand  Dictionnaire  Universel  du  XIX® 

Sifecle,  xiii.  1528.     Paris. 
Lancaster,  H.  H.     Essays,  pp.  297,  347. 
Leslie,  C.  R.     Handbook  for  Young  Painters.     London, 

1887. 
McCarthy,  Justin  H.     History  of  Our  Own  Times,  i. 

547-549;  ii.  518. 

Modern  Leaders,  p.  183. 

Macillier,  H.  C     Dante  Gabriel  Rossetti.     Numerous 

references.     London,  1899. 
Marsh,  G.  P.     Lectures  on  English  Language,  pp.  126, 

129,  130.     1860. 
Mather,  J.  M.     Life  and  Teaching  of  John  Ruskin. 

New  York,  1893.     $1.25. 
Meynall,  Alice  C     John  Ruskin.     New  York,  1900. 

$1.25. 
Miles,   N.  H.     Poets  and  Poetry  of  the  Nineteenth 

Century.    See  volume  "  Tennyson  to  Clough."    1891. 
Millais,  J.  G.     Life  and  Letters  of  Sir  John  Everett 

Millais,  2  vols.     Numerous  references.     New  York, 

1899. 
Milsand,  Joseph.     L'Esth^tique  Anglaise,  dtude  sur  M. 

John  Ruskin.     1864. 


114    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Minto,  W.,  ed.  Autobiographical  Notes  of  the  Life  of 
William  BeU  Scott,  pp.  5-12.     New  York,  1892. 

Mitford,  Mary  Russell.  Life  of,  as  told  by  her  Let- 
ters, edited  by  A.  H.  L'Estrange,  brief  references, 
vol.  ii.     1870. 

Life,  edited  by  H.  Chorley.   Second  series  of  letters, 

numerous  references.     London,  1872. 

Recollections   of   a   Literary  Life.     New  York, 


1855. 
Molmenti,  P.     Carpaccio,  son  temps  et  son  ceuvre,  pp. 

13,  108,  109,  117.    Venice,  1893. 
Morris,  William.     Hopes  and  Fears  for  Art,  pp.  5, 141. 

Boston,  1882. 
Muir,  R.  J.     Ruskin  Revised.     London,  1897. 
Muther,   Richard.      History  of   Modern  Painting,   ii. 

chapter  xxix.     New  York,  1896. 
Nicoll,  W.  R.     Ruskin  on  Sheepfolds.     See  Literary 

Anecdotes,  ii.  3. 
Nicoll,  H.  J.     Landmarks  of  English  Literature,  p.  432. 
Nisbet,  Hume.     The  Practical  in  Painting,  also  a  Few 

Remarks  on  John  Ruskin.     1880. 
Norton,  Charles  Eliot,  ed.     Correspondence  of  Thomas 

Carlyle  and  Ralph  Waldo  Emerson,  ii.  388.     1892. 
Letters  of  James  Russell  Lowell,  i.  257,  280,  391 ; 

ii.  65. 
Oliphant,  M.  O.  W.     Makers  of  Florence. 
Osier,  W.  Roscoe.     Tintoretto.     Numerous  references. 

New  York,  1879. 
Paget,  V.     Ruskinism.     See  Belcaro,  p.  197. 
Palgrave,  F.  T.    Essays  on. Art.    Numerous  references. 

New  York,  1867. 


THE  STUDY  OF  JOHN  RUSKIN  115 

Patmore,  Coventry.  Principle  in  Art.  Numerous  ref- 
erences.    London,  1890. 

Patterson,  Mark.     Essays,  i.  492.     Oxford,  1889. 

Patterson,  R.  H.     Essays  on  the  History  of  Art.     1862. 

Pengelly,  R.  E.  John  Ruskin,  Biographical  Sketch. 
1900.     1 8. 

Phoebus,  V.  C     John  Ruskin.     New  York,  1900. 

Pratt,  A.  T.     Camden.     See  Camden. 

Prose  Masterpieces,  vol.  ii. 

Quilter,  Henry.  Angiolotto  Boudone,  called  Giotto, 
brief  references,  pp.  65,  111.     New  York,  1881. 

Preferences  in  Art,  Life,  and  Literature.    London, 

1892. 

Raymond,  G.  L.  Genesis  of  Art  Form.  Numerous  ref- 
erences.    New  York,  1893. 

Ridpath,  J.  C.  Library  of  Universal  Literature,  voL 
xix.     1899. 

Rippingille,  E.  V.  Obsoletism  in  Art,  a  reply  to  the 
author  of  "  Modem  Painters  "  in  his  defence  of  Pre- 
Raphaelitism.     1852. 

Ritchie,  A.  Thackeray.  Records  of  Tennyson,  Ruskin, 
and  Browning.     New  York,  1892.     $2. 

Robertson,  J.  M.  Modem  Humanists,  Sociological 
Studies  of  Ruskin.     1891. 

Roget,  J.  L.  History  of  the  "  Old  Water  Color"  So- 
ciety.    2  vols.     London,  1891. 

Rood,  0.  N.  Students'  Text-Book  of  Color,  references, 
pp.  140,  278.     New  York,  1881. 

Rose,  H.  New  Political  Economy :  Social  Teaching 
of  Thomas  Carlyle,  John  Ruskin,  and  Henry  George. 
1891. 


116    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Rossetti,   W.   M.      Fine  Art,   Chiefly  Contemporary. 

Numerous  references.     London,  1867. 
Ruskin  Society  Transactions. 
Ruskin  Society  of  Birmingham,  Transactions.     Stock, 

ed. 
Ruskin  Society,  Manchester,  Society  of  the  Rose. 
Ruskin  HaU,  Oxford.     1899. 

Ruskin  Reading  Gxiild  Journal.     Serial  publication. 
Ruskin-Turner.     Roycroft  Press.     $20. 
Ruskin  Work.     Philadelphia.     25  c. 
RusseU,  William  C.     Book  of  Authors,  p.  500.     1869. 
Saint  George.     Ruskin  Society  Quarterly,  J.  H.  White- 
house,  ed. 
Saintsbury,  G.     Correct  Impressions,  p.  198. 
Samson,  G.  W.    Elements  of  Art  Criticism.    Numerous 

references.     Philadelphia,  1867. 
Scudder,  H.  E.     Introduction  to  the  Writings  of  John 

Ruskin.     1898. 
Scudder,  V.  D.     Introduction  to  the  Study  of  John 

Ruskin.     1890. 
Sears,  Lorenzo.     Principles  and  Methods.     Numerous 

references.     New  York,  1898. 
Seeley,  Abbot.     Lectures  and  Essays,  p.  99. 
Shepherd,  R.  H.     Bibliography  of  John  Ruskin,  1834- 

78.     1879. 
Shepherd.     Enchiridion  of  Criticism,  p.  218. 

Pen  Pictures  of  Modern  Authors,  p.  58. 

Sizeranne,   R.   de   La.      Ruskin  and  the  Religion  of 

Beauty,  translated    by  the   Countess   of   Galloway. 
.     1899.     $1.60. 


THE  STUDY  OF  JOHN  RUSKIN  117 

Skelton,  John.  Table  Talk  of  Shirley.  Edinburgh, 
1896. 

Smart,  W.     Disciple  of  Plato. 

Something  on  Ruskinism,  a  Satire  on  "  Stones  of  Ven- 
ice."    Smokeroom  Booklets.     1889. 

Spielman,  M.  H.  Black  Arts  by  Ruskin.  New  York, 
1900.     $2. 

John  Ruskin :  a  Sketch  of  his  Life,  his  Work,  and 

his  Opinions,  with  Personal  Reminiscences. 

Statham,  H.  M.     Truth  about  Ruskin. 

Stephens,  F.  G.  Dante  Gabriel  Rossetti,  in  the  "  Port- 
folio," No.  5,  May,  1894.  Brief  references.  Lon- 
don, 1894. 

Stillman,  W.  J.  Autobiography  of  a  Journalist.  2  vols. 
1901. 

Story,  W.  W.  Conversations  in  a  Studio,  ii.  334-351. 
Boston,  1891. 

Strachey,  Henry.   Raphael,  pp.  104-107.   London,  1900. 

Sweetser,  M.  F.  Turner.  Numerous  references.  Artist 
Biographies.     Boston,  1878. 

ThirlwaU,  Connop,  Bishop  of  St.  David's.  Letters  to  a 
Friend.     1881. 

Thomas,  Cave  W.  Mural  or  Monumental  Decoration. 
London. 

Thoreau,  H.  D.     Autumn,  pp.  76,  180. 

Thornbury,  "Walter.     Life  of  Turner. 

Traill,  H.  D.     John  Ruskin.     New  York,  1900. 

Tuckerman,  H.  T.  Month  in  England,  p.  182.  New 
York,  1853. 

Tyrwhitt,  R.  St.  John.  Christian  Art  and  Symbolism, 
pp.  90,  121,  205,  246.    London,  1872. 


118    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Tyrwhitt,   R.   St.   John.     Handbook  of  Pictorial  Art. 

Numerous  references.     Oxford,  1875. 
Tytler,  Sarah.     Old  Masters  and  their  Pictures.     Nu- 
merous references.     Boston,  1874. 
University  of  Literature,  vol.  xvii.     1896. 
Van  Dyke,  J.  C.     Biographical  Sketch.     See  Warner's 

Library  of  the  World's  Best  Literature,  xxi.  12509. 
Principles  of  Art.     Nimaerous  references.     New 

York,  1887. 
Vapereau,  G.     Dictionnaire  Universel  des  Contempo- 

raires,  p.  1383.     Paris,  1893. 
Waldstine,  Charles.      Ruskin   and   Modern  Thought. 

1893. 

Works  of  Ruskin.     1900.     SI. 

Walsh,  W.  S.     Pen  Pictures,  Modern,  p.  58. 

Ward,  May  Alden.   Prophets  of  the  Nineteenth  Century, 

Carlyle,  Ruskin,  and  Tolstoi.     Boston,  1900.     75  c. 
Ward,  William.     Letters.     Privately  printed. 
Warsfold,  W.  BasU.     Judgment  in  Literature,  pp.  52, 

58.     London,  1900. 
Wedgwood,  Julia.     John  Ruskin.     1900. 
Wedmore,  Frederick.     Ruskin  and  Turner.     London 

and  New  York,  1900. 
Welsh,  A.  H.     English  Literature  and  Language,  ii. 

404. 
English    Masterpiece   Course,   p.  177.      Boston, 

1887. 
Whistler,  J.  A.  McN.     Whistler  versus  Ruskin.     See 

Art  and  Art  Critics.    1878. 
Gentle  Art  of  Making  Enemies.    New  York,  1890. 


THE  STUDY  OF  JOHN  RUSKIN  119 

WIghtwick,  George.     Hints  to  Young  Architects. 

Winchester,  C.  T.  Some  Principles  of  Literary  Criti- 
cism.    Numerous  references.     1899. 

Wise,  T.  J.,  ed.  Bibliography  of  the  Writings  in  Prose 
and  Verse  of  John  Ruskin.     1889. 

Wise,  T.  J.,  and  Smart,  J.  P.  Bibliography  of  the 
Writings  of  Ruskin.     1893. 

Wiseman,  N.  P.  S.,  Cardinal.  Points  of  Contact  be- 
tween Science  and  Art,  brief  references,  pp.  28,  29, 
61.     London,  1863. 

Yates,  E.  H.     Celebrities  at  Brantwood,  ii.  291. 

Young,  Edward.  Labor  in  Europe  and  America. 
Washington,  1876. 

BIBLIOGRAPHY  OF  MAGAZINE  ARTICLES 

Afternoon   with    Ruskin.     J.   M.    Chappie.     National 

Magazine,  December,  1897. 
Among  the  Pictures.     St.  James  Magazine,  xxxiii.  177. 
Among  Workingmen.     Review  of  Reviews,  xvi.  328. 
Apotre  de  la  beauts,  J.  Ruskin.     Paul  Renaudin.    La 

Quinzain,  Ixiv.  525-538. 
Architectural  Works.     Society  Quarterly,  xxvii.  372. 
Arrows  of  the  Chace,  reviewed.     Nation,  xxxiii.  220. 
American,  i.  323. 
Spectator,  Iv.  727. 
Art  and  Truth  of  Ruskin.     J.  LaFarge.     International 

Magazine,  November,  1900. 
Art  Criticism  and  Ruskin  Writings  on  Art.     Russell 

Sturgis.     Scribner's  Magazine,  xxvii.  509-512. 
Art  of  England  and  Pleasures  of  England,  reviewed. 

Illustrated  London  News,  cxii.  896. 


120    BIBLIOGRAPHICAL  CONTEIBUTION  TO 

Art  Theories  of  Ruskin.     Igdrasil.     June,  1890. 
Artist  and   Publisher.     Gentleman's   Magazine,  n.  s., 

xliv.  126. 
Author    Worth    Knowing.      Charles    Valentine.      St. 

Nicholas,  xxvi.  82,  83. 
Autobiography  of  Ruskin.     Dial,  vii.  82. 
Autobiography   of   W.   J.  Stillman.     Atlantic,   Ixxxv. 

322,  613,  811. 
Bibliography  of  Ruskin.     Critic,  xvi.  78. 
Examiner,  1879. 
Literary  World,  xxvi.  205,  394. 
Biography.     Great  Thoughts,  May,  1890. 
Igdrasil,  June,  1890. 
Cassell's  Saturday,  May,  1890. 
Bogies  of  Ruskin.     Nature,  xxix.  353. 

Same  article.     Critic,  iv.  177. 
Books  Reviewed.     The  Studio,  xix.  138. 
Boyhood.     Critic,  xvi.  276. 
Brantwood.     Harper's  Magazine,  Ixxx.  578. 
Murray's  Magazine,  viii.  87. 
Review  of  Reviews,  i.  195. 
Brantwood,  a  Lakeside  Home.      Art  Journal,  xxxiii. 

321. 
Cheap  Editions  of  Ruskin.     Critic,  xvi.  199. 
Childhood  of   Ruskin   at  Heme   Hill.     Art  Journal, 

xxxviii.  46. 
Clerical  Economics.      Gentleman's  Magazine,  1855,  i. 

285,  616. 
Collection  of  Pictures.     Artist,  1899. 
Collingwood  on  Art  Teachings  of  Ruskin.     Nation,  liv. 
16. 


THE  STUDY  OF  JOHN  RUSKIN  121 

Collingwood's  Life  of  Ruskin.     Art  Journal,  xlv.  336. 
Critic,  xxii.  401. 
Dial,  XV.  189. 
Athenaeum,  1893,  ii.  70. 
Nation,  Ivii.  159. 
Magazine  of  Art,  xi.  417. 
Spectator,  Ixx.  859. 
Companionship  with  Ruskin.   W.  J.  Stillman.   Atlantic, 

Ixxxv.  816-820. 
Construction  of  Sheepf  olds,  review*     Blackwood's,  Sep- 
tember, 1851. 

London  Quarterly,  xlix.  323. 
Conversations  with  Ruskin.     Critic,  iv.  234. 
Criticisms   of   His   Work.     Urbanus   Sylvan.     Living 

Age,  ccxxv.  301-306. 
Death  and  Funeral.     H.  D.  Rawnsley.    Outlook,  Ixiv. 
511-517. 

American  Architect  and  Building  News,  Ixvii.  25. 
Defects  in  Ruskin's  Style.   W.  C.  Brownell.    Scribner's 

Magazine,  xxvii.  502. 
Definitions  of  Wealth.     W.  Cassells.     Pioneer,  July, 

1890. 
Disowned  Letter  and  a  Real  One.     Am.  Architectural 

and  Building  News,  Ixvii.  39. 
Doctrines  de  M.  Ruskin.     Revue  Britaimique,  1856. 
Drawings  of  Ruskin.     Nation,  xxix.  411. 
Early  Years  of  Ruskin.     Atlantic,  Ixi.  708. 
Economic   Lessons.      Charles    S.    DeVas.      Economic 

Journal,  viii.  28-36. 
Edinburgh  Lectures.     Colbum,  ci.  413. 


122    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Education  of  Ruskin.     A.  H.  Southern.     Arena,  xxii. 

630. 
Elements  of  Drawing.     Blackwood,  Ixxxvii.  32. 

Athenaeum,  1851,  p.  19. 

Literary  Gazette,  1857. 

North  American  Review,  Ixxxv.  567  ;  xcv.  75. 

Spectator,  1857. 

Westminster,  October,  1857. 
Elements  of  Perspective,  review.    A.  D.  Morgan.    Athe- 

n»um,  1861,  ii.  728  ;  1860,  i.  56,  343. 
Estimates  of  Ruskin.     Blackwood,  clxvii.  340-354. 

Living  Age,  ccxxiv.  525-527. 

C.  Waldstine.     North  American,  clxx.  553-561. 

Scientific  American,  Ixxxii.  67. 
Ethereal  Ruskin  :  Poem.     Spectator,  1875. 
Ethics   of  the  Dust,  review.      World  Literature,  Au- 
gust, 1892. 

London  Reader,  1866,  i.  9. 
Fiction  —  Fair  and  Foul.     St.  James,  xlvii.  307. 
Fine  Art  Gossip.     Athenaeum,  1857,  668. 
First  Published  Writings  of  Ruskin.     W.  R.  Nicoll. 

Bookman,  i.  321. 
Fors  Clavigera.     Appleton,  xx.  58. 

Literary  World,  xiv.  283 ;  xvi.  289. 

Nation,  xii.  221. 

World  Literature,  March,  1892. 
French  Admirers  of  Ruskin.    Literary  Digest,  xiii.  459. 
Giotto  and  his  Work.      Athenaeum,  1859,  p.   1453 ; 
1855,  p.  736. 

Edinburgh  Review,  April,  1856. 

Dial,  xxviii.  472. 


THE  STUDY  OF  JOHN  RUSKIN  123 

Gothic  Art.     London  Quarterly,  1857,  vii.  478. 
Growth  of  Ruskin.     E.  A.  Grosvenor.     National  Geo- 
graphical Magazine,  Washington,  May,  1900,  11. 
Handwriting  of  Ruskin.     Strand,  December,  1895. 
Harbours  of  England.     Athenaeum,  ii.  921. 
His  Chief  Works.     Literary  World,  xxxi.  40. 
His   Educational  Views.     E.   A.   Knapp.     Education, 

xxi.  109-116. 
His  Home  at  Brantwood.     Murray  Quarterly,  viii.  587. 
His   "  Modern   Painters."     Igdrasil,   i.   (January)   3 ; 

(February)  42 ;  (August)  314. 
His  Style.     Academy,  Iv.  35. 

His  Work  and  Lifluence.     Chautauqua  Magazine,  xxx. 
559. 

J.  Wedgwood.    Contemporary  Review,  Ixxvii.  334- 

342. 
Same  article.     Living  Age,  ccxxv.  128. 
W.  P.  P.  Longf  eUow.     Forum,  xxix.  298-312. 
Public  Opinion,  xxviii.  148. 
Hobson  on  Ruskin.     M.  West.     Dial,  xxvi.  396. 

J.  G.  Brooks.    Political  Science  Quarterly,  xiv.  553. 
Hortus  Inclusus.     Reviewed,  Athenaeum,  1887,  ii.  530. 

Blackwood's,  cxlii.  704. 
How  we  study  Ruskin  at  7  A.  M.     Dr.  Clifford.    Young 

Man,  London,  February,  1893. 
Iddes  sociales  des  J.  Ruskin.    Anon.    Revue  Politique  et 

Parlementaire,  xxxviii.  343. 
Imitation   of   Ruskin.     Cornhill   Magazine,   Ixii.   369. 

Same  article.     Living  Age,  clxxxvii.  407. 
Inaugural  Address  at  Cambridge,  review.     Athenaeum, 
1858,  ii.  675. 


124    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

L'Influence  litt^raire  dans  les  beaux-arts,  M.  J.  Ruskin 
et  ses  iddes  sur  la  peinture.    Revue  des  deux  Mondes, 
1861,  2  pdr.  34-^70. 
Influence  of  Joshua  Reynolds.     Igdrasil,  i.  126,  219. 
Influence  of  Ruskin.     Harper's  Weekly,  xliv.  98. 
Influence  of  Ruskin  as  a  Teacher  of  Art.     American, 

xii.  220. 
Influence  of  Ruskin  on  English  Social  Thought.     New 

England  Magazine,  n.  s.,  ix.  473. 
Insanity.     Critic,  xvi.  47. 

Is  Ruskin  out  of  Date  ?     R.  de  La  Sizeranne.     Maga- 
zine of  Art,  xxiv.  258-265. 
Journey  with  Ruskin.     Critic,  xvi.  236. 
Kampfer  f.  d.  Wertung  d.  Arbeit,  Carlyle  u.  Ruskin. 
J.  Feis.     Die  Wahrheit  (Stuttgart),  1897, 6  Bd.  202- 
212. 
Keswick  Memorial.     Bookman,  xii.  540. 
Lectures   on  Architecture  and  Painting.     Athenaeum, 
1854,  611,  650,  720. 
Blackwood's,  Ixxv.  740. 
North  American  Review,  Ixxix.  535. 
Prosperity  Review,  x.  352. 
Spectator,  1854. 
Lectures  on  Art.     Macmillan,  xxii.  423. 

Same  article.     Ecclesiastical  Magazine,  Lxxv.  680. 
Same  article.     Living  Age,  evii.  451. 
Lectures  on  Landscape.    Literatm-e,  ii.  350. 
Spectator,  viii.  833. 
The  Studio,  XV.  207. 
Lessons  from  Ruskin.     Economic  Journal,  viii.  28. 


THE  STUDY  OF  JOHN  RUSKIN  126 

Letters  by  Raskin.     Bookman,  February,  1893. 
Contemporary  Review,  1879. 
Dial,  i.  228. 

G.  Stronach.     English  Illustrated,  x.  779. 
Same  article.     Living  Age,  cxcviii.  813. 
W.  G.  Kingsland.    Poet-Lore,  viii.  420,  553 ;  vii. 

123,  255,  349. 
Saturday  Review,  Ixxviii.  274. 
Spectator,  Ixxiii.  272. 

Royal  Institute  of  British  Architects'  Journal. 
Letters  to  Chesneau :  Record  of  Literary  Friendship. 

W.  G.  Kingsland.     Poet^Lore,  vii.  123,  255,  349. 
Letters  to  his  Secretary.     C.  A.  Howell.     New  Review, 
vi.  273. 

Same  article.  Living  Age,  ccxciii.  304. 
Letters  to  Miss  Mitford.  Bookman,  vii.  93. 
Letters  to  the  Clergy.     London  Quarterly,  Ivi.  132. 

Interior,  November,  1896. 
Letters  to  William  Ward.     Bookman,  May,  1895. 
Letters  to  Young  Girls.     Living  Age,  cxxxii.  62. 
Life  of  Eighty  Years.     S.  G.  Green.     Leisure  Hour, 

xlviii.  224. 
Literary  Spirit.     Boston  Review,  ii.  491. 
Lord's  Prayer.     Lutheran  Quarterly,  x.  1. 
Man  and  Prophet.     R.  W.  Bond.     Contemporary  Re- 
view, Ixxviii.  118-133. 
Mania  for  Ruskin.     E.  T.  Cook.     Gk)od  Words,  xxxv. 

538. 
Marks  in  Carlyle's  "  Past  and  Present."    World  Litera- 
ture, March,  1892. 


126    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Memoirs  of  Ruskin,  Tennyson,  and  Browning.     Dial, 

xiii.  339. 
Memorable    Ai-t    Class.     T.    Sulman.     Good    Words, 

xxxviii.  547. 
Mr.  Dusky's  Opinion  on  Art.   Blackwood's,  Ixxxiv.  122. 
Mr.  Ruskin  and  his  Theories  —  Sublime  and  Ridiculous. 

Blackwood's,  1856,  p.  503. 
Modern  Painters,  reviewed.     Art  Journal,  viii.  113, 148. 

Athenjeum,  1856,  578 ;  1860,  i.  850,  878. 

Blackwood's,  liv.  485. 

Britannia. 

British  Quarterly,  xxxii.  412 ;  v.  282,  469 ;  xxiii. 
442.     (First   article   repeated   in  Ecclesiastical 
Magazine,  lii.  539.) 

Christian  Examiner,  January,  November,  1861. 

Church  Examiner,  Ixx.  29. 

Dublin  University  Magazine. 

Ecclesiastical  Review,  ciii.  545 ;  civ.  107  ;  cxii.  478. 

Eclectic,  xiiL  187-191. 

Edinburgh  Review,  April,  1856. 

Fortnightly,  xxxvii.  380. 

Forum,  iii.  25. 

Eraser's,  xxxiii.  158,  358  ;  liii.  648  ;  Iv.  619. 

Gentleman's  Magazine,  1843,  ii.  451. 

International  Studio,  iii.  129. 

London  Atlas. 

London  Economist. 

London  Leader. 

London  Quarterly,  xv.  63. 

London  Review,  October,  1860. 

London  Saturday  Review. 


THE  STUDY  OF  JOHN  RUSKIN  127 

Nation,  vii.  173. 
New  Quarterly,  v.  257. 

North  American  Review,  Ixvi.  110 ;  Ixxxiv.  379. 
North  British  Review,  vi.  401 ;  x.  212. 
Polytechnic  Magazine. 
Prosperity  Review,  iii.  213. 
Quarterly  Review,  xcviii.  384. 
Spectator,  1843-50. 

Weekly  Chronicle,  London,  September  15, 1843. 
Westminster,  Ixv.  625  ;  Ixvi.  274. 
My  First  Editor.     Dublin  University  Magazine,  xci. 

385. 
Nature  and  Authority  of  Miracle.     Contemporary  Re- 
view, 1873. 
New  Lectures  on  Art,  1870.     New  England  Magazine, 

xxix.  659. 
Notes  on  Art  Criticism.     W.  C.  Brownell.     Review  of 

Reviews,  xxi.  494. 
Notes  on  J.  Wedgwood.      Review  of  Reviews,   xxi. 

500. 
Notes  on  Patrick  Geddes.    *'  John  Ruskin,  Economist." 

Review  of  Reviews,  xxi.  499. 
Notes  on  the  Exhibition  of  1855.     Art  Journal,  vii. 
237. 

Blackwood's,  December,  1855. 
Edinburgh  Review,  April,  1856. 
London  Quarterly,  April,  1856. 
Westminster,  July,  1857. 
Notes  on  the  Turner  Gallery.     Athenaeum,  1857,  pp. 
108, 188,  215,  254. 

Westminster,  April,  1857, 


128    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

NouveUe  Thdorie  de  I'Art  en  Angleterre.     J.  Milsand. 

Revue  des  deux  Mondes,  1860,  2  p^r.  xxviii.  184. 
On  the  Road  with  Ruskin.     Gentleman's  Magazine,  n.  s., 

xxxvi.  391. 
On  Two  Rare  Works  by  Ruskin.     E.  Gosse.     Independ- 
ent, lii.  526. 
Opening  of  the   Crystal  Palace.      Athenaeum,   1854, 

p.  998. 
Outbreak  of  Ruskinism  in  France.     American  Architect 

and  Building  News,  liv.  26. 
Oxford  Lectures  of  Ruskin,  1877.     Nineteenth  Century, 

iii.  136. 

Same  article.     Living  Age,  cxxxvi.  502. 
Oxford  Traditions  of  Ruskin.     Public  Opinion,  xxviii. 

184. 
Past  and  Present.     F.  Harrison.     Fortnightly  Review, 

n.  s.,  XX.  93. 
*'  Pathetic  Fallacy,"  and  Keats's  Treatment  of  Nature. 

E.  P.  Morton.     Poet-Lore,  March,  1900. 
Pecuniary  Affairs.     Current  Literature,  xxvii.  203. 
Philanthropy  of  Ruskin.     Every  Saturday,  xi.  271. 
Home  Journal,  December,  1896. 
Literary  Digest,  xiv.  376. 
Picture  Galleries  of   the  Memory.      F.  A.  Malleson. 

Leisure  Hour,  xliv.  761. 
Place  of  "  Modern  Painters  "  in  Art  Literature.    Church 

Examiner,  1861,  Ixx.  29. 
Poems  of  Ruskin.     Temple  Bar,  Ixxxiii.  49. 
Same  article.     Living  Age,  clxxviii.  50. 
Poem:    John   Ruskin.     L.  W.   Smith.     Dial,  xxviii. 

113. 


TH£  study  of  JOHN  RUSKIN  129 

Poet,  Painter,  and  Prophet.     L.  Tavener.    Review  of 

Reviews,  xxi.  289. 
Political  Economy  of  Art,  reviewed.     Athenaeum,  1857, 
ii.  1615. 

A.  P.  Peabody,  North  American  Review,  Ixxxvi. 
589. 
Political  Economy  in  the  Clouds.     Eraser,  Ixii.  651. 
Portraits.     Artist,  1899,  p.  51. 
Bookbuyer,  xx.  14,  428. 
Bookman,  xi.  17. 

Critic,  n.  s.,  xxx.  Ill ;  xxxvi.  105. 
M.  H.  Spielman.    Magazine  of  Art,  xiv.  73, 121. 
Outlook,  Ixvi.  793. 

Review  of  Reviews,  xxi.  259,  294,  296,  300. 
Praeterita,  reviewed.     Literary  World,  xvi.  315. 

Nation,  xlvi.  263. 
Pre-Raphaelitism,  review.     Edinburgh  Review,  April, 
1856. 

Westminster  Review,  April,  1857. 
Present  State  of  Architecture.     London  Quarterly,  Oc- 
tober, 1854;  January,  1855. 
Proposed   Ruskin   Memorial  Medallion.      Athenaeum, 

1900,  ii.  290. 
Prose  Style.     Current  Literature,  xxvii.  210. 
PubUshers  of  Ruskin.     Living  Age,  clxxiii.  250. 
Public  Letter  of  John  Ruskin,  1880.     Contemporary 

Review,  xxxvii.  38,  905 ;  xxxviii.  69. 
Recent    Notes  by  Ruskin.      Canadian  Monthly,  xvii. 

480. 
Recent  Writings.    Eraser's,  Ixxxix.  688. 


130    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Recent  Writings.     Same  article.    Every  Saturday,  xvii. 
10. 

Ecclesiastical  Magazine,  Ixxxiii.  275. 
Living  Age,  cxxii.  154. 
Recollections  of  Ruskin.    Atlantic,  Ixxxv.  668-571. 
Religion  de  la  Beauts,  ^tude  sur  J.  Ruskin.     R.  de  La 
Sizeranne.     Revue  des  Deux  Mondes,  iii.  5. 
Same  article.     Living  Age,  ccxxiv.  726. 
Religious  Suggestiveness  of  Ruskin.     Boston  Review,  i. 

323. 
Review  of  His  Works.     Edinburgh  Review,  April,  1856, 

273. 
Review  of  Spielman's  J.  Ruskin.     London  Quarterly, 

xciii.  378. 
Romance  of  Roadmaking.    H.  Frith.    Cassells,  London, 

October,  1895. 
Rossetti  and  Pre-Raphaelitism.    M.  S.  Anderson.     Dial, 
xxvi.  336. 

Publishers'  Circular,  December  31, 1898,  p.  773. 
Studio,  xvii.  281. 
Rubens  and  Ruskin,  a  Day  at  Antwerp.     Blackwood's, 

1861,  xc.  365. 
Ruskin.    Academy,  xxxix.  177. 

Appleton,  iv,  552  ;  xii.  21,  87 ;  xxv.  361. 

B.  O.  Flower.     Arena,  xviii.  70. 

W.  Fred.    Beilage  z.  Allgemeinen  Zeitung,  Mai, 

1898, 116.     Mtinchen. 
A.  L.  V.  Lilienbach.   Biograph.  Blatter,  1899,  pp. 

78-84.     Leipzig. 
Blackwood's,  Ixxx.  503 ;  ciii.  675 ;  clxvii.  340-354. 


THE  STUDY  OF  JOHN  RUSKIN  131 

Bookbuyer,  x.  191. 

Bookman,  xi.  199. 

Boston  Magazine,  July,  1861. 

Brockhaus'  Konverzations-Lexikon,  xiv.  29.  Ber- 
lin, 1895. 

Catholic  World,  xxxix,  642. 

R.  R.  Bowker.     Century,  liv.  714. 

J.  W.  Stillman.     Century,  xxxv. 

S.  Sanger.  Christliche  Herold,  1899,  pp.  203, 
219.     BerUn. 

Church  Quarterly,  xxxvi.  439. 

Same  article.     Living  Age,  cxcix.  131. 

Colburn  Magazine. 

B.  O.  Flower.     Coming  Age,  June,  1900. 

J.  Wedgwood.    Contemporary  Review,  Ixxvii.  335. 

R.  Riordan.     Critic,  n.  s.,  xxxvi.  439. 

Deutsche  Litteraturzeitung,  1898-99,  pp.  90-92. 

Dial,  xxviii.  113,  April,  1900. 

Ecclesiastical  Magazine,  Ixix.  630  ;  Ixx.  1068. 

Eclectic  Magazine,  xxxi.  69  ;  xxxviii.  335 ;  Ixxv. 
680 ;  Ixxxiii.  277. 

W.  P.  P.  Longfellow.    Forum,  xxix.  299. 

Fraser's,  xlix.  128,  133  ;  Ixxxix.  690,  May,  De- 
cember, 1860. 

Galaxy,  xiii.  164. 

Gentleman's  Magazine,  1861,  ii.  443. 

Harper's  Magazine,  xix.  578 ;  Isxx.  578. 

Hazel's  Magazine,  September,  1892. 

J.  Southworth.  Home  Magazine,  March,  1900. 
New  York. 


132    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Jahresberichte  fur   neuen  Deutsche   Litteraturge- 
schichte  I.,  xi.  8. 

E.  Engel.     Litterarisclie  Echo,  ix.  548.     Berlin, 
February,  1899. 

Leisure  Hours,  xlix.,  April,  1900. 

Littell's  Living  Age,  ccxxiv.  598. 

London  Critic,  February,  1862. 

R.  F.  Horton.     London  Quarterly  Review,  xciii. 

289-307,  April,  1856. 
M.  H.  Spielman.     Magazine  of  Art,  April,  1900. 
Macmillan's  Magazine,  xvii.  303. 
Methodist  Review,  New  York,  xlix.  697,  March, 

1900. 
Methodist  Review,  Nashville,  April,  1900. 
Methodist  Quarterly,  xx.  533. 
A.  M.  "Wakefield.     Murray's  Magazine,  viii.  587. 
Nation  (Berlin),  xvii.  9,  1899. 
L.  Stephen.    National  Review,  xxxv.  240. 
New  Ecclesiastic,  iv.  18. 
New  England  Magazine,  n.  s.,  xxi.  274. 

F.  Harrison.     Nineteenth  Century,  xxxviii.  958. 
C.  Waldstine.    North  American  Review,  clxx.  553. 
North  British  Review,  xxxvii.  1. 

TJ.  Fleres.     Nuova  Antologia,  Rome,  February  1, 

1900. 
H.  Depasse.    Nouvelle  Revue,  January,  1901. 
Once  a  Week,  xxvi.  475. 
Outlook,  Ixiv.  462. 

Same  article.     Living  Age,  ccxxii.  506. 
Oxford  and  Cambridge  Review,  numbers  4  and  6. 


THE  STUDY  OF  JOHN  RUSKIN  133 

Practical  Magazine,  vii.  161. 

Publishers'    Circular,    London,    June    23,    1900, 

p.  673. 
PubHsher's  Weekly,  February  3,  1900. 
Putnam's  Magazine,  May,  1856. 
Reader,  November  19,  1864. 
J.  Rusconi.     Rivista  Politica  e  Letteraria,  Rome, 

February,  1900. 

A.  Gof&n.  Revue  Gdndrale,  Brussels,  October, 
1897. 

J.  Berdoux.  Revue  Politique  et  Parlementaire, 
Paris,  January,  1901. 

Lord  Windsor.  Saint  George  (Stock,  ed.),  Janu- 
ary, 1901. 

Dean  Paget.     Saint  George,  January,  1901. 

Spectator,  1875. 

C.  Chapman.  Sunday  Magazine,  London^  March, 
1900. 

Henrietta  Corkran.     Temple  Bar,  cv.  15. 

Tinsley,  xUii.  689. 

University  Quarterly,  xxx.  5. 

Victoria  Magazine,  1860. 

Westminster,  1855,  1856,  Ixi.  166 ;  Ixxviii.  284. 

Writer,  iii.  47 ;  vi.  164 ;  ix.  236. 

W.  Scholermann.  Wiener  Rundschau,  iii.  156- 
158.    Leipzig,  1899. 

Young  Man,  October  and  November,  1893. 

Youth's  Companion,  February,  1900. 

B.  Ruttenauer.     Zukunft,  28  Bd.,  503-512.     Beiv 
.  ;_Un,  1889. 


134    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Ruskin  and  Architecture.  North  British  Review,  1854, 
xxi.  172. 

Ruskin  and  Carlyle.  Two  letters.  English  Illustrated 
Magazine,  ix.  105. 

Ruskin  and  Carlyle  and  their  Influence  on  English 
Thought.  William  Clarke.  New  England  Maga- 
zine, XV.  473. 

Ruskin  and  Carlyle  on  Sir  Walter  Scott.  W.  Smith. 
Igdrasil,  March,  1892. 

Ruskin  and  his  Feminine  Economics.  Century,  Ix. 
956. 

Ruskin  and  his  Home  in  the  English  Lake  District. 
M.  J.  Chappie.     National  Magazine,  vii.  241. 

Ruskin  and  Millais.     W.  J.  Stillman.     Nation,  Ixix.  9. 

Ruskin  and  Mr.  Stillman.     Nation,  Ivii.  447. 

Ruskin  and  Modern  Problems.  Am.  Review  of  Re- 
views, ix.  352. 

Ruskin  and  New  Liberalism.  E.  T.  Cook.  New  Lib- 
eral Review,  February,  1901. 

Ruskin  and  the  Edinburgh  Review.  Spectator,  Ixi. 
124. 

Ruskin  and  the  Guild  o£  Saint  George.  Lippincott,  xli. 
839. 

Ruskin  and  the  Hinksey  Diggers.  Atlantic,  Ixxxv. 
572-576. 

Ruskin  and  the  Religion  of  Beauty.  R.  de  La  Size- 
ranne.     Revue  des  deux  Mondes,  iii.  5. 

Ruskin  and  the  St.  George's  GuUd.  Prof.  Quack  De 
Gids.     Amsterdam,  Msirch,  1892. 

Ruskin  and  the  Value  of  his  Writings.  W.  S.  B. 
Mathews.     Music,  xviii.  55. 


THE  STUDY  OF  JOHN  RUSKIN  135 

Ruskin  and  Turner.     Review  of  Reviews,  xxi.  609. 
Ruskin  and  Venice.     American  Architect  and  Building 

News,  Ixvii.  55. 
Ruskin  as  a  Lecturer.     Atlantic,  Ixxxv.  271. 

Congregational,  xv.  140. 
Ruskin  as  a  Letter  Writer.     W.  G.  Kingsland.     Poet- 
Lore,  v.  1,  67,  123. 
Ruskin  as  a  Master  of  Prose.    F.  Harrison.     Nineteenth 
Century,  xxxviii.  561. 
Literary  Digest,  xi.  759. 
Ruskin  as  an  Art  Critic.     American,  v.  265. 

J.  W.  Patterson.     Art  Interchange,  March,  1900. 
C.  H.  Moore.     Atlantic,  Ixxxvi.  438-450. 
Broadway,  ii.  48. 
Hogg,  X.  434. 

Same  article.     Ecclesiastical  Magazine,  xxxi.  65. 
Monthly,  XV.  26. 
"Westminster,  Ixxx.  469. 
Ruskin  as  an  Artist.     M.  H.  Spiehnan.     Magazine  of 
Art,  xxiv.  241-258. 

Scribner's  Magazine,  xxiv.  659. 
Same  article.     Public  Opinion,  xxv.  820. 
Ruskin  as  an  Artist  and  Art  Critic.     E.  T.  Cook.     In- 
ternational Studio,  X.  77-92. 
Studio,  xix.  77. 
Ruskin  as  an  Art  Teacher.     American  Architect  and 

Building  News,  Ixvii.  45. 
Ruskin  as  a  Nationalist.      Nationalist   Magazine,  iii. 

254. 
Ruskin  as  an  Economist.     P.  Geddes.     International 
Monthly,  New  York,  March,  1900. 


136    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Ruskin  as  an  Oxford  Lecturer.     M.  J.  Bryce.     Century, 

xxxiii.  590 ;  Iv.  590. 
Ruskin  as  an  Undergraduate,  1837—41.     Saint  George, 

Januarj"-,  1901. 
Ruskin  as  a  Poet.     Spectator,  Ixvii.  590. 
Ruskin   as   a   Political   Economist.    W.   J.   Lhamon. 
Canadian  Magazine,  viii.  45. 

Quarterly  Journal  of  Economics,  ii.  414. 
Unitarian  Review,  xxiii.  241. 
Westminster,  Ixxviii.  630. 
Ruskin  as  a  Practical  Teacher.     M.  KaufEman.     Scotch 
Review,  xxiv.  21. 

Same  article.     Living  Age,  cciii.  155. 
Ruskin  as  a  Religious  Teacher.     Literary  Digest,  xiv. 

242. 
Ruskin  as  a  Religious  Writer.      Church  Observer,  Ixii. 

658. 
Ruskin  as  a  Revolutionary.     L.  D.  Abbott.     Independ- 
ent, lii.  301. 
Ruskin  as   a   Study  for  Preachers.      D.   S.  Gregory. 

Homiletic  Review,  New  York,  March,  1900. 
Ruskin  as  a  Teacher.     Catholic  World,  xxxix.  642. 

L.  A.  Rhoades.     SeLE  Culture,  xi.  142. 
Ruskin  as  a  Teacher  of  Art.     T.  Sulman.     Living  Age, 
ccxiv.  889-893. 

W.  G.  Kingsland.     Poet-Lore,  v.  405. 
American   Architect   and   Building    News,   Ixvii. 
45. 
Ruskin  as  a  Writer.     W.  H.  Spielman.     Bookbuyer, 
xix.  161,  260. 


THE  STUDY  OF  JOHN  RUSKIN  137 

Ruskin  as  Critic  and  Economist.     R.  Riordan.     Critic, 
n.  8.,  xxxvi.  230. 

Ruskin   at  Farnley.     Edith  M.  Fawkes.     Nineteenth 
Century,  xlvii.  617. 

Ruskin  at  Home.     Academy,  Ivi.  462. 

W.  H.  Spielman.     McClure's  Magazine,  ii.  315. 

Ruskin  at  Oxford.     American  Architect  and  Building 
News,  Ixvii.  72. 

Ruskin  at  St.  Ouen,  Rouen.     American  Architect  and 
Building  News,  Ix.  80. 

Ruskin  at  the  Seaside.     Eraser's,  Ixii.  719. 

Ruskin  et  la  Religion  de  la  Beauts.     University  Catho- 
lique,  i.  79. 

Leon  Banacand.     Revue  Bleue,  xxvii.,  November. 

Ruskin  for  Poet  Laureate.     Critic,  xxii.  311. 
Literary  Digest,  vii.  53. 

Ruskin  in  Relation  to  Modem  Problems.     E.  T.  Cook. 
National  Magazine,  xxii.  823. 

Same  article.      Ecclesiastical  Magazine,  xxii.  823. 

Ruskin,  Man  and  Prophet.     R.  W.  Bond.     Contem- 
porary Review,  July,  1900. 

Ruskin  Mosaic.     A.  J.  Telford.     Methodist  Review, 
New  York,  August,  1900. 

Ruskin  on  Architecture.     Journal  of  the  Society  of  Arts^ 
ii.  630. 

Ruskin  on  Drawing.     Art  Journal,  ix.  255. 

Ruskin   on    Education.     W.  Jolly.     Great   Thoughts, 
June-October,  1893. 

Ruskin  on  Gold.     J.  E.  Cairnes.     Macmillan's  Maga- 
zine, ix.  67. 

PoetrLore,  iv.  113. 


138    BIBLIOGRAPHICAL   CONTRIBUTION  TO 

Ruskin  on  Locomotives.     American  Engineer  and  Rail- 
road Journal. 

Same  article.     American  Architect  and  Building 
News,  xlvi.  16. 

Ruskin   on   the   Nature   of   Miracle.     R.  H.  Hutton. 
Spectator,  1873. 

Ruskin  on  Restoration.     American  Architect  and  Build- 
ing News,  xlvii.  60. 

Ruskin  on  the  Grotesque  in  Art.     American  Architect 
and  Building  News,  xliii.  120. 

Ruskin  on  Wordsworth.     R.   H.   Hutton.     Spectator, 
September,  1873. 

Ruskin,  Preacher.     Cornelius  Bret.     Treasury,  Febru- 
ary, 1892. 

Ruskin's  Education.     Alice  H.  Southern.     Arena,  xxii. 
631. 

Ruskin's  Fad  for  Mounting  Minerals.     Current  Litera- 
ture, xxviii.  142. 

Ruskin's   First    Published  "Writings.     W.   R.    Nicoll. 
Bookman,  i.  321. 

Ruskin's  Generosity.     American  Architect  and  Build- 
ing News,  xliii.  11. 

Ruskin's  Houses  for  the  Poor  of  London.     American 
Architect  and  BuUding  News,  lii.  66. 

Ruskin's  Most  Useful  Books.     American  Architect  and 
Building  News,  Ixvii.  18. 

Ruskin's  London  Homes.     The    House  Beautiful,  vii. 
244. 

Ruskin's  Popularity  at  Oxford.      Atlantic,  April,  1900. 
Same  Article.     American  Architect  and  Building 
News,  Ixviii.  16. 


THE  STUDY  OF  JOHN  RUSKIN  139 

Ruskin's  Social  Experiment.     Living  Age,  ccxiii.  263. 
Buskin's  Will.   American  Architect  and  Building  News, 

Ixviii.  82. 
Ruskin  the  Man,  and  his   Message.      W.  J.  Dawson. 

Young  Man,  London,  1893. 
Ruskin,   the  Reformer :    Poem.     J.  Brigham.      Chau- 
tauqua, XXX.  592. 
Ruskin   Cooperative    Association.      Fr.  Paetow.     Die 

Neue  Zeit,  xvii.  25.     Stuttgart,  1899. 
Ruskin   Cooperative   Colony.     H.   N.   Cassin.      Inde- 
pendent, li.  192. 
Ruskin  Hall ;  a  College  for  Labor  Leaders  at  Oxford. 
American  Architect  and  Building  News,  Ixiii.  34,  64. 
Ruskin  Hall  Movement.     L.  T.  Dodd  and  J.  A.  Dale. 
Fortnightly,  Ixxiii.  325. 

Review  of  Reviews,  xxi.  367. 
Ruskin  Hall,  Oxford.     C  Martin.     Revue  des  Revues, 

Paris,  September,  1899. 
Ruskin  Hall :  The  New  Workingman's  College.   Amer- 
ican Architect  and  Building  News,  Ixviii.  104. 
Ruskin  Hall :   The  Poor  Man's  College.    M.  Berkeley. 

Gentleman's  Magazine,  n.  s.,  Ixiv.  273. 
Ruskiniana.     Appleton,  xxv.  361. 
Critic,  n.  s.,  xxxvi.  233-237. 
Igdrasil,  i.    81,  121,  169,  209,  249,  297,  346;  ii. 
12,  57,  97. 
Ruskinism.     Educational  Review,  ciii.'  535. 

Same   article.      Ecclesiastical  Magazine,  xxxviii. 

333. 
Tait,  n.  s.,  xviii.  386. 
Edinburgh  Review,  1853,  ciii.  535. 


140    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Ruskinland.       L.   D.   Abbott.      Cosmopolitan,  xxviii. 

502^06. 
Ruskin  May-day  Festivals.     Igdrasil,  i.  240-243. 
Ruskin  Memorial  Fund.   International  Studio,  x.  194. 
Ruskin  Museum    at    Sheffield.      Atalanta  Magazine, 
London,  May,  1898. 

Gentleman's  Magazine,  n.  s.,  xl.  177. 

National  Magazine,  v.  403. 

Same  article.    Living  Age,  clxv.  537. 

Saturday  Review,  Ixix.  462. 
Ruskin  sur  la  Reforme  Social  par  I'esth^tique.     Baron 

J.  Angot  de  Retour.     Reforme  Sociale,  Ivi.  823. 
Saint  George's  Company.     Atlantic,  xlii.  39. 
Saint  Mark's,  Venice.     Art  Journal,  xxxii.  47. 
Sale   of   Ruskin's    Works   in    England.       Publishers' 

Weekly,  February  17,  1900. 
Selections  from  the  "  Stones  of  Venice."    International 

Magazine,  iii.  19. 
Sermon  —  Seeds  from  Ruskin.  Fruit  and  Leaf.  Preach- 
er's Magazine.     New  York,  July,  1892. 
Servant  of  Art.     R.  W.  Bond.     Contemporary  Review, 

Ixxviii.  555-578. 
Sesame  and  Lilies.     Critic,  xvi.  180. 

London  Reader,  1865,  ii.  140. 

North  American  Review,  cii.  306. 
Seven  Lamps  of  Architecture.    Church  Observer,  1.  684. 

Dublin  University,  xxxiv.  1. 

Ecclesiologist,  1849. 

Edinburgh  Review,  October,  1851. 

English  Review,  xv.  55. 


THE  STUDY  OF  JOHN  RUSKIN  141 

Examiner,  1849. 
Fraser's,  xli.  151. 
Guardian,  1847. 

S.  G.  Brown.     North  American  Review,  Ixxii.  294. 
North  British  Review,  October,  1851. 
Sincerest  Form  of  Flattery.     Comhill,  xv.  367. 
Sir  John  Millais.    American  Architect  and    Building 

News,  liii.  84. 
Sketches  of  Ruskin.     Atheneeum,  1900,  i.  119. 
Dial,  xxviii.  73. 

J.  L.  Gilder.     Harper's  Weekly,  xliv.  99. 
Independent,  xxv.  264. 
Leslie's  "Weekly,  Ixxxv.  51. 
Literary  Digest,  xx.  108,  180,  401. 
Literary  World,  xxxi.  41. 
Nation,  Ixx.  66. 
Outlook,  Ixiv.  202. 
Public  Opinion,  xxviii.  117. 
Slight  Recollections  of  Three  Great  Men :  John  Ruskin, 
Professor  John  Couch  Adams,  and  Professor  Blackie. 
H.  Corkran.     Temple  Bar,  cv.  515. 
Social  Economics  of    Ruskin.     J.  A.  Hobson.     Saint 

George,  January,  1901. 
Social  Reforms.     A.  R.  Marble.      Arena,  xxiii.  638. 
Spielman's  "  John  Ruskin,  reviewed."     Bookbuyer,  xx. 
216. 
Literary  World,  xxxi.  101. 
"  Squire  Mushroom  "  (caricature).     Quarterly  Review, 

December,  1899. 
State  and  its  Subjects.     G.  W.  Mansfield.     Westmin- 
ster, cl.  404. 


142    BIBLIOGRAPHICAL  CONTRIBUTION  TO 

Stones  of  Venice.     Athenaeum,  1851,  330,  524 ;  1853, 
933. 

British  Quarterly,  xiii.  476 ;  xviii.  460. 

Blackwood's,  September,  1851. 

Church  Observer,  li.  538. 

Dublin  University,  xxxviii.  253. 

Ecclesiastical  Review,  xciii.  591 ;  xcviii.  555. 

Edinburgh  Review,  October,  1851. 

Educational  Review,  xciv.  365. 

Eraser's,  xHx.  127,  463. 

Gentleman's  Magazine,  1851,  ii.  130. 

International,  xiii.  19. 

Living  Age,  xxix.  469. 

Literary  Gazette,  1851. 

North  British,  xv.  238  ;  xxi.  172. 

O.  Tiffany.     North  American  Review,  Ixxxvi.  83. 

Prosperity,  x.  19. 

Tait,  n.  s.,  xviii.  286. 
Studies  in  Ruskin.     Saturday  Review,  Ixx.  424. 
Study  in  Development.     London  Quarterly,  Ixxxi.  265. 
Study  in  Love  and  Religion.     J.  Telford.     Methodist 

Review,  Iv.  25. 
Teaching  of   Ruskin.      Nineteenth   Century,   xxxviii. 

958. 
Tintoretto.     W.  J.  Stillman.     Century,  xxii.  742. 
Titles  of  his  Books.     Critic,  iv.  293. 

E.  T.  Cook.     Good  Words,  xxxiv.  477. 
To   a   Portrait  of  Mr.  Ruskin's  :    Poem.     G.  S.  Lee. 

Critic,  n.  s.,  xxxvi.  227. 
Tribute  to  Ruskin.     Current  Literature,  xxvii.  193. 


THE  STUDY  OF  JOHN  RUSKIN  143 

Truth  about  Ruskin.     Fortnightly,  Ixxiii.  418-426. 
Turner  Pictures  at  Marlborough  House.     Athenaeum, 

1856,  1406. 
Turner's  Harbours  of  England.     Athenaeum,  1856, 921. 
Two  Paths.     Art  Journal,  xi.  202. 
Athenaeum,  1859,  703. 
Literary  Digest,  ii.  607. 
Type  of  Twentieth  Century  Manhood.     B.  O.  Flower. 

Arena,  xviii.  70-78. 
Unique  Dogmatism  of  Ruskin.      Living  Age,  cxxxv. 

376. 
Unpublished  Letters  of  Ruskin.     W.   G.   Kingsland. 

Poet-Lore,  v.  1. 
Unreported  Speech  on  Art.     Poet-Lore,  viii.  222. 
Unto  this  Last,  reviewed.      London  Reader,  1865,  ii. 

35,  55. 
Value  of  Ruskin's  Writings  to  Architects.     American 

Architect  and  Building  News,  liv.  26. 
Versics  Gibbon  and  Grote.     New  England  Magazine, 

xlv.  954. 
Versus  Raphael.     Art  Journal,  xi.  229-261. 
Visit  to  Museum  at  Sheffield.      Magazine  of  Art,  iii. 

57. 
Waldstine  on  Ruskin.     Academy,  xlvi.  506. 
Was  wir  lieben  und  pflegen  mttssen,  J.  Feis,  revue. 

Deutsche  Litteraturzeitimg.    Berlin,  February,  1896, 

xvii.  279. 
Wege   zur   Kimst,   revue.     Literarisches   Centralblatt, 

Leipzig,  September  10,  1898.     1494. 
Why  Ruskin  refused  the  Royal  Gold  Medal.     Ameri- 
can Architect  and  Building  News,  Ixvii.  94. 


144       BIBLIOGRAPHICAL  CONTRIBUTION 

Will  of  Ruskin.     Living  Age,  cxxxiii.  376. 

Work  and  Influence.     L.  Stephen.     Living  Age,  ccxxv. 

425. 
Work  of  Ruskin.     Harper,  Ixxviii.  382. 
Works  of  Ruskin.     Blackwood's,  Ixx.  326. 

Edinburgh  Review,   clxvii.   1888.      April,   1856, 
p.  273. 

North  British  Review,  xxxvi.  1. 

Putnam,  vii.  490. 
Writings  of  Ruskin.    G.  Saintsbury.     Critic,  xxv.  115. 

North  British  Review,  1862,  xxxvi.  1. 
All  newspapers  for  January  21,  1900. 


INDEX 


INDEX 


Abbott,  L.  D.,  136, 140. 

Academy  of  Venice,  ii. 

Acland,  Sir  Henry,  38,  103. 

AcUnd,  Sir  T.  D.,  22,  62,  106. 

Adams,  John  C,  141. 

Alexander,  F.,  100, 104,  106. 

Allen,  Qeorge,  14,  22. 

Allen,  Grace,  105. 

Allibone  Dictionary  of  Names,  vii. 

Allingham,  W.,  112. 

Allison,  40,  108. 

Alma-Tadema,  30. 

Alpine  Club,  London,  ix. 

Alps,  5,  6,  8,  69,  78. 

Amalfi,  5. 

American  Catalogue,  vii. 

American  Library  Association  Index, 
vii. 

Angelico,  Fra,  5,  101 ;  in  vol.  ii.  of 
Modem  Painters,  12. 

Angelo,  Michael,  5,  54. 

Annual  Literary  Index,  vii. 

Aratra  PenteUci,  14,  54,  55,  86. 

Architectural  Association,  lecture  be- 
fore the,  17. 

Architecture,  5,  119 ;  influence  in 
forming  Ruskin's  taste  in,  8. 

Ariadne  Florentina,  54,  56,  86. 

Aristotle,  102. 

Arrows  of  the  Chace,  54, 56,  63, 86, 106, 
119. 

Art  of  England,  56,  56,  86, 119. 

Art  Treasures  Exhibition,  Manchester, 
lecture  before,  17. 

Arundel  Society,  101,  107. 

Athenffium,'°17. 

Athenaeum  Club,  London,  ix. 

Attack  on  Turner  in  Blaclrwood's,  11. 

Atwell,  H.,  104,  102. 

Axon,  W.  E.  A.,  108. 

B.  A.,  109. 
Bain,  Alex.,  108. 


Baldry,  A.  L.,  108. 

Baldwin,  108. 

Ballantyne,  J.,  108. 

Banacand,  Leon,  137. 

Barclay,  T.,  lOi. 

Bartolomeo,  Fra,  8. 

Bateman,  Maud  A.,  105. 

Bayliss,  Wyke,  108. 

Bayne,  P.,  102,  109. 

Beers,  H.  A.,  113. 

BeU,  C.  F.,  109. 

Bellini,  John,  7. 

Benedetto,  7. 

Benjamin,  8.  G.  W.,  39,  109. 

Bennet,  W.  C,  106. 

Berdoux,  J.,  133. 

Berkeley,  M.,  139. 

Berthelot,  R.,  109. 

Bible  chapters  memorized  by  Ruskin, 
31. 

Bible  of  Amiens,  54,  56,  79. 

Bibliographle  de  la  France,  vii. 

Bibliographie  der  Deutschen  Zeit- 
schriften  Litteratur,  vii. 

Bibliotheca  Pastorum,  54,  66,  58,  81. 

Bjomson,  B.,  90. 

Black  Arts,  56. 

Blackie,  Professor,  141. 

Blackwood's  Magazine,  attack  on 
Turner  in,  11. 

Bolton,  S.  K.,  109. 

Bond,  R.  W.,  125,  137,  140. 

Bosanquet,  B.,  109. 

Botticelli, 5, 10, 19 ;  "  Zipporah"  of,  10. 

Bowker,  R.  R.,  131. 

Boxall,  W.,  7,  38. 

Brantwood,  36,  123. 

Brewster,  W.  T.,  106. 

Bret,  C,  138. 

Brigham,  J.,  139. 

British  Museum,  Catalogue,  iii. ;  speci- 
mens of  common  forma  of  native 
■ilica  in,  15. 


148 


INDEX 


Brock-Amold,  G.  M.,  109. 
Bronte,  Charlotte,  40,  111. 
Brown,  Dr.  John,  38. 
BrowneU,  W.  C,  121, 127. 
Brownings,  38,  46,  111,  126. 
Bryce,  M.  J.,  136. 
Buller,  A.  N.,  101. 
Bume-Jones,  38. 
Burton,  J.  H.,  109. 
Byron,  Lord,  37. 

Caimes,  J.  E.,  137. 
Cambridge  University,  ii,  18. 
Camden-Pratt,  A.  T.,  109. 
Carpaccio,  7, 10, 114 ;  "  St.  Ursula"  of, 

10. 
Card  will,  M.  E.,  100. 
Carrol,  E.,  109. 
Carlyle,  T.,  19,  20,  38,  40,  44, 103, 109, 

111,  113,  114,  115,  124,  125,  134. 
Carthusian  Monastery,  25. 
CasseUs,  W.,  121. 
Cassin,  H.  N.,  139. 
Catalogue      Methodic      publicazioni, 

Rome,  vii. 
Catalogue  of  a  Series  of  Specimens 

given  to  the  British  Museum,  56. 
Catalogue  of  Drawings  and  Sketches 

by  Turner,  13, 52,  55,  57. 
Catalogue  of  Examples  arranged  for 

Elementary  Study,  53,  56. 
Catalogue   of  Minerals  given  to   the 

Kirkcudbright  Museum,  55,  56. 
Catalogue  of  Pictures  in  Illustration  of 

liectures  on   Flamboyant  Architec- 
ture, 53,  56. 
Catalogue  of  Pictures  sold  at  Christie's, 

53,57. 
Cestus  of  Aglaia,  57. 
Chambers's  Encycloi>8Bdia,  109. 
Chamovmi,  79. 
Chapman,  C,  133. 
Chappie,  M.  J.,  134. 
Chautauqua  Library,  104. 
Cheap   literature,    Buskin's    opinion 

of,  15. 
Chesneau,  B.,  73, 100,  109,  125. 
Childhood  of  Ruskin,  2. 
Chorley,  H.,  114. 
Circular  respecting  Memorial  Studies 

at  St.  Mark's,  54,  57,  63. 
Clarke,  I.  E.,  109. 


Clarke,  W.,  134. 

Clement,  C.  E.,  99,  103, 105, 109. 

Clifford,  Dr.,  123. 

Coeli  Enarrant,  55,  57,  76. 

Collingwood,  W.  G.,  vii,  12,  21,  29, 

38,    80,   102,    106,    110,    120,    121; 

quoted,  2, 16, 19,  21,  25,  34,  38,  40, 

43. 
Convergence  of  Perpendiculars,  57. 
Conway,  M.  D.,  107, 110. 
Cook,  D.,  110. 
Cook,  E.  T.,  104,  106,  110,  125,  134, 

135,  137,  142. 
Cooke,  W.  G.,  110. 
Corkran,  Henrietta,  133,  141. 
Crane,  Lucy,  99. 
Crawford,  A.  G.,  103. 
Crossing-sweeping,  20. 
Crown  of  WUd  Olive,  18, 27, 53, 57, 86, 

87,  94,  95,  96. 
Crystal  Palace,  79. 
Cumulative  Index,  vii. 
Cundall,  J.,  110. 
Cunningham,  A.,  103,  110. 

Dale,  J.  A.,  139. 

Dart,  Henry,  32,  38. 

Darwin,  Charles,  30. 

Dates,  of  birth,  ix,  2,  35 ;  of  death, 

ix. 
Dawson,  W.  J.,  139. 
Denmark  HiU,  35. 
Deucalion,  14,  54,  57,  87. 
Dickens,  Charles,  63. 
DUecta,  55,  58. 
Dodd,  L.  T.,  139. 
Dole,  9. 

Domecq,  1,  20,  26. 
Downes,  B.  P.,  110, 
Dowse,  T.,  110. 
Drawings,  58. 
Durand,  J.,  110. 
Diirer,  9. 
Dyer,  W.  R.  A.,  110. 

V 
Eagle's  Nest,  10,  18,  28,  54,  58,  87. 
Earle,  J.,  101. 
Eastlake,  C.  L.,  58,  110. 
Education  in  Art,  58. 
Education,     needed    but    neglested, 

58. 
Education  of  Ruskin,  31. 


INDEX 


148 


Elementa  of  Drawing,  13,  16,  52,  68, 

88,122. 
Elementa  of  English  Prosody,  54,  58. 
Elements  of  Perspective,  13, 53, 58, 88, 

122. 
Emerson,  R.  W.,  Ill,  114. 
Encyclopaedia  Britannica,  110. 
Engel,  E.,  132. 

English  Catalogue  of  Books,  vii. 
English    Cyclopaedia    of    Biography, 

41. 
Enquiries  on  Causes  of  the  Color  of  the 

Water  of  the  Rhine,  59. 
Essays,  88. 

Etherington,  L,  N.,  109. 
Ethics  of  the  Dust,  riii,  14,  59,  88,  94, 

95,  96,  122. 
Everett,  Edward,  110. 
Exliibition  of  Raskin's  paintings,  10. 

Facts  and  Considerations  on  the  Strata 
of  Mont  Blanc,  59. 

Farrer,  F.  W.,  102,  110. 

Father  of  Ruskin,  1,  4,  16,  32,  34  ;  in- 
fluence on  Rtukin,  1. 

Fawkes,  E.  M.,  137. 

Feis,  J.,  97, 108,  110, 124, 143. 

Fielding,  H.,  32. 

Fielding,  Copley,  83,  35. 

Finances  of  Ruskin,  27. 

Fitzgerald,  E.,  111. 

Fleming,  Albert,  Raskin  Linen  IndoB- 
try,  23. 

Fleres,  U.,  132. 

Florence,  101,  114  ;  mornings  in,  54. 

Flower,  B.  O.,  130,  143. 

Forbes,  J.  D.,  107. 

Forms  of  Stratified  Alps,  53,  59. 

Fors  Clavigera,  viU,  14,  53, 59, 88, 107, 
122. 

Foster,  J.,  111. 

Fouquier,  M.,  111. 

Fred,  W.,  130. 

French  translations  and  articles,  87, 
97,  109,  113,  114,  IID,  124,  128,  130, 
132,  133,  134,  137,  140. 

Friendsliip's  Offering,  Raskin's  con- 
tributions to,  12. 

Frith,  Henry,  130. 

Frith,  W.  P.,  111. 

Frondes  Agrestes,  54,  60,  76,  89. 

Froude,  J.  A.,  38,  111. 


Fnmivall,  73, 107. 
Future  of  England,  60. 

Gainsborough,  109. 

Gall,  L.,  111. 

Galloway,  Countess  of,  116. 

GaskeU,  E.  C,  111. 

Geddes,  P.,  111,127,135. 

Geneva,  6. 

Geological  Society,  ix. 

Geology,  Ruskin's  relaxation,  15. 

George,  Henry,  115. 

German  translations  and  articles,  89, 
97, 107,  108,  111,  124,  130,  131,  133, 
139,  143. 

Germany,  9. 

Ghirlandajo,  101. 

Gibbon,  143. 

Gibbs.M.  &E.,  100. 

Gilder,  J.  L.,  141. 

Giotto,  52,  GO,  89, 115. 

Gladstone,  W.  E.,  30,  38,  111. 

Goffln,  A.,  133. 

Gold  ;  a  dialogue,  GO. 

Goodwin,  P.,  111. 

Gosse,  E.,  Ill,  128. 

Gotthelf,  J.,  107. 

Graduate  of  Oxford,  Raskin's  pseu- 
donym, 11. 

Graduation,  6. 

Greeuaway,  Kate,  100. 

Green,  B.  H.,  105,  111. 

Green,  S.  G.,  125. 

Gregory,  D.  8.,  136. 

Griffith,  T.,  4. 

Grimm  brothers,  101. 

Griswold,  H.  T.,  111. 

Grosvenor,  E.  A.,  123. 

Grote,  143. 

Guide  to  the  Principal  Pictures  in  the 
Academy,  Venice,  54,  61. 

Gull,  Sir  W.,  38. 

Gutherie,  T.,  103. 

Hales,  J.  W.,  111. 

HaU<;,  Charlee,  38. 

Hamerton,  P.  O.,  43,  102,  112. 

Handwriting,  3,  123. 

Harbours  of  England,  52,  61, 89, 143. 

Harding,  J.  D.,  7,  38. 

Hare,  A.  J.  C,  101,  107. 

Harrison^  F„  112, 128,  132, 136. 


150 


INDEX 


Heinrich's  Katalog,  vii. 

Bensius'  Bucher-Lexikon,  vii. 

Herbert,  George,  25,  37. 

Heme  HUl,  2,  13, 120. 

Hill,  A.  S.,  104, 112. 

HiU,  a.  B.,  112. 

Hillis,  N.  D.,  112. 

Hinksey,  road-making,  23,  134. 

Hobson,  J.  A.,  vii,  20,  45,  112, 123,141. 

Hodgkioa,  112. 

Holbein,  9,  82,  101,  106,  110. 

Hoppin,  J.  M.,  39,  43,  '00,  112. 

HorsfaU,  T.  C,  106. 

Horton,  R.  F.,  132. 

Hortus  Inclusus,  viii,  65,  61,  89,  123. 

HoweU,  C.  A.,  125. 

Hubbard,  Elbert,  vii,  36,  112. 

HufiEord,  li.  G.,  105. 

Hunt,  Holman,  70,  71,  103. 

Hunt,  M.,  112. 

Hutton,  L.,  99, 109. 

Button,  R.  B.,  112, 138. 

Baria  di  Caretto,  7. 

Imperial  Dictionary,  112. 

Inaugural  Address  at  Cambridge,  53, 
61,  89,  123. 

Induration  of  Sandstone,  61. 

In  Mortibus  Sanctus,  61,  89. 

Introduction  to  Poetry  of  Architec- 
ture, 61. 

Italian  translations  and  articles,  88, 
132, 133. 

Jahresberichte  fiir  neuere  Deutsche 

Litteraturgeschichte,  vii. 
Jameson,  Anna,  7,  30,  38. 
Japp,  A.  B.,  41,  46,  113. 
Johnson,  R.,  102. 

Johnson's  Universal  Cyclopaedia,  113. 
JoUy,  W.,  113,  137. 
Joy  Forever,  61,  80,  89. 

Kdroly,  Karl,  101. 

Rata  Fhusin,  pseudonym,  11,  80. 

Kauffman,  M.,  136. 

Kayser,  C.  G.,  vii. 

Kennedy,  W.  8.,  105. 

Keswick,  23,  124. 

King  of  the  Golden  River,  26,  61,  89, 

90,96. 
Kingsland,  W.  G..  125.  135«  136. 143. 


Kingsley,  Charles,  ix. 
Knapp,  K.  A.,  123. 
Knight,  C,  113. 
Knight,  J.,  113. 

I^brosse,  P.,  113. 

LaFarge,  J.,  119. 

Lake  Maggiore,  9. 

Lancaster,  B.  B.,  113. 

Landseer,  Edwin,  102,  106. 

Laws  of  F6sole,  7, 15,  54,  61. 

Laxey,  22. 

Layard,  A.  B.,  101. 

Lectures  on  Architecture  and  Faint- 
ing, 17,  52,  62,  91,  124. 

Lectures  on  Art,  53,  62,  91,  124. 

Lectures  on  Landscape,  62,  124. 

Lee,  G.  S.,  142. 

Leoni,  53,  62. 

Leopold,  Prince,  38. 

Leslie,  C.  R.,  113. 

L' Estrange,  A.  B.,  114. 

Letters,  55,  62-75,  83,  84,  88,  91,  125, 
129. 

Letters  addressed  to  a  Coll^^e  Friend, 
viii,  62,  91. 

Letters  to  the  Clergy,  73. 

Letters  to  the  Times,  52,  71,  74. 

Lewin,  W.,  105. 

Lewis,  J.  F.,  10,  38. 

Lhamon,  W.  J.,  136. 

Lilienbach,  A.  L.,  130. 

Lindsay,  Lord,  38 ;  Christian  Art,  12, 
75. 

Longfellow,  W.  P.  P.,  123,  131. 

Lord's  Prayer,  64,  125. 

Lorenz  Catalogue,  vii. 

Lorraine,  Claude,  100. 

Loudon's  Magazine,  Raskin's  contri- 
butions to,  11. 

Love  affairs,  26. 

Love's  Meinie,  14,  18,  54,  75,  91. 

LoweU,  J.  R.,  ix,  114. 

Lucca,  6. 

McCarthy,  J.  H.,  113. 
Macillier,  B.  C,  113. 
Malleson,  F.  A.,  73,  128. 
MaUock,  W.  B.,  38. 
Manning,  Cardinal,  25,  38. 
Mansfield,  G.  W.,  141. 
Marble,  A.  R.,  141. 


INDEX 


151 


Marriage  of  RusUn,  26. 

Harsh,  O.  P.,  113. 

Martin,  C,  139. 

Mather,  J.  M.,  vii,  113. 

Mathews,  W.  8.  B.,  134. 

Maurice,  F.  D.,  38;  Workingfrnen's 
Club,  17,  21. 

Memorial  sent  to  Rnakin  (m  his  birth- 
day, 47. 

Mental  collapse,  29. 

Meynall,  A.  G.,  113. 

Miles,  N.  H.,  113. 

Millais,  J.  E.,  8,  38,  67,  71,  78,  134. 

MiUais,  J.  G.,  113. 

Mill,  John  8.,  21,  112. 

Milsand,  J.,  113,  128. 

Minto,  W.,  99,  114. 

Mitford,  M.  R.,  114,  125. 

Modem  Painters,  viii,  3,  11, 12, 48, 53, 
75,  76,  81,  91,  104, 107, 123, 126, 128. 

Modem  Warfare,  77. 

MoUett,  J.  W.,  106. 

Molmenti,  P.,  114. 

Monuments  of  the  Caralli  Family,  77. 

Moore,  C.  H.,  38,  135. 

Morgan,  A.  D.,  122. 

Mornings  in  Florence,  28,  54,  77,  92, 
95. 

Morri8,W.,  38,83,  114. 

Morton,  E.  P.,  128. 

Mother  of  Ruskin,  2,  3,  34. 

Muir,  R.  J.,  114. 

MiiUer,  Max,  33,  38. 

Munera  Pulveris,  63,  60,  77,  92. 

Murray's  Quarterly,  Ruskin's  contri- 
butions to,  11. 

My  First  Editor,  77. 

Mystery  of  Life,  77. 

Naples,  5. 

National  Gallery,  64,  68, 104. 
National  Gallery  Letters,  71,  77. 
Nature  and  Authority  of  Miracle,  77, 

127. 
Newdigate  prize,  32. 
Newton,  Sir  C,  38. 
NicoU,  H.  J.,  114. 
NicoU,  W.  R.,  114,  122,138. 
Nisbet,  Hume,  114. 
Northcote,  33,  35. 
Norton,  C.  E.,  29,  38,  102,  114. 
Notes  on  the  Exhibition,  127. 


Notes  on  the  General  Principles  of 

Employment,  53,  78. 
Notes  on  the  Perforation  of  a  Pipe,  78. 
Notes  on   the  Principal  Pictures   of 

Millais,  78. 
Notes  on  the  Prout  and  Hunt  Exhibit, 

54,77. 
Notes  on  the  Royal  Academy,  13,  52, 

54,78. 
Notes  on  Sheepfolds,  77, 84,  92,  121. 
Notes  on  the  Turner  Exhibition,  54, 

78. 
Notes  on  the  Tomer  Gallery,  52,  78, 

127, 143. 
Notice  sent  by  Ruskin  to  his  friends,  9. 

OUphant,  M.  O.  W.,  vii,  39,  114. 

On  the  Nature  of  the  Gothic,  79,  83. 

On  the  Old  Road,  55, 79, 92. 

Opening  of  the  Crystal  Palace,  12& 

0'8hea,  M.  V.,  90. 

Osier,  W.  R.,  114. 

Our  Fathers  Have  Told  Us,  79,  92. 

Owen,  A.  C,  99. 

Oxford  education,  32. 

Oxford  lectures,  10, 14, 16, 18, 79, 128, 

136. 
Oxford  Museum,  53,  79, 103. 

Paetow,  Fr.,  139. 

Paget,  Dean,  133. 

Paget,  v.,  119. 

Painting,  influence  in  forming  Ras- 
kin's taste  in,  7. 

Palgrave,  F.  T.,  114. 

Pamphlet  pleading  for  the  preserva- 
tion of  buildings,  13,  62. 

Paris,  5. 

Pfttmore,  C,  64,  115. 

Patterson,  J.  W.,  135. 

Patterson,  M.,  115. 

Patterson,  R.  H.,  115. 

Peabody,  A.  P.,  129. 

Pengelly,   R.  E.,  116. 

Perry,  B.,  103. 

Perugino,  7. 

Phillimore,  C.  M.,  101. 

Phoebus,  V.  C,  115. 

Pisa,  9 ;  art  treasures  of,  6. 

Pisano,  19. 

Planting  of  Church- Yards,  79. 

Plato,  33. 


152 


INDEX 


Piatt,  W.  H.,  99. 

Pleasures  of  England,  55,  79,  93. 

Poems,  48,  55,  80,  93,  106,  128. 

Poems  :  "  John  Ruskin,"  122, 128, 142. 

Poetry  of  Architecture,  55,  80,  93. 

Political  economist,  20. 

Political  Economy  of  Art,  16,  52,  62, 

80,  93,  129. 
Poole's  Index,  vii. 
Pope,  Alexander,  37k 
Porter,  R.,  107. 
Portfolio,  80. 

Prseterita,  viii,  29,  55,  80,  93,  129. 
Pre-Raphaelite  Brotherhood,  11. 
Pre-Raphaelitism,  viii,  11,72,  80,  83, 

93,  105,  108,  115,  129. 
Proserpina,  14,  54,  80. 
Prout,  S.,  33,  82 ;  sister  of,  38. 
Publishers'  Weekly,  vii. 

Quack,  Professor,  134. 

Queen  of  the  Air,  14,  28,  53,  81,  94. 

Queen  Victoria,  ix. 

Quilter,  H.  115. 

Range  of  Intellectual  Conception,  81. 

Raphael,  104,  143. 

Rawnsley,  H.  D.,  121. 

Raymond,  G.  L.,  104,  115. 

Reading  done  by  Ruskin  on  travels,  9. 

Reclaim's  Universal  Bibliothek,  vii. 

Relation  between  Michael  Angelo  and 

Tintoret,  64,  81. 
Religious  views  of  Ruskin,  24. 
Remarks  addressed  to  an  Art  Class, 

81. 
Renaudin,  P.,  119. 
Rendu,  Louis,  107. 
Repertoire  Bibliographique,  vii. 
Report  on  Turner's  Drawings,  81. 
Retour,  J.  A.  de,  140. 
Review  of  Reviews,  viii. 
Reynolds,  Sir  Joshua,  124. 
Rhoades,  L.  A.,  41,  136. 
Richmond,  George,  5,  38. 
Ridpath's  Library,  viii,  115. 
Righi,  9. 

Riordan,  R.,  131,  137. 
Rippingille,  E.  V.,  115. 
Ritchie,  Aima  T.,  41,  115. 
Ritchie,  L.,  107. 
Rogers,  H.,  12. 


Rogers's  Italy,  Ruskin's  first  Turner,  3. 

Roget,  J.  L.,  115. 

Rome,  5,  9. 

Rood,  O.  N.,  115. 

Rose,  H.,  115. 

Rossetti,  D.  G.,  22,  30,  38,  100,  105, 
112,  113,  117, 130. 

Rossetti,  W.  M.,  41,  105,  116. 

Rousseau,  37. 

Royal  Academy,  13,  52,  71. 

Royal  Academy  of  Antwerp,  ix. 

Royal  Academy  of  Brussels,  ix. 

Royal  CoUege  of  Science,  18. 

Royal  Institute  of  British  Architects, 
19. 

Royal  Military  Academy,  19. 

Royal  Society  of  Painters  in  "Water 
Colors,  ix. 

Rubens,  130. 

Runciman,  M.  M.,  33,  104. 

Rusconi,  J.,  133. 

Ruskin,  John,  viii ;  as  a  landlord,  23 ; 
health,  29  ;  lecturer,  16-18,  22  ;  love 
of  animals,  34 ;  membership  in  clubs, 
ix ;  personality,  33  ;  Rede  lecturer, 
ix;  sketches,  130-133;  Slade  lec- 
turer, ix ;  standing  in  the  art  world, 
13 ;  writing,  16. 

Ruskiniana,  55,  81,  139. 

Ruskin  Society,  105,  116. 

Russell,  W.  C,  116. 

Ruttenauer,  B.,  133. 

Rydings,  Egbert,  Laxey  settlement, 
22. 

St.  Andrews  University,  19. 

St.  George's  Society,  21,  60,  73,  104, 
116,  134, 140. 

St.  Mark's  Rest,  15,  54,  81,  94,  140. 

St.  Martin's  School  of  Art,  lecture  be- 
fore, 17. 

Saintsbury,  G.,  41,  46,  116,  144. 

Salsette  and  Elephanta,  32,  50,  54,  82. 

Samson,  G.  W.,  103,  116. 

San  Francesco,  Cloister  of,  6. 

Sanger,  S.,  131. 

San  Miniato,  12. 

San  Rocco,  Venice,  7, 107. 

Santa  Croce,  8. 

Santa  Maria  Novella,  8. 

Scholermann,  W.,  133. 

Scott,  Sir  W.,  134, 


INDEX 


153 


Bcott,  W.  B.,  90, 114. 

Scudder,  H.  E.,  116. 

Scudder,  V.  D.,  101,  106, 116. 

Sculpture,  influence  in  forming  Rub- 
kln'g  taste  in,  7. 

Scythian  Quest,  48,  60,  82. 

Sears,  Lorenzo,  116. 

Seeley,  A.,  116. 

Sesame  and  Lilies,  Till,  27,  28,  63,  77, 
82,  95,  96,  140. 

Seven  Lamps  of  Architecture,  viii,  12, 
27,  81,  82,  96,  140. 

Severn,  Arthur,  9, 35. 

Severn,  Joseph,  5,  38. 

Shakespeare,  32,  37,  107. 

SheUey,  37. 

Shepherd,  R.  H.,  vUl,  116. 

Shepherd,  116. 

SiUar,  R.  G.,  107. 

Sizeranne,  R.  de  La,  116, 124, 130, 134. 

Skelton,  J.,  117. 

Smart,  W.,  117. 

Smith,  L.  W.,  128. 

Smith,  Sidney,  42. 

Smith,  W.,  99,  134. 

Social  PoUcy,  20,  82. 

Somervill,  R.,  104. 

Southern,  A.  H.,  122, 138. 

Boutliey,  30. 

South  Kensington  Museum,  107 ;  lec- 
ture at  opening  of,  17. 

Bouthworth,  J.,  131. 

Spiehnan,  M.  H.,  117,  129,  132,  135, 
136,  141. 

Stanley,  Dean  H.  P.,  32,  38. 

Statham,  M.  H.,  117. 

Stephens,  F.  G.,  106, 117. 

Stephen,  L.,  132. 

StiUman,  W.  J.,  38, 117,  120,  121,  131, 
IM,  142. 

Stones  of  Venice,  7, 12,  79, 82,  97, 107, 
117,  140,  142;  revisiting  the  scenes, 
10  ;  illustrations,  11  ;  translated,  97. 

Storm  Cloud  of  the  Century,  55,  83, 
97. 

Story,  W.  W.,  117. 

Stowe,  H.  B.,  38. 

Strachey,  H.,  104,  117. 

Stranahan,  C.  H.,  101. 

Stronach,  G.,  125. 

Studies,  98. 

Study  of  architecture,  83,  98. 


Sturgia,  R.,  119. 

Suhnan,  T.,  126, 136. 

Swan,  H.,  104. 

Sweetser,  M.  F.,  100, 101, 117. 

Switzerland,  8. 

Sylvan,  U.,  121. 

Symonds,  J.  A.,  42. 

Tavener,  Lucking,  42, 129. 

Tea  shop,  23. 

Telford,  A.  J.,  137. 

Temple,  F.,  62. 

Temple,  Lord  Mount,  22,  38. 

Tennyson,  A.,  109,  112,  113, 126. 

Thackeray,  W.  M.,  38. 

Thirlwall,  Connop,  117. 

Thomaa,  C.  W.,  117. 

Thoreau,  H.,  43,  117. 

Thomhury,  W.,  102, 117. 

Tiffany,  O.,  142. 

Time  and  Tide,  14,  28,  63,  83,  98. 

Tintoretto,  7,  107,  114,  142;  in  the 
Zecca,  7 ;  vol.  ii.  of  Modem  Paint- 
ers, 12  ;  catalogue  of  pictures,  13. 

Titian,  7. 

Tolstoi,  Leo,  46. 

Torrey,  J.,  106. 

To3-nhee,  Arnold,  38. 

Trade  List  Annual,  viii. 

Traill,  H.  D  ,  117. 

Translations  of  works,  85,  87,  88,  89, 
97. 

Travels  of  Ruskin,  4-9 ;  in  England, 
4,  5,  8 ;  in  Scotland,  4,  5,  8,  14 ;  in 
Wales,  4 ;  Continental,  5,  6,  7,  8 ; 
with  his  wife,  8. 

Tree  Twigs,  63,  84. 

True  and  beautiful,  94,  96. 

Tuckerman,  H.  T.,  117. 

Timbridge  Wells,  lecture  at,  17. 

Turner,  J.  M.  W.,  64, 70, 71, 74, 106, 107, 
112, 116,  117  ;  and  Ruskin,  104, 135 ; 
catalogues,  52,  55 ;  estimate  of  Rus- 
kin, 39;  Gallery,  52,  74;  influence 
on  Ruskin,  20 ;  J.  F.  Lewis's  relation 
to,  10 ;  Liber  Studiorum,  106 ;  life  of, 
102,  111 ;  meeting  of  Ruskin  and, 
4  ;  notes  on  Turner  Exhibition,  64 ; 
pictures  owned  by  Ruskin,  3,  4; 
Ruskin's  defence  of,  11  ;  Ruskin'a 
estimate  of,  30 ;  Ruskin  his  execa- 
tor,  15 ;  Slave  Ship,  4. 


154 


INDEX 


TuthiU,  L.  C,  viii.  44, 103, 107. 
Two  Paths,  53,  84,  98. 
l^dall,  30. 

Tyrwhitt,  R.  St.  J.,  100, 103, 117. 
Tytler,  Sarah,  103,  118. 

University  of  Literature,  118. 
Unto  This  Last,  27,  53,  84,  98. 
Usury,  84. 

Val  d'Amo,  19,  54,  84,  98. 

Valentine,  C,  120. 

Van  Dyke,  J.  C,  118. 

Vapereau,  Or.,  118. 

Vecchio,  7. 

Venice,  101, 107  ;  guide  to  the  pictures, 
54;  Ruskin  in,  5,  7,  10,  37;  St. 
Mark's  Rest,  15 ;  schools  of  paint- 
ing, 7. 

Verona  and  its  Rivers,  53,  75,  85,  98. 

Veronese,  7. 

Wakefield,  A.  M.,  44,  105,  132. 
Waldstine,  C,  118,  122,  132,  143. 
Walsh,  W.  S.,  118 
Ward,  M.  A.,  118. 
Ward,  W.,  74,  118,125. 
Warner,  C.  D.,  102. 
Warsfold,  W.  B.,  118. 
Water  Color  Painters,  Society  of,  ix, 
100, 115. 


Wedderburn,  A.  D.  O.,  38. 

Wedgwood,  J.,  118, 123, 127, 131. 

Wedmore,  F.,  105,  118. 

Welsh,  A.  H.,  viii,  118. 

Whistler,  J.  McN.,  30,  118. 

Whitehouse,  J.  H.,  116. 

Whitman,  Walt,  ix. 

Who 's  Who  in  England,  viii. 

Wightwick,  G.,  119. 

Wilkie,  Sir  D.,  106. 

Williamson,  G.  C,  100. 

Winchester,  C.  T.,  119. 

Windsor,  Lord,  133. 

Windus,  Godfrey,  38;    collection  of 

Turner  pictures,  3. 
Wiseman,  N.  P.  S.,  119. 
Wise,  T.  J.,  73,  119. 
Wochentliches  Verzeichnis,  viii. 
Wordsworth,  W.,  30,  37,  112. 
Works,  Editions  of,  55,  85,  144. 
Womum,  Ralph  N.,  101,  106. 
Writings  of  Ruskin,  15,  33,  48,  56- 

108. 

JS^enophon,  58. 

Yates,  E.  H.,  119. 
Young,  E.,  119. 

Zecca,  Venice,  7. 
Zoology,  ix. 


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